Minggu, 22 Maret 2020

Ruthie Ann Miles reveals she's pregnant again after losing daughter, unborn baby in crash - New York Post

Ruthie Ann Miles, the Broadway star whose daughter and unborn baby died after a driver blew through a red light on a Park Slope street, has revealed that she is pregnant again.

Miles shared the news Saturday that she and husband Jonathan Blumenstein will become parents again in the spring.

“We’d like to announce our very happy news: We are expecting another child this spring!” Miles wrote on Instagram.

The news comes two years after a pregnant Miles and her 4-year-old daughter Abigail were struck by a driver with a history of infractions.

Dorothy Bruns, 44, ran a red light at a busy intersection, killing Abigail and injured the actress, who later suffered a miscarriage.

Bruns — who had multiple sclerosis and was prone to seizures and later died by suicide — also fatally mowed down 1-year-old Joshua Lew and injured his mom.

On Saturday, Miles thanked loved ones for helping the couple heal from the horrific accident.

“Thank you especially to the many of you who supported us in the aftermath of the crash, continually lifted us up in prayer, doused us with love, encouraged us, let us be and grieve these two years, and now rejoice with us in this new life,” Miles wrote.

She added that Abigail and her unborn baby girl, who she planned to name Sophia, would have welcomed the addition to their family.

“We know Abigail Joy and Sophia would have loved being big sisters and are loving watching their family grown,” she said.

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2020-03-22 14:33:28Z
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Idris Elba praises Tom Hanks for 'immediately' sharing coronavirus diagnosis in Oprah COVID-19 interview - USA TODAY

Got questions about coronavirus? Don't fret: Oprah Winfrey is here to help.

The former daytime talk-show host revealed Saturday that she's producing a new streaming series devoted to answering questions and dispelling myths about COVID-19.

"Oprah Talks COVID-19" is available on Apple TV+ and can be viewed in more than 100 countries, according to Apple.

More: 'Walking Dead: World Beyond,' Cannes, 'Friends' reunion, join coronavirus postponements

Winfrey's first installment features FaceTime interviews with actor Idris Elba and his wife, Sabrina Dhowre. Elba revealed recently that he'd tested positive for COVID-19 and Dhowre said she learned the morning of the interview that she had tested positive as well, without feeling any major symptoms of the virus. 

"Like millions of people all over the world, I've been staying safer at home for over a week now," Winfrey tweeted. "I know a lot of people are feeling stressed, overwhelmed, & uncertain. Bc of that, I want to offer some hope & gather thought leaders & people going through it to add some perspective."

In the opening of the first episode, she observed: "This is a big test for our humanity. We have an opportunity, in the midst of all our fears and disruption, to really rise."

The interview was an exclusive of sorts: Elba, who along with Dhowre, is currently quarantined in New Mexico, where he had expected to start filming a new project. 

He said he chose to talk to Winfrey so he could discuss his health with someone he considers a friend, "but also someone whose journalistic approach to doing things like this is probably one of the best." 

So why go public? 

"COVID-19 has come to a sort of pressure point right now but for the last two weeks, it's been a talking point and I really felt that a lot of people didn't know what was going to come ... It didn't really feel relatable. There were a bunch of theories going around: It's a conspiracy! Is it even real?" Elba, 47, recalled. "And when I got tested and it came back positive, it became very real. It was always real for me but it became very real. And I just felt compelled to tell people that this is very real. Someone like myself, in the public eye, can press a button and 30 million people will get a message the next day, I think is a really important component in the messaging around COVID-19 right now."

Elba said he was inspired to come forward by Tom Hanks and Rita Wilson, the first major stars to announce they had been diagnosed with coronavirus last week. 

"Tom being in a – I suppose – a high risk category, while being on set on a film, came out immediately, which was the right thing to do, 100%," he said. "Film sets are incubators, essentially ... I think Tom definitely did the right thing ... I spoke to my wife about it and said, 'I really think I should say something' and she said, 'Yeah, let's do it.' "

By way of an update on his health, Elba said, "I feel fine – been checking my temperature every day." (It appears he has not suffered from a fever, noting he has stayed around the normal range of 98 degrees.)

"I really haven't witnessed any major symptoms," he said, adding that he isn't sure how long he'll be in isolation but knows he'll have to be tested again at some point. 

The silver lining in all of this: He's had a chance to catch his breath. "The rest, if I'm really honest, has been incredible – just being able to sit still. I never sit still, and so from a mental point of view, I feel pretty focused and (have) been OK." 

COVID-19 pandemic: Andy Cohen, 'Bachelor' star Colton Underwood both test positive for coronavirus

Viewers can watch the first episode at tv.apple.com without a subscription. Additional installments of "Oprah Talks COVID-19" will roll out each week, Apple said.

Winfrey retired from daytime TV in May 2011, after hosting her own talk show for 25 years. Since then, she's focused on OWN, her cable TV network, and a number of side projects.

Contributing: Jayme Deerwester and Hannah Yasharoff, USA TODAY

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2020-03-22 13:44:47Z
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Robin Roberts' Surprising Connection to Kenny Rogers - Showbiz Cheat Sheet

The world woke up to some truly shocking news on March 21: Country music legend Kenny Rogers had died. Surrounded by family and friends, he passed away from natural causes while in hospice care late on March 20. Rogers was 81.

The news triggered a wave of mourning and tributes from fans and celebrities alike. Among them was Good Morning America anchor Robin Roberts, who revealed on Instagram that Rogers was one of her favorite artists to play during her days as a radio DJ.

Robin Roberts and Kenny Rogers
(L-R) Robin Roberts and Kenny Rogers | Taylor Hill/Getty Images North America; Anna Webber/WireImage

Read Robin Roberts’ full post about Kenny Rogers

Roberts took to Instagram on the morning of March 21 to react to the news of Rogers’ death, which was announced on his personal Instagram page.

“Very sad to wake up to the news that [Rogers] has passed away,” she began. “Thinking of his family and many fans. I had the pleasure of meeting Kenny and he was always such a gentleman.”

Roberts went on to say that Rogers’ music had a special place in her heart, noting that he was one of her favorite artists to play when she worked as a country music DJ in the early days of her career.

“When I was a country music DJ in Hammond, Louisiana in the early 80’s I often ended my Saturday night 9pm to 1am shift at WFPR 14Country by playing Kenny’s ‘Through The Years.’ Just one of the country legend’s many hit songs,” she continued.

Many fans were stunned by the post, with one person writing: “Wait. You were a country music DJ? How did I not know this about you?”

“A country music DJ, who’d a thought? What haven’t you done!” someone else added.

“You need to write a book ’cause that is a story I need to hear!” commented another.

Others who paid tribute to Kenny Rogers

It seems like thousands of people shared remembrances online. Among those who paid tributes were many celebrities, such as George Takei and LeAnn Rimes.

“I can’t express on twitter the impact Kenny Rogers the artist and the man had on me,” tweeted fellow country music star Blake Shelton. “He was always very kind and fun to be around. Rest In Peace Gambler…”

Lionel Richie followed up with a heartbreaking post about the pain of losing one of his “closest friends.”

“So much laughter so many adventures to remember, my heart is broken… My prayers go out to Kenny’s Family,” the singer continued on Twitter.

Keith Urban was another star who paid tribute to the late country music titan, thanking Rogers “for decades of genre-bending music and collaborations – for making music that travelled the globe .. and songs that became common threads for people from all walks of life!!”

What to know about Kenny Rogers’ memorial services

Many fans are looking forward to the chance to pay their respects at a public memorial for Rogers. But due to the coronavirus pandemic, a public event like that has reportedly been ruled out at this time.

Rogers’ family has allegedly decided to have a private ceremony for the singer and will host a public memorial at a later date. Read more about that here.

Don’t miss: What Was Kenny Rogers’ Net Worth at the Time of His Death?

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2020-03-22 12:51:28Z
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Taylor Swift Seemingly Addresses the Leaked Kanye West Phone Call - E! NEWS

Kanye West, Taylor Swift, 2009 MTV Video Music Awards, VMAs

Christopher Polk/Getty Images

Taylor Swift is speaking out... well, kind of.

On Saturday evening, the Lover songstress seemingly addressed the recently leaked Kanye West phone call that she and him had back in 2016. You know, the one that reignited their feud.

For some back story: Late on Friday, extended video footage leaked online of what appeared to be the infamous phone call between West and Swift. He can be seen talking to her about his controversial lyric in his tune, "Famous," which was on his The Life of Pablo album.

It's important to note that E! News has not verified the authenticity of the video.

Naturally, the new footage spread like wildfire online and now the 30-year-old star is seemingly speaking out about it.

As a fan of Tumblr, the Lover singer appeared to be "liking" posts about the whole ordeal. "Taylor told the truth mood board," one post read that she seemed to approve of.

"How I sleep at night knowing we were right all this time and now we have the receipts to prove it," another post stated that she "liked."

In addition to Taylor's subtle way of breaking her silence, her BFF Todrick Hall didn't hold back his thoughts over the leaked footage.

 "My heart breaks listening to that phone call, the fact that she even picked up the phone and wasted her valuable time to listen to that nincompoop speak is just a testament to how great a human she is. #KanyeWestIsOverParty," he tweeted.

"The sad part is that I'm sure there will be no apology from him or the millions of people who took those gifs of a conversation & trailer of an actual conversation as fact without ever hearing the convo in full," Hall continued his post. "How does someone orchestrate a filming, not tell the unaware 'co-star' and still not be able to deliver an even semi-charming pitch to make themself not look like a creepy fame hungry musical villain? This is just not right."

He added, "I'm not a fan of cancel culture & people make mistakes but THIS is clearly no mistake. The entire thing is manipulative and calculated and awkward to even hear her have to respond to his non-question questions. Face with rolling eyes."

As some fans might recall, West's lyrics that stirred controversy were: "I feel like me and Taylor might still have sex / Why? I made that bitch famous."

At the time, Taylor's rep said, "Kanye did not call for approval, but to ask Taylor to release his single "Famous" on her Twitter account. She declined and cautioned him about releasing a song with such a strong misogynistic message. Taylor was never made aware of the actual lyric, 'I made that bitch famous.'"

Taylor's rep could not be reached for comment, and Swift herself has yet to address this publicly.

Moreover, West hasn't commented on the leaked phone call either.

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2020-03-22 10:34:02Z
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Kenny Rogers is mourned by close friends and fellow musicians - CNN

Rogers' music career spanned six decades and was celebrated worldwide. He died Friday night of natural causes at age 81.
"Today I lost one of my closest friends So much laughter so many adventures to remember, my heart is broken... My prayers go out to Kenny's Family," Lionel Richie tweeted.
Other musicians including Blake Shelton, Reba and Dolly Parton also shared tributes.
"Thank you for your friendship and your love. We are going to miss you but we are so happy you're singing with the Angels in heaven. Can't wait to see you again one of these days. Rest in peace my friend," Reba tweeted.
Parton remembered her partner on the hit duet, "Islands in the Stream."
"You never know how much you love somebody until they're gone," she wrote on Twitter. "I've had so many wonderful years and wonderful times with my friend Kenny, but above all the music and the success I loved him as a wonderful man and a true friend."
In a video posted along with the message, a visibly emotional Parton held a picture of herself with Rogers saying, "I know you are as sad as I am. But God bless you Kenny, fly high in to the arms of God."
Rogers was inducted to the Country Music Hall of Fame in 2013, for what organization officials called a "distinctive, husky voice."
He had 24 No. 1 hits through his career and sold more than 50 million albums in the US alone.
"Country Music has lost the great Kenny Rogers, who has forever left a mark on Country Music's history," the Country Music Association said in a statement. "His family and friends are in our thoughts during this difficult time."
Some of his hits included "Lady," "Lucille," "We've Got Tonight" and "Through the Years."
His 1978 song "The Gambler" inspired multiple TV movies, with Rogers as the main character.
In 1985, he participated in the original recording of "We Are the World," along with more than three dozen artists.
In 2015, Rogers announced his retirement.
"I've been so lucky to have enjoyed such a long career and to have such amazing support from my fans and all who have helped me along the way, but there comes a time when I need to focus on spending time with my family," he said.
"My life is about my wife and my 11-year-old twin boys right now. There are a lot of things I want to do together with them to create some special memories. I don't have a bucket list of my own ... I have a bucket list of things I want to do with them."
Rogers' family plans a small, private service out of concern for the coronavirus pandemic. They will celebrate his life publicly with his friends and fans at a later date, his publicist said.

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2020-03-22 07:47:00Z
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Sabtu, 21 Maret 2020

Andy Cohen has tested positive for coronavirus - Chicago Tribune

Unfortunately, our website is currently unavailable in most European countries. We are engaged on the issue and committed to looking at options that support our full range of digital offerings to the EU market. We continue to identify technical compliance solutions that will provide all readers with our award-winning journalism.

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2020-03-21 19:04:49Z
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Newly leaked footage shows Taylor Swift and Kanye West talking “Famous” - Vox.com

In a moment that might give you flashbacks to the fun celebrity gossip part of 2016, the hashtag #KanyeWestIsOverParty is trending on social media right now. It’s a response to 2016’s notorious #TaylorSwiftIsOverParty hashtag, and it marks the latest chapter in the endless saga of the Taylor Swift vs. Kanye feud.

Because early on Saturday, new footage from the infamous “Famous” phone call between the two stars leaked — and it complicates the original story.

Here’s the background. Back in February 2016, Kanye released a new song, “Famous,” that featured a controversial lyric: “I feel like me and Taylor might still have sex. / Why? I made that bitch famous.” He was referencing his scandalous altercation with Taylor in 2009, when Kanye stormed the stage at the MTV VMAs as Taylor accepted an award to announce that it really should have gone to Beyoncé. In 2009, Taylor Swift was already an enormous star, but Kanye was suggesting in “Famous” that it was his doing that Taylor became a household name.

Shortly after the song released, TMZ reported that Kanye had checked with Taylor to make sure she was cool with the lyric before he dropped it, and that she got the joke and gave him her blessing. But Swift, through her publicist Tree Paine, denied it. “Kanye did not call for approval, but to ask Taylor to release his single ‘Famous’ on her Twitter account,” Paine told the New York Times. “She declined and cautioned him about releasing a song with such a strong misogynistic message.” She added, “Taylor was never made aware of the actual lyric, ‘I made that bitch famous.’”

Kanye, meanwhile, maintained that he definitely had checked with Taylor before he dropped the song. Several weeks of contentious back-and-forth ensued, culminating when Taylor won her second Album of the Year award at the Grammys and made a highly acclaimed acceptance speech shouting out “all the young women out there” who have to deal with “people along the way who will try to undercut your success, or take credit for your accomplishments or your fame.” It was all but certainly a direct reference to Kanye’s song.

But then Kanye’s wife, Kim Kardashian West, changed the story. In July 2016, Kim posted a series of videos on Snapchat that showed Kanye calling Taylor up to ask for her permission to include a verse referencing her in “Famous.” (Kanye, Kim explained, films himself all the time for a documentary about his life he plans to make one day.)

In the videos Kim posted to Snapchat, Kanye clearly reads Taylor the line, “I feel like me and Taylor might still have sex,” and asks for her approval. The video is cut together in a way that makes it unclear that Taylor ever heard the line “I made that bitch famous,” but they do discuss whether or not Kanye would have had any way of knowing that Taylor was already famous in 2009, in a way that makes it appear that at the very least, he’s given her the gist of the line.

Kanye repeatedly says that he wants Taylor to be happy with the finished song. We also hear Taylor respond that she appreciates the thought, that she thinks the lyric is “tongue-in-cheek,” and that it would probably be good for her public image to be able to say that she knew about the song ahead of time.

As soon as the video dropped, Taylor Swift haters exploded. Taylor Swift, they declared, was a manipulative, cold-blooded snake and this video proved it. #TaylorSwiftIsOverParty trended on social media, and gleeful observers flooded her accounts with snake emojis.

Taylor issued a statement reiterating that her problem with the song was the word “bitch,” which she said Kanye never told her about. “You don’t get to control someone’s emotional reaction to being called ‘that bitch’ in front of the whole world,” she wrote in a since-deleted Instagram post.

But her statement did little to calm the frenzy. As far as the wider internet was concerned, Taylor Swift was canceled.

So Taylor disappeared from public life for a year to wait out the schadenfreude. She built her next album, 2017’s Reputation, around the idea that she was a snake. And in the recently released Netflix documentary about her life, Miss Americana, she talked about how difficult she found that time to be, as someone who built so much of her self-identity around the idea of being a good person who people would like. “When people decided I was wicked and evil and conniving and not a good person,” she said to her mom, “that was the one that I couldn’t really bounce back from because my whole life was centered around it.”

Nearly four years later, the new video appears to complicate the story that Kim Kardashian told everyone in 2016. It strongly suggests that Taylor was telling the truth about that phone call — but that Kanye was too.

The video that Kim dropped back in 2016 was spliced together from different pieces of the infamous conversation, but it appeared to show mostly the end of Kanye’s phone call with Taylor. This new footage, which arrived online from an unknown source late Friday night and rapidly spread across social media, is uncut and over 25 minutes long.

In the new footage, Kanye clearly asks Taylor if she would be interested in debuting “Famous” from her Twitter account, just as Taylor maintained back in 2016. “You got an army. You own a country of motherfucking two billion people, basically,” he says. “If you felt that it’s funny and cool and like, hip-hop, and felt like The College Dropout and the artists like ’Ye that you love, then I think that people would be, like, way into it.” He suggests that he thinks it would be funny and good for her public image for her to be able to say that she knew about the song ahead of time.

Taylor seems puzzled at the idea that it would make sense for her to release the song, and when Kanye opens his pitch by revealing that it contains an “extremely controversial line” about her, she sounds nervous. “What is it?” she asks. “Is it gonna be mean?”

Kanye goes on to workshop a couple versions of the line that became “I feel like me and Taylor might still have sex” with her. He starts off with “I feel like Taylor Swift might owe me sex,” which makes Taylor laugh and say, “Well, that’s not mean!” although she notes that the line is “absolutely crazy.”

“I’m glad it’s not mean, though,” she says. “The buildup you gave it, I thought it was gonna be, like, ‘That stupid dumb bitch.’”

Kanye then goes on to offer the possibility of making the line, “I feel like me and Taylor might still have sex,” noting that his wife prefers the first version. “The ‘owe’ part,” he says, makes him nervous, because of the possibility of “some feminist group type shit.”

“That’s the only thing about that line,” Taylor agrees, “Is that the feminists are gonna come out. But I mean, you don’t give a fuck, so.”

Later, Kanye asks, “What if, later in the song, I was to say, ‘I made her famous?’”

“It’s just kind of like whatever at this point,” Taylor says. “You’ve got to tell the story the way it happened to you and the way you experienced it.”

Overall, the conversation appears to fit both Kanye’s and Taylor’s versions of the story. Kanye does repeatedly ask Taylor for her approval of the song, and she does tell him she thinks it’s funny, just as Kanye said when it first dropped. And he does ask Taylor to release the song on her Twitter account, and she does warn him that it could spark some feminist criticism, just as Taylor said in her statement back in 2016. Kanye clearly thinks the controversial part of the lyric is when he suggests that they might have sex, which is what he’s concerned about, and Taylor is clearly more worried that he might call her a bitch, which he does not mention he plans to do.

For Taylor Swift fans, though, the video functions as a complete repudiation of the narrative Kanye and Kim established back in 2016. It’s now clear, they maintain, that Kim and Kanye lied about Taylor okaying the line “I made that bitch famous,” that Taylor was in the right all along, and that Taylor’s 2016 cancellation was just Kanye heaping more undeserved humiliation on Taylor on top of the travesty of 2009. Hence, it’s now Kanye West who should be over.

“My heart breaks listening to that phone call, the fact that she even picked up the phone and wasted her valuable time to listen to that nincompoop speak is just a testament to how great a human she is,” tweeted Taylor’s friend and collaborator Todrick Hall. He added, “The sad part is that I’m sure there will be no apology from him or the millions of people who took those gifs of a conversation & trailer of an actual conversation as fact without ever hearing the convo in full.”

What is perhaps more interesting than the question of which artist is right, however, is that throughout the conversation, both Taylor and Kanye are hyper-aware of how “Famous” will fit into their public images. Kanye complains that people think he’s a bully, and he wants to make sure this song doesn’t play into that narrative. Taylor, who at the time was at peak media saturation following the release of 2014’s 1989, notes that “everything that I do becomes a feminist think piece,” and that “right now, I’m, like, this close to overexposure.”

And in the end, that’s the reason Taylor cites for refusing to launch the song from her Twitter account: not the idea that it’s misogynistic, but because “if I launch it, honestly, I think it’ll be less cool.”

Thus far, none of the parties involved have made a public comment on the new footage.

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2020-03-21 18:56:34Z
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Andy Cohen has tested positive for coronavirus - Chicago Tribune

Unfortunately, our website is currently unavailable in most European countries. We are engaged on the issue and committed to looking at options that support our full range of digital offerings to the EU market. We continue to identify technical compliance solutions that will provide all readers with our award-winning journalism.

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2020-03-21 18:37:32Z
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Newly leaked footage shows Taylor Swift and Kanye West talking “Famous” - Vox.com

In a moment that might give you flashbacks to the fun celebrity gossip part of 2016, the hashtag #KanyeWestIsOverParty is trending on social media right now. It’s a response to 2016’s notorious #TaylorSwiftIsOverParty hashtag, and it marks the latest chapter in the endless saga of the Taylor Swift vs. Kanye feud.

Because early on Saturday, new footage from the infamous “Famous” phone call between the two stars leaked — and it complicates the original story.

Here’s the background. Back in February 2016, Kanye released a new song, “Famous,” that featured a controversial lyric: “I feel like me and Taylor might still have sex. / Why? I made that bitch famous.” He was referencing his scandalous altercation with Taylor in 2009, when Kanye stormed the stage at the MTV VMAs as Taylor accepted an award to announce that it really should have gone to Beyoncé. In 2009, Taylor Swift was already an enormous star, but Kanye was suggesting in “Famous” that it was his doing that Taylor became a household name.

Shortly after the song released, TMZ reported that Kanye had checked with Taylor to make sure she was cool with the lyric before he dropped it, and that she got the joke and gave him her blessing. But Swift, through her publicist Tree Paine, denied it. “Kanye did not call for approval, but to ask Taylor to release his single ‘Famous’ on her Twitter account,” Paine told the New York Times. “She declined and cautioned him about releasing a song with such a strong misogynistic message.” She added, “Taylor was never made aware of the actual lyric, ‘I made that bitch famous.’”

Kanye, meanwhile, maintained that he definitely had checked with Taylor before he dropped the song. Several weeks of contentious back-and-forth ensued, culminating when Taylor won her second Album of the Year award at the Grammys and made a highly acclaimed acceptance speech shouting out “all the young women out there” who have to deal with “people along the way who will try to undercut your success, or take credit for your accomplishments or your fame.” It was all but certainly a direct reference to Kanye’s song.

But then Kanye’s wife, Kim Kardashian West, changed the story. In July 2016, Kim posted a series of videos on Snapchat that showed Kanye calling Taylor up to ask for her permission to include a verse referencing her in “Famous.” (Kanye, Kim explained, films himself all the time for a documentary about his life he plans to make one day.)

In the videos Kim posted to Snapchat, Kanye clearly reads Taylor the line, “I feel like me and Taylor might still have sex,” and asks for her approval. The video is cut together in a way that makes it unclear that Taylor ever heard the line “I made that bitch famous,” but they do discuss whether or not Kanye would have had any way of knowing that Taylor was already famous in 2009, in a way that makes it appear that at the very least, he’s given her the gist of the line.

Kanye repeatedly says that he wants Taylor to be happy with the finished song. We also hear Taylor respond that she appreciates the thought, that she thinks the lyric is “tongue-in-cheek,” and that it would probably be good for her public image to be able to say that she knew about the song ahead of time.

As soon as the video dropped, Taylor Swift haters exploded. Taylor Swift, they declared, was a manipulative, cold-blooded snake and this video proved it. #TaylorSwiftIsOverParty trended on social media, and gleeful observers flooded her accounts with snake emojis.

Taylor issued a statement reiterating that her problem with the song was the word “bitch,” which she said Kanye never told her about. “You don’t get to control someone’s emotional reaction to being called ‘that bitch’ in front of the whole world,” she wrote in a since-deleted Instagram post.

But her statement did little to calm the frenzy. As far as the wider internet was concerned, Taylor Swift was canceled.

So Taylor disappeared from public life for a year to wait out the schadenfreude. She built her next album, 2017’s Reputation, around the idea that she was a snake. And in the recently released Netflix documentary about her life, Miss Americana, she talked about how difficult she found that time to be, as someone who built so much of her self-identity around the idea of being a good person who people would like. “When people decided I was wicked and evil and conniving and not a good person,” she said to her mom, “that was the one that I couldn’t really bounce back from because my whole life was centered around it.”

Nearly four years later, the new video appears to complicate the story that Kim Kardashian told everyone in 2016. It strongly suggests that Taylor was telling the truth about that phone call — but that Kanye was too.

The video that Kim dropped back in 2016 was spliced together from different pieces of the infamous conversation, but it appeared to show mostly the end of Kanye’s phone call with Taylor. This new footage, which arrived online from an unknown source late Friday night and rapidly spread across social media, is uncut, although it does not show the phone call in its entirety. It appears to be from the beginning of the conversation.

In the new footage, Kanye clearly asks Taylor if she would be interested in debuting “Famous” from her Twitter account, just as Taylor maintained back in 2016. “You got an army. You own a country of motherfucking two billion people, basically,” he says. “If you felt that it’s funny and cool and like, hip-hop, and felt like The College Dropout and the artists like ’Ye that you love, then I think that people would be, like, way into it.” He suggests that he thinks it would be funny and good for her public image for her to be able to say that she knew about the song ahead of time.

Taylor seems puzzled at the idea that it would make sense for her to release the song, and when Kanye opens his pitch by revealing that it contains an “extremely controversial line” about her, she sounds nervous. “What is it?” she asks. “Is it gonna be mean?”

Kanye goes on to workshop a couple versions of the line that became “I feel like me and Taylor might still have sex” with her. He starts off with “I feel like Taylor Swift might owe me sex,” which makes Taylor laugh and say, “Well, that’s not mean!” although she notes that the line is “absolutely crazy.”

“I’m glad it’s not mean, though,” she says. “The buildup you gave it, I thought it was gonna be, like, ‘That stupid dumb bitch.’”

Kanye then goes on to offer the possibility of making the line, “I feel like me and Taylor might still have sex,” noting that his wife prefers the first version. “The ‘owe’ part,” he says, makes him nervous, because of the possibility of “some feminist group type shit.”

“That’s the only thing about that line,” Taylor agrees, “is that the feminists are gonna come out. But I mean, you don’t give a fuck, so.”

Overall, the conversation appears to fit both Kanye’s and Taylor’s versions of the story. Kanye does repeatedly ask Taylor for her approval of the song, and she does tell him she thinks it’s funny, just as Kanye said when it first dropped. And he does ask Taylor to release the song on her Twitter account, and she does warn him that it could spark some feminist criticism, just as Taylor said in her statement back in 2016. Kanye clearly thinks the controversial part of the lyric is when he suggests that they might have sex, which is what he’s concerned about, and Taylor is clearly more worried that he might call her a bitch, which he does not mention he plans to do.

For Taylor Swift fans, though, the video functions as a complete repudiation of the narrative Kanye and Kim established back in 2016. It’s now clear, they maintain, that Kim and Kanye lied about Taylor okaying the line “I made that bitch famous,” that Taylor was in the right all along, and that Taylor’s 2016 cancellation was just Kanye heaping more undeserved humiliation on Taylor on top of the travesty of 2009. Hence, it’s now Kanye West who should be over.

“My heart breaks listening to that phone call, the fact that she even picked up the phone and wasted her valuable time to listen to that nincompoop speak is just a testament to how great a human she is,” tweeted Taylor’s friend and collaborator Todrick Hall. He added, “The sad part is that I’m sure there will be no apology from him or the millions of people who took those gifs of a conversation & trailer of an actual conversation as fact without ever hearing the convo in full.”

What is perhaps more interesting than the question of which artist is right, however, is that throughout the conversation, both Taylor and Kanye are hyper-aware of how “Famous” will fit into their public images. Kanye complains that people think he’s a bully, and he wants to make sure this song doesn’t play into that narrative. Taylor, who at the time was at peak media saturation following the release of 2014’s 1989, notes that “everything that I do becomes a feminist think piece,” and that “right now, I’m, like, this close to overexposure.”

And in the end, that’s the reason Taylor cites for refusing to launch the song from her Twitter account: not the idea that it’s misogynistic, but because “if I launch it, honestly, I think it’ll be less cool.”

Thus far, none of the parties involved have made a public comment on the new footage.

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2020-03-21 17:42:38Z
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Taylor Swift and Kanye West's 'Famous' Phone Call Video Leaks Online — Read the Transcript - Yahoo Entertainment

Four years after Kim Kardashian shared an edited phone call between her husband Kanye West and Taylor Swift discussing his “Famous” lyrics, extended portions of the conversation were leaked online late Friday night.

In clips posted to Twitter, the rapper, 42, is heard asking Swift, 30, to release his new song on her Twitter account. “So my next single, I wanted you to tweet it … so that’s why I’m calling you. I wanted you to put the song out,” he tells the Grammy winner on the phone.

After telling Swift he included a “very controversial line” about her in the song, the pop star nervously asks West what the lyrics are.

West then tells Swift he’s been mulling over the lyrics for eight months and warns her “it’s gonna go Eminem a little bit” and to “brace yourself for a second.”

A wary Swift asks if it’s “gonna be mean,” and West acknowledges even Kim initially felt it was “too crazy” but had come around. “It’s like my wife’s favorite f—ing line,” he says.

Kevin Mazur/WireImage Taylor Swift, Kanye West and Kim Kardashian West

RELATED: Taylor Swift and Kanye West’s Rocky History: A Timeline

“So it says, ‘To all my Southside n— that know me best/ I feel like Taylor Swift might owe me sex,” continues West with a chuckle. Responds Swift with a laugh: “That’s not mean.”

Further discussing his proposal to have her release the song, Swift — who expresses relief that the lyrics aren’t about her being “that stupid dumb bitch” — tells West she needs to “think about it because it is absolutely crazy.”

Later in the call, West tells Swift the original lyric he wrote was, “To all my Southside n— that know me best/ I feel like me and Taylor might still have sex.” (The lyric that made it into the final version of the track is “For all my Southside n— that know me best/ I feel like me and Taylor might still have sex / Why? I made that bitch famous”)

In another leaked video, West asks Swift how she would feel if he included a line that said “I made her famous,” to which she responded: “Did you say that? Oh God, well, what am I going to do about it at this point. It’s just kind of, like, whatever at this point, but I mean, you gotta tell the story the way it happened to you and the way that you experienced it. You honestly didn’t know who I was before that. It doesn’t matter if I sold 7 million of that album before you did that, which is what happened. You didn’t know who I was before that and that’s fine. Yeah, I can’t wait to hear it.”

After “Famous” was released in February of 2016, Swift’s rep told PEOPLE the singer “declined and cautioned him about releasing a song with such a strong misogynistic message. Taylor was never made aware of the actual lyrics, ‘I made that bitch famous.’”

Christopher Polk/Getty Images Kanye West and Taylor Swift

RELATED: Kim Kardashian Snapchats Phone Call of Taylor Swift Allegedly Approving Kanye West’s ‘Famous’ Lyrics

In June of 2016, Kardashian West told GQ the singer had told her husband she would “laugh” and tell media she was “in on it the whole time” in a phone call. Then a month later, the Keeping Up with the Kardashians star branded Swift a snake on social media and leaked edited snippets from the call on her Snapchat account.

“If people ask me about it, look, I think it would be great for me to be like, ‘He called me and told me before it came out . . . Joke’s on you, guys. We’re fine,’” Swift is heard saying in the footage Kardashian West posted on Snapchat.

Swift’s rep was quoted in the GQ article as saying that “much of what Kim is saying is incorrect. Taylor has never denied that conversation took place. It was on that phone call that Kanye West also asked her to release the song on her Twitter account, which she declined to do. Kanye West never told Taylor he was going to use the term ‘that bitch‘ in referring her. A song cannot be approved if it was never heard. Kanye West never played the song for Taylor Swift. Taylor heard it for the first time when everyone else did and was humiliated. Kim Kardashian’s claim that Taylor and her team were aware of being recorded is not true, and Taylor cannot understand why Kanye West, and now Kim Kardashian, will not just leave her alone.”

Moments after Kardashian West posted snippets of the call, Swift released a statement on her Instagram slamming the couple. “Where is the video of Kanye telling me he was going to call me ‘that bitch’ in his song? It doesn’t exist because it never happened. You don’t get to control someone’s emotional response to being called ‘that bitch’ in front of the entire world,” the singer wrote.

“Of course I wanted to like the song. I wanted to believe Kanye when he told me that I would love the song. I wanted us to have a friendly relationship. He promised to play the song for me, but he never did. While I wanted to be supportive of Kanye on the phone call, you cannot ‘approve’ a song you haven’t heard. Being falsely painted as a liar when I was never given the full story or played any part of the song is character assassination.”

RELATED: Taylor Swift Gets Candid About ‘Isolating’ Backlash from Kim Kardashian and Kanye West Feud

While Swift went on to record and tour reputation, a dark album inspired by the depressive period she went through following the drama, the West has remained mum about the feud while Kardashian West told Andy Cohen last January she was “over it.

For a transcript of the newly leaked portion of Swift and West’s phone conversation, keep reading below:

KW: —old school s—, yeah. I’m doing great. I feel so awesome about the music. The album’s coming out Feb. 11. I’m doing the fashion show Feb. 11 at Madison Square Garden and dropping the album Feb. 12, that morning. It’s like …. yeah. Yeah. Yeah. Aw thank you so, so much. Thank you. It feels like, real. I don’t know, just ‘Ye, Apple, Steve Jobs-type music. Like, so my next single, I wanted you to tweet it … so that’s why I’m calling you. I wanted you to put the song out.

TS: What would people … I guess it would just be, people would be like, “Why is this happening?” And I had something to do with it, probably.

KW: The reason why it would happen is because it has a very controversial line at the beginning of the song about you.

TS: What does it say? [nervous laughter]

KW: It says, and the song is so, so dope, and I literally sat with my wife, with my whole manager team, with everything, and try to rework this line. I’ve thought about this line for eight months, I’ve had this line and tried to rework it every which way, and the original way that I thought about it is the best way, but it’s the most controversial, so it’s gonna go Eminem a little bit, so can you brace yourself for a second?

TS: Yeah…

KW: Okay, alright. It says—wait a second, you sound sad.

TS: Well, is it gonna be mean?

KW: No, I don’t think it’s mean.

TS: Okay, then let me hear it.

KW: Okay, um … and the funny thing is when I first played it and my wife heard it, she was like “Huh? What? That’s too crazy, blah, blah, blah.” And when Ninja from Die Antwoord heard it, he was like, “Oh God, this is the craziest sh—! This is why I love Kanye,” that kind of thing. It’s like my wife’s favorite f—ing line. I just wanted to give you some premise of that, right?

TS: Okay.

KW: So it says, “To all my Southside n— that know me best/ I feel like Taylor Swift might owe me sex.” [chuckles]

TS: [chuckles] That’s not mean.

KW: Okay. Yeah, well, this is the thing why I’m calling you because you got an army. You own a country of motherf—ing two billion people, basically, that if you felt that it’s funny and cool and like hip hop and felt like, you know, just The College Dropout and the artist like, ‘Ye that you love, then I think that people would be like way into it, and that’s why I think it’s super genius to have you be the one that says, ‘Oh, I like this song a lot, like, yeah, whatever. This is cool. Whatever, it’s like, I got like s— on my album where I’m like, “I bet me and Ray J will be friends if we ain’t love the same bitch.”

TS: Oh my [laughs]. I mean, I need to think about it because you hear something for the first time, you need to think about it because it is absolutely crazy. I’m glad it’s not mean though. It doesn’t feel mean, but like, oh my God, the build-up you gave it. I thought it was gonna be like that stupid dumb bitch, like, but it’s not. Um, so I don’t know. I mean, the launch thing, I think it would be kind of confusing to people, but I definitely like, I definitely think that when I’m asked about, of course I’m gonna be like, “Yeah, I’m his biggest fan. I love that. I think it’s hilarious,” but um, I’ll think about it.

KW: Yeah, you don’t have to do—you don’t have to do the launch and retweet. That’s just an extra idea that I had, like, but if you think that that’s cool, then that’s cool. If not, we are launching the s— like on just GOOD Fridays, on Soundcloud, the site, s— like that.

TS: You know, the thing about me is like, anything that I do becomes a feminine think-piece, and if I launch it, they’re gonna be like, “Wow,” like this thing—like they’ll just turn it into something that … I think if I launch it, it honestly like, it’ll be less cool ‘cause I think if I launch it, it adds this level of criticism, ‘cause having that many followers and having that many eyeballs on me right now, people are just looking for me to do something dumb or stupid or lame, and it’s like almost … I don’t know, like I kind of feel like people would try to make it negative if it came from me. Do you know what I mean?

KW: Yeah.

TS: I try to be super self-aware about where I am, and I feel like, I feel like right now I’m like this close to overexposure.

KW: Well, this one, I think this is a really cool thing to have.

TS: I know, it’s like a compliment [laughs].

KW: I had this line where I said—and my wife really didn’t like this one because we tried to make it nicer. So I said, “To all my Southside n— that know me best/ I feel like me and Taylor might still have sex,” and my wife was really not with that one. She was way more into “She owes you sex,” but then the owe part was the feminist group-type s— that I was like, “Ahhh.”

TS: That’s the part that I’m kind of—I mean, they’re both really edgy, but that’s the only thing about that line is that it’s like gonna … the feminists are gonna come out, but I mean, you don’t have to give a f—, so…

KW: Yeah, basically. Well, what I give a f— about is just you as a person and as a friend. I want things—

TS: That’s sweet—

KW: —that make you feel good. I don’t wanna do rap that makes people feel bad, like of course like I’m mad at Nike, so people think like, “Oh, he’s a bully. He ran on stage with Taylor. He’s bullying Nike now, this $50 billion company.”

TS: Why are people saying you’re bullying Nike?

KW: Because on “Facts” I said like, “Yeezy, Nike out here bad, they can’t give s— away.”

TS: Yeah, yeah, yeah, yeah, yeah, yeah. I mean, that’s just what you do though.

KW: [laughs]

TS: [laughs] I mean, I wouldn’t say that it’s like possible to bully a company like Nike where—I mean, um, yeah, I mean …

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2020-03-21 17:02:05Z
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Dolly Parton Pays Tribute to Friend Kenny Rogers After His Death - E! NEWS

Kenny Rogers, Dolly Parton

Walt Disney Television via Getty Images

Dolly Parton is mourning the death of her friend and duet partner Kenny Rogers.

The fellow country star died at age 81 from natural causes on Friday night, at a hospice and surrounded by his family, his rep announced on Saturday. Rogers was known for hits such as "The Gambler" and his 1983 duet with Parton, "Islands in the Stream."

"I couldn't believe it when I got up this morning and turned on the TV, checking to see what the coronavirus was doing, and it told me that my friend and singing partner Kenny Rogers had passed away," Parton, 74, said in a video posted on Instagram on Saturday. "And I know that we all know Kenny's in a better place than we are today, but I'm pretty sure he's gonna be talking to God sometime today if he ain't already, he's gonna be asking him to spread some light on bunch of this darkness going here."

"But I love Kenny with all my heart. My heart's broken and a big ol' chunk of it has gone with him today. And I think that I can speak for all his family, his friends and fans when I say that I will always love you," she said, quoting her famous lyric. "God bless you, Kenny, fly high. Straight to the arms of God and to the rest of you, keep the faith."

Parton also wrote on Instagram, "You never know how much you love somebody until they're gone. I've had so many wonderful years and wonderful times with my friend Kenny, but above all the music and the success I loved him as a wonderful man and a true friend. So you be safe with God and just know that I will always love you, dolly."

Kenny Rogers, Dolly Parton

Beth Gwinn/Redferns via Getty Images

"Dolly he sure loved you," commented fellow country star Reba McEntire. "What a character. There never has been and never will be another one like him. Love you."

Rogers and Parton last performed "Islands in the Stream" together at a show in Nashville in 2017 during his farewell tour, which was cut short a year later for health reasons.

Fellow country star Blake Shelton also took to social media to pay tribute to Rogers.

"I can't express on twitter the impact Kenny Rogers the artist and the man had on me," he tweeted. "He was always very kind and fun to be around. Rest In Peace Gambler..."

"I woke up the news of @_KennyRogers passing," wrote country singer Jake Owen. "It's not about #1s. It's about the legacy you leave behind and he was a great man. He changed Country Music and had a voice like no other. Thank you Kenny. Thank you."

Country singer Travis Twitter tweeted, "I'm very sad to learn that @_KennyRogers has passed away. Kenny was a friend who helped me in so many ways early on. He was always funny, kind and full of advice. Kenny's legacy of great music will live on forever. My deepest condolences to Wanda & family. #RIPKennyRogers."

"Saddened by death of Kenny Rogers-consummate entertainer and classy gentleman," tweeted Former Arkansas Governor Mike Huckabee. "One of my favorite artists and guests on my tv show. His music and his kindness will be missed but never forgotten."

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2020-03-21 17:40:03Z
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'My heart's broken': Dolly Parton mourns 'singing partner' Kenny Rogers; more stars react - USA TODAY

Across social media, friends and fans mourned country music legend Kenny Rogers.

Rogers, the smooth, Grammy-winning balladeer who spanned jazz, folk, country and pop with such hits as “Lucille,” “Lady” and “Islands in the Stream” and embraced his persona as “The Gambler” on record and on TV, died Friday night. He was 81.

The Rogers family announced his death on Twitter. They said he died "peacefully" under hospice care at his home in Sandy Springs, Georgia.

Early Saturday, celebrities reacted to the news.

Dolly Parton honored her "singing partner" with a video tribute on Twitter.

"I know that we all know that Kenny is in a better place than we are today and I'm pretty sure that he's going to be talking to God sometime today... and he's going to be asking him to spread some light on a bunch of this darkness," Parton said in her video. "I loved Kenny with all my heart. My heart's broken. A big ol' chunk of it has gone with him today."

Parton then got emotional as she held up a photo of her and Rogers.

"God bless you Kenny, fly high straight into the arms of God," Parton said. "To the rest of you, keep the faith."

Blake Shelton remembered Rogers as always being a "kind and fun" person.

"I can’t express on Twitter the impact Kenny Rogers the artist and the man had on me. He was always very kind and fun to be around. Rest In Peace Gambler...," the "Austin" artist wrote.

Piers Morgan shared a photo of Rogers to express his sadness. "RIP Kenny Rogers, 81. What incredibly sad news. One of the all-time great country music stars & an utterly charming man," Morgan wrote.

Stand-up comedian Patton Oswalt shared his favorite memory of Rogers on Twitter. 

"I was on an episode of 'Reno 911!' where I played a crazed stalker who shoots Kenny Rogers," Oswalt wrote. "The cast loved him, he told great stories, and was a joy to be around. And “The Gambler” is a truly great song. #RIPKennyRogers."

Larry the Cable Guy took to Twitter to thank Rogers for his contributions to the music world. "Oh man Kenny Rogers just died," he wrote. "RIP Gambler. Thanks for all the great music."

Charlie Daniels also recognized the Rogers' music as classics that will continue to make an impact in the world.

"Thank you Kenny Rogers for being a part of our lives for so long. Your songs are woven into the fabric of our memories, classics, that will live on in the musical heart of a world that will miss you so much. Rest in peace Gambler," Daniels tweeted.

Actor Jeffrey Wright shared a video of Rogers singing "She Believes in Me," and wrote "Nice rendition. Nice melody for the mind laying low. RIP Kenny Rogers."

Novelist Greg Olear mourned Rogers' death on Twitter too, and shared how he first became acquainted with his music.

"This one hurts," he wrote.

When he was in fourth grade, Olear said he played "Kenny Rogers Gold" on repeat on his aunt's cassette deck.  

"I've loved him ever since," he continued, noting a few of his favorite Rogers songs including "Lucille," which he called the "best."

Across Twitter, fans reacted too by sharing the hash tag "RIPLegend," and recounting their memories of Rogers' music, some calling his songs a "staple" to their childhood.

Others simply tweeted lyrics to Rogers' hits including "Islands In The Stream," which he sang with Parton.

Rogers, who was born in Houston, was known for his husky voice and silver beard. He sold tens of millions of records, won three Grammys and was the star of TV movies based on “The Gambler” and other songs, making him a superstar in the ‘70s and ’80s. Rogers thrived for 60 years before retired from touring in 2017 at age 79. Despite his crossover success, he always preferred to be thought of as a country singer. 

Contributing: The Associated Press

Dolly Parton turns 74: Looking back at 5 great achievements from her 70s so far

These 100 top our list: What are the all-time greatest country songs?

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2020-03-21 14:56:13Z
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Netflix Party, Zoom, Discord, and more: the apps helping us quarantine - Vox.com

For many of us who are self-quarantining or otherwise isolated due to the coronavirus pandemic, the health crisis is fundamentally changing our relationship to the world, each other, and even our own homes. Covid-19 is also affecting how people use the internet — transforming it overnight from a simple source of entertainment to a vital lifeline that allows those who are currently shut indoors to keep in touch with their family and friends.

From friends using browser extensions and conferencing apps to hang out together, to piano bars delivering virtual livestreams to their patrons, platforms like Zoom, Google Docs, and Netflix are no longer about work, organization, or entertainment. They’ve become tools for our reconfigured socialization.

If you’re one of the many people who’s thinking about how your existing apps and online services can be used to connect with loved ones during this uncertain quarantine period, you’re not alone. Here’s a look at some of the ways people and businesses are adapting to still connect with each other — and some tips for how to open up your own online experience while you’re stuck in one place.

As a longtime member of online fandom, I’ve been participating in group movie nights online for nearly two decades. At first, we used basic instant messaging platforms like AIM and Yahoo Messenger, and often these attempts were chaotic, since typically everyone had a different version of the movie we were all trying to watch together. Over time, however, technology improved and streamlined our efforts; when I did a weekly group rewatch of Avatar: The Last Airbender in the early 2010s, for example, we used the Basecamp-made group chat Campfire, and used the same streaming source to manually sync all our episodes.

Then the platform Rabb.it launched in 2014 and provided a reliable, if somewhat glitchy, way of syncing videos with a group chat. Its biggest attraction was that users could remain anonymous, without needing to log into a client. But that service, despite its popularity, was abruptly shut down in 2019 amid ongoing technical problems and an acquisition by the voice chat client Kast, leaving many people scrambling for alternatives.

Sophie, a longtime member of fandom who spent years organizing regular movie nights for fans in group chats for my fandom and numerous others, told Vox that she’d stopped hosting regular events once Rabb.it shut down. Organizing cross-platform streams became too complicated, she said. But this obstacle clearly hadn’t stopped demand for this kind of virtual hangout — especially in the wake of Covid-19.

“I can’t stress how much people have been wanting watch parties again. even those who didn’t attend them in the past,” she said. “People have been popping up to just ask me if we’re having any events. There’s clearly a need to be entertained, distracted, and connected.”

That means familiarizing ourselves with a whole new coterie of online tools — or at least adapting them for new uses.

Group virtual movie nights have always been a thing, but now they’re vital forms of social activity. Among the wide array of apps being used to organize and assemble group movie nights, two tentpoles seem to have emerged: Discord and Netflix Party. (In an interesting bit of analog irony, drive-in movie theaters are also making a comeback.)

Sophie told Vox that many people in her fandom communities had been turning to Discord, a popular chat client which allows people to create semi-private, invite-only servers, for mimicking something closer to offline interaction. Discord is similar to Slack and many other chat clients, but Discord has a prominent voice chat feature that can be active all the time. Discord’s voice channels allow users to talk to each other in real time while they multi-task. It also comes with a screen-sharing feature that allows groups of people to watch a movie if one of them is streaming it. While comparable clients like Zoom have features designed primarily for project management and work, Discord is primarily designed around socialization, and has a more informal aesthetic.

Launched in 2015, Discord was an immediate hit in the video gaming community, because it allowed players to easily chat while in-game. It then became massively popular as a way of privately and publicly organizing across fandoms and other geek communities. Many Discord servers contain tens of thousands of members, and function more as internet subcultures in their own right, while others are much smaller, but still integral parts of their larger niche communities.

With the spread of coronavirus, however, Discord has gone mainstream on a whole new level. Demand for access to Discord’s services has exploded, and users have experienced intermittent outages due to the large influx of people using the platform. Discord servers are popular, so invites are easy to come by, and new servers are easy to create and join. Last week, the company responded to the demand by increasing its overall server capacity and temporarily increasing the cap on the number of people who could join a live screen-sharing channel from 10 to 50. (The app promptly, albeit briefly, crashed again due to the high traffic.)

Discord’s increased screen-sharing means that now a high number of people could hypothetically join your group movie watch, if they had an invite to your server. But of course, not everyone wants to learn how to navigate a whole new intricate chat platform just to watch a movie.

Enter Netflix Party, a Google Chrome browser extension originally developed by Airbnb engineer Stephan Boyer in 2015. He told Vox in an email that he built the extension, which lets multiple Netflix users sync and watch movies on the platform together, “as a way to hang out and have fun with friends.” Though he exited the project in 2017, he reported a massive surge in use in 2020. “Hundreds of thousands of people have installed Netflix Party since the beginning of the year,” he said. “It now has over a million users.”

Netflix Party’s current development team corroborated the increased use, with a spokesperson telling Vox via email that it’s “experiencing a huge surge in traffic and it’s all hands on deck.” According to them, “the earliest adopters were college students and military couples in long distance relationships, but the app has since expanded and now serves friends, parents and kids, extended families, online dating, as well as local & online communities.”

As word of the extension spread, online communities turned #NetflixParty into a social hashtag, with many people organizing group chats and scheduling events around the feature:

The spokesperson called the extension an “excellent complement to the typical ways we socialize remotely — voice/video calls, social networks, and online/text messaging.” Netflix Party is currently only available through Google Chrome, but the team is looking to expand to other browsers and devices as its popularity grows. Meanwhile, numerous other group streaming and chat clients have been publicizing ways to use their platforms in the time of Covid-19.

Of course, there are plenty of other forms of online socialization, from game-playing to group singalongs, for which you might need more than a simple screen-share and a chat window. Thank goodness that there are tools for those too.

The uses of livestreaming apps in the current moment are too numerous to count. On Facebook Live, the pianists of beloved showtunes bar Marie’s Crisis are maintaining their weekly schedule through an invite-only community where they stream musical sets to followers using Facebook Live. Popular NYC DJ hotspot Nowadays is also streaming sets — or at least, it was until its Wi-Fi crashed. As casualties of New York City’s order shuttering all bars and restaurants on March 17, these and other bars are using the streams to help sustain employees during the indefinite closure by encouraging viewers to tip staff through Venmo.

Across the country, other shows that must go on have done so virtually: Popular punk band Dropkick Murphys streamed its annual St. Patrick’s Day concert from an empty concert venue in Boston, via Facebook, YouTube, and Instagram. Metal band Code Orange streamed its album release party on Twitch. A popular Twitter thread by Broadway diva Laura Benanti encouraged high school theatre departments around the country to share their cancelled performances via video, generating a heartwarming series of responses.

But musical performances aren’t the only events people have livestreamed. Birthday parties are moving to Google Hangouts, board game nights are moving to Zoom, and popular group party games like Jackbox are encouraging people to try playing them remotely.

On Eventbrite, an event discovery platform that’s typically used for offline events, a recent surge in livestreamed classes and webinars prompted the company to create a new landing page just to feature upcoming virtual events. It’s a slightly surreal tour through the landscape of classes and events that are usually chances for offline community-building — everything from yoga to bread-baking to a virtual ballet class are listed.

“While the bulk of events on Eventbrite have historically been in-person events like music shows and speed dating, we’re now seeing a rise in online events being offered on our platform in response to increased efforts to ‘flatten the curve,’” Eventbrite spokesperson Sara Putnam told Vox in an email.

Like many of the other events mentioned here, the Eventbrite listings are an example of websites and tools working in tandem: a video/streaming platform like Zoom or Vimeo joins with an organizational website like Eventbrite, a social media platform like Facebook or Twitter, and/or a chat client like Discord or Kast to deliver a trifecta of community organization, engagement, and participation.

One of the most fundamental tools for group gatherings has proven to be the remote conferencing platform Zoom, now far expanding its professional purpose, as families, schools, and friends groups assemble for a wide range of unexpected encounters.

The New York Times reported that over 600,000 people downloaded Zoom in a single day last week. A Facebook group for Zoom memes has ballooned, while Instagram is full of people screencapping their Zoom conferences with accompanying hashtags like #unity, #isolation, and #coronavirussucks.

And Zoom isn’t the only popular organizational work tool being dramatically repurposed, as friends groups and even entire countries collectively turn to online tools. The quarantine has highlighted the recent emergence of Google Docs group chats, previously popular among teens and now expanding to other forced shut-ins, where the chat occurs in the document comments section, and often directly within the document itself.

By the same token, group chats themselves are facilitating the use of Google Docs and spreadsheets on a whole new scale.

Then there are the more unexpectedly creative uses — like organizing live dating roleplays through Google Sheets, and turning spreadsheets into artwork:

But whether you’re organizing an outbreak response or just drawing farm animals, all of these apps in their varied uses are doing one very important job: bringing us together. As Putnam told Vox, the online apps and platforms are helping people “combat loneliness and stay connected and engaged during this very strange time.” A strange time, indeed — but a great time to expand the way we use technology, and the way we think about what it means to connect.

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2020-03-21 13:17:00Z
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