Sabtu, 13 April 2019

Donald Glover’s ‘Guava Island’ Debuts After Coachella Set as Childish Gambino - The New York Times

“Guava Island,” a new 55-minute film starring Donald Glover and Rihanna, was released as a limited-time free stream on Amazon overnight Saturday, during Glover’s headlining set as Childish Gambino at the Coachella Valley Music and Arts Festival.

The mysterious project, which has been teased for months, features Glover as Deni, a singer hoping to bring the mystical island of Guava together with a music festival, while Rihanna plays his girlfriend, Kofi, and provides voice-over during a fairy-tale-like animated introduction about the fictional location and its valuable blue silk. Nonso Anozie (“Game of Thrones”) and Letitia Wright (“Black Panther”) also appear.

With a plot involving exploited workers, the struggles of musicians and a society divided between red and blue, the film incorporates themes present in much of Glover’s recent work, from the hit FX series "Atlanta" to his viral, Grammy-winning song and video for “This Is America,” which is interpolated in “Guava Island.”

The film was written by Glover’s brother Stephen and directed by his longtime collaborator Hiro Murai, who was also behind the camera for much of “Atlanta” and “This Is America.” Following its premiere on the grounds of Coachella on Thursday, and the Childish Gambino show on Friday night, “Guava Island” was made available for anyone to watch on Amazon for 18 hours starting Saturday at 12:01 a.m. Pacific Daylight Time; it will then be available exclusively to Amazon Prime subscribers.

Shot in Cuba and inspired by the Brazilian crime epic “City of God” and Prince’s “Purple Rain,” “Guava Island” does not ultimately feature much new music from Childish Gambino — or any singing from Rihanna. The movie opens with a breezy unreleased number from Glover (“If the world ends/I think I wanna die with you”) and has elements of another song with the lyrics, “Maybe the sky will fall down on tomorrow/but one thing’s for certain baby/we’re running out of time.”

It also incorporates alternate versions of recent Childish Gambino singles like “Summertime Magic” and “Feels Like Summer,” along with “Saturday,” which Glover debuted on “Saturday Night Live” last year (“God, this 9 to 5 just keep on killing me,” he sings). In one scene set in a factory, another character tells Deni that he hopes to save enough money to make it to America. “It’s different there,” the man says. “I heard people are their own bosses.”

Deni responds: “This is America. Guava’s no different than any other country,” adding, “America is a concept. Anywhere where in order to make yourself rich, you have to make someone else richer is America.” He then leads a choreographed dance to the song that mirrors some of the music video.

At Coachella on Friday night, Glover — who has thrown his own festival, Pharos — did not make a show of plugging “Guava Island,” though he did incorporate tropical imagery and sounds into his set. For one unreleased song, he cleared a section in the crowd to scream over a cacophonous burst of complex drum rhythms, bathed in almost-apocalyptic red lights. He also performed the still-unreleased track “Human Sacrifice,” which debuted in a Google ad during the Grammy Awards in February.

Glover was overcome by emotion onstage while discussing the deaths of his father and the rappers Mac Miller and Nipsey Hussle. “What I’m starting to realize is all we really have is memories at the end of the day,” he told the crowd. “All we are really is like, data — you pass it on to your kids, you pass it on to your friends, your family.”

“While we’re here,” Glover added, “feel something and pass it on.”

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https://www.nytimes.com/2019/04/13/arts/music/coachella-guava-island-donald-glover.html

2019-04-13 13:23:24Z
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Donald Glover’s ‘Guava Island’ Debuts After Coachella Set as Childish Gambino - The New York Times

“Guava Island,” a new 55-minute film starring Donald Glover and Rihanna, was released as a limited-time free stream on Amazon overnight Saturday, during Glover’s headlining set as Childish Gambino at the Coachella Valley Music and Arts Festival.

The mysterious project, which has been teased for months, features Glover as Deni, a singer hoping to bring the mystical island of Guava together with a music festival, while Rihanna plays his girlfriend, Kofi, and provides voice-over during a fairy-tale-like animated introduction about the fictional location and its valuable blue silk. Nonso Anozie (“Game of Thrones”) and Letitia Wright (“Black Panther”) also appear.

With a plot involving exploited workers, the struggles of musicians and a society divided between red and blue, the film incorporates themes present in much of Glover’s recent work, from the hit FX series "Atlanta" to his viral, Grammy-winning song and video for “This Is America,” which is interpolated in “Guava Island.”

The film was written by Glover’s brother Stephen and directed by his longtime collaborator Hiro Murai, who was also behind the camera for much of “Atlanta” and “This Is America.” Following its premiere on the grounds of Coachella on Thursday, and the Childish Gambino show on Friday night, “Guava Island” was made available for anyone to watch on Amazon for 18 hours starting Saturday at 12:01 a.m. Pacific Daylight Time; it will then be available exclusively to Amazon Prime subscribers.

Shot in Cuba and inspired by the Brazilian crime epic “City of God” and Prince’s “Purple Rain,” “Guava Island” does not ultimately feature much new music from Childish Gambino — or any singing from Rihanna. The movie opens with a breezy unreleased number from Glover (“If the world ends/I think I wanna die with you”) and has elements of another song with the lyrics, “Maybe the sky will fall down on tomorrow/but one thing’s for certain baby/we’re running out of time.”

It also incorporates alternate versions of recent Childish Gambino singles like “Summertime Magic” and “Feels Like Summer,” along with “Saturday,” which Glover debuted on “Saturday Night Live” last year (“God, this 9 to 5 just keep on killing me,” he sings). In one scene set in a factory, another character tells Deni that he hopes to save enough money to make it to America. “It’s different there,” the man says. “I heard people are their own bosses.”

Deni responds: “This is America. Guava’s no different than any other country,” adding, “America is a concept. Anywhere where in order to make yourself rich, you have to make someone else richer is America.” He then leads a choreographed dance to the song that mirrors some of the music video.

At Coachella on Friday night, Glover — who has thrown his own festival, Pharos — did not make a show of plugging “Guava Island,” though he did incorporate tropical imagery and sounds into his set. For one unreleased song, he cleared a section in the crowd to scream over a cacophonous burst of complex drum rhythms, bathed in almost-apocalyptic red lights. He also performed the still-unreleased track “Human Sacrifice,” which debuted in a Google ad during the Grammy Awards in February.

Glover was overcome by emotion onstage while discussing the deaths of his father and the rappers Mac Miller and Nipsey Hussle. “What I’m starting to realize is all we really have is memories at the end of the day,” he told the crowd. “All we are really is like, data — you pass it on to your kids, you pass it on to your friends, your family.”

“While we’re here,” Glover added, “feel something and pass it on.”

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https://www.nytimes.com/2019/04/13/arts/music/coachella-guava-island-donald-glover.html

2019-04-13 13:21:37Z
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Film Review: Childish Gambino’s ‘Guava Island’ - Variety

Last summer, Donald Glover snuck off to Cuba to create something — a feature film collaboration, or so the rumors had it, based on scant information other than a photo of Glover and Rihanna posed up during production of their mysterious “Guava Island” project.

Creation is what Glover does best, constantly redefining audiences’ ideas of what he’s capable of and how he chooses to express himself: From his roots as a sketch artist (the Derrick Comedy troupe) and comedy writer (serving as a story editor on “30 Rock”) to an already wide-ranging acting career (which took off with “Community,” and enabled his work as creator, showrunner, and star of the FX series “Atlanta”), Glover is constantly stepping aside when the momentum seems greatest to try his hand at some fresh challenge.

That could explain the otherwise bewildering claims announcing the retirement of his most popular invention yet, falsetto-voiced hip-hop alter ego Childish Gambino. Now, after eight months of speculation over this hush-hush movie brewing in the background of Childish Gambino’s final tour, the secret is out. Earlier this week, Glover finally unveiled “Guava Island” at Coachella, letting it serve as a dramatic lead-in to his headlining show Friday at the music fest. A few hours after Childish Gambino took the stage, Amazon got in on what was shaping up to be a cultural event, streaming the movie free for 18 hours on Saturday, after which it could only be seen via their Amazon Prime subscription service.

No matter what Glover’s fans had in mind, “Guava Island” can’t possibly be what they expected. At just 55 minutes, the film serves as a shorter, tighter “Purple Rain,” a self-mythologizing origin story from the artist formerly known as Childish Gambino, reintroduced here as Deni Maroon. A scrappy reggaeton Romeo, Deni is determined to impress childhood sweetheart Kofi Novia (Rihanna) via the perfect song. Prince may have been an inspiration, but the musician-driven film “Guava Island” more closely resembles is that great Jimmy Cliff classic, “The Harder They Come,” positioning Deni as a similar kind of rebel hero, risking his life to throw a feel-good music festival on an island where a thug named Red Cargo (Nonso Anozie, who plays his villainy as vicious charm) forces everyone to work seven days a week in his sweatshops.

Co-conceived and directed by “Atlanta” collaborator Hiro Murai, “Guava Island” features less music than one might expect, but opens and closes with a new song, kicking off a five-minute animated prologue with the upbeat Caribbean-infused ballad “Die With You.” The accompanying visuals are pop-art bright and picture-book nostalgic, presented in a nearly-square aspect ratio, boxy as an old television set, against which Rihanna narrates the history of Guava Island (whose shape resembles that of Hispaniola, and which is similarly divided down the center) and her own character’s lifelong wish to leave this fallen paradise.

Acting has never been Rihanna’s strong suit, and when the film cuts to her, it’s impossible to ignore one of “Guava Island’s” fundamental limitations: that she really ought to be singing, rather than reduced to playing Deni’s love interest. Perhaps at one point that was the plan. Certainly, there are places in the film where Rihanna songs might have gone, including an awkward cut midway through his “Summertime Magic” serenade when she should have answered Deni back, potentially transforming the catchy but familiar mid-2018 single into a more robust duet. Instead, we mostly see her daydreaming about their future with “Black Panther” breakout Letitia Wright.

Like everyone else on the island, Deni is obliged to slave away for Red Cargo, who permits the shirtless young scamp to play his songs on the radio twice a day because he likes the propagandistic happy-worker anthem Deni wrote in tribute. Audiences who know and have tried to unpack Glover’s endlessly rich “This Is America” music video (restaged here with updated choreography from zombie-like black adults in crude red coveralls) will recognize the irony: “Red Cargo” represents the kind of sell-out gesture the singer previously critiqued, even as his signature hinged-scarecrow shuffle and exaggerated minstrel scowl — challenges to the fraught tradition of black entertainment in the U.S. — feel slightly out of place on a Caribbean island.

Glover can’t possibly have anticipated how Jordan Peele would take those same crimson jumpsuits and render them diabolical in his movie “Us,” nor could he have imagined that “Guava Island” would drop on the same day as slain L.A. rapper Nipsey Hussle’s funeral. And yet, those coincidences lend an eerie resonance to the project, which plugs squarely into the zeitgeist, answering conflict with a call for love.

With all that talk of retirement, does this movie mark the end of Childish Gambino? How could it, when this elaborate Coachella stunt lands at the zenith of his success. If anything, he is reborn here in yet another persona, and just as swiftly martyred. As an artist, Glover may be fully committed to reinvention, but characters like Childish Gambino and Deni Maroon can’t be erased so easily. “Guava Island” illustrates that beautifully, not only laying out the challenges that creative personalities face in this culture, but also showing how their legacies live on.

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https://variety.com/2019/film/reviews/guava-island-review-childish-gambino-donald-glover-1203188924/

2019-04-13 13:13:00Z
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Watch Childish Gambino Headline Coachella 2019 - Pitchfork

Childish Gambino headlined the opening night of the Coachella Valley Music and Arts Festival yesterday. Donald’s full set live streamed via Coachella’s YouTube live stream; now that it’s over, you can watch clips below. His movie Guava Island is out now.

During the set, Glover paid tribute to Mac Miller and Nipsey Hussle. Guava Island, directed by Hiro Murai and starring Glover, Rihanna, and others, will air this evening on YouTube as part of the Coachella live stream. Find the complete line up for Coachella here, as well as today’s live stream schedule. Follow along with our full coverage of Coachella 2019.

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https://pitchfork.com/news/watch-childish-gambinos-coachella-2019-weekend-1-set/

2019-04-13 10:59:01Z
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Watch Childish Gambino Headline Coachella 2019 - Pitchfork

Childish Gambino headlined the opening night of the Coachella Valley Music and Arts Festival yesterday. Donald’s full set live streamed via Coachella’s YouTube live stream; now that it’s over, you can watch clips below. His movie Guava Island is out now.

During the set, Glover paid tribute to Mac Miller and Nipsey Hussle. Guava Island, directed by Hiro Murai and starring Glover, Rihanna, and others, will air this evening on YouTube as part of the Coachella live stream. Find the complete line up for Coachella here, as well as today’s live stream schedule. Follow along with our full coverage of Coachella 2019.

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https://pitchfork.com/news/watch-childish-gambinos-coachella-2019-weekend-1-set/

2019-04-13 09:33:45Z
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Coachella 2019: Watch Childish Gambino and Rihanna’s Guava Island - Pitchfork

Guava Island, the new movie starring Childish Gambino and Rihanna, is finally available to stream. Watch it for free via Amazon Prime Video for the next 18 hours, or afterwards with a Prime membership. The film will also play on Coachella’s YouTube live stream at 5:00 p.m. Pacific/8:00 p.m. Eastern.

Guava Island premiered Thursday night at the Coachella Valley Music and Arts Festival and will continue to show throughout the festival. The film, directed by frequent Childish Gambino collaborator Hiro Murai, centers on a musician “determined to throw a festival for everyone to enjoy” who runs into some trouble. The “tropical thriller” stars Black Panther’s Letitia Wright alongside Riri and Glover.

Find the complete line up for Coachella here, as well as today’s live stream schedule. Follow along with our full coverage of Coachella 2019.

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https://pitchfork.com/news/coachella-2019-watch-childish-gambino-and-rihannas-guava-island/

2019-04-13 07:04:24Z
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Inside the Final WGA-ATA Meeting Before Breakdown As Balance Of Power Shifts To Rank-And-File Writers - Deadline

For those who were hoping for a miracle bargaining session between the WGA and ATA this afternoon that would break the stalemate between the two sides over the new Agency Code of Conduct before the midnight deadline, there was no miracle, and there was mot much of a bargaining session either.

I hear that, right off the bat, the leaders of the WGA negotiating committee told the agency representatives that they were rejecting ATA’s latest proposal, introduced yesterday, which included the agencies sharing a percentage of their packaging fees with the writers. (In the WGA’s lengthy statement after negotiations broke down today, the guild said that the proposal  was for just .8% of agencies’ backend”.) The WGA did not offer a counter proposal.

The sit-down was well attended on both sides by the top negotiators as well WGA and ATA’s legal teams. I hear that included WGA West President David A. Goodman, Executive Director David Young, David Shore, Michelle Mulroney, Mike Schur, Travon Free, Marjorie David and Deric A. Hughes on the guild side, and ATA executive director Karen Stuart, WME’s Rick Rosen and Ari Greenberg, CAA’s Bryan Lourd, UTA’s Jay Sures, ICM Partners’ Chris Silbermann, Kaplan-Stahler’s Elliot Stahler and APA’s Jim Gosnell, who serves as ATA President, on the agencies’ side.

The agents reportedly suggested staying in the room to try and negotiate a compromise until the clock ran out but the writers responded that the two sides were so far apart, bridging the gap in a few hours after little progress over the past few months was not feasible. In Young’s statement after the end of the meeting, he detailed where both sides are currently on all main issues, noting that indie features was the only area where they made progress in their talks.

Said Stuart in ATA’s statement after the meeting, “the WGA leadership today declared a pathway for compromise doesn’t exist.”

I hear only five people spoke at the meeting, three on the ATA side and two on the WGA one. There were contentious exchanges triggered by some rhetoric on the part of the guild, mostly Young, who repeated some accusations of agency collusion from guild statements made earlier in the negotiations, along with evoking again the RICO Act and referring to agencies as “the Mafia”.

Immediately after the brief meeting was adjourned, the WGA informed its members that there had been no settlement and, since the membership had approved a new Agency Code of Conduct banning agency packaging and involvement in producing, the guild called upon its members to fire agencies that would not sign it. That is the vast majority of Hollywood talent agencies, including all of the major ones.

Thus the tug of war between the WGA and ATA once again shifts to WGA members after their overwhelming vote for the new Code of Conduct gave the guild leverage in the negotiations last month. This time, the number of WGA’s 13,000 members who dismiss their agent would determine who has the upper hand. The WGA need the majority of its troops to sever ties with their agents to be able to continue its campaign against the agencies on packaging and producing from a position of strength.

If a significant number of writers do not follow through and stay with their agents, that would shift the balance of power to the agencies.

Privately, many writers have said that they would support they guild and would fire their agents even if they like them, though some had indicated they may not proceed with that.

The talks between WGA and ATA broke off in late afternoon when WGA members received the order to server ties with their agency if it had not signed the new Code of Conduct. By end of work day Friday, I hear there were a small number of terminations, about a couple of dozen or so, at each of the major agencies. That number if expected to grow significantly; the question is how much.

In a expression of solidarity, writers have been tweeting all evening their signed form letters, provided by the WGA, with which they let go of their agents. (The guild said today that it would forward the emails en masse to the appropriate agencies “in a few days”.) There have been some well known names among then, including top showrunners Steven DeKnight, Tim Doyle, Alexi Hawley, Danny Zucker and Chrissy Pietrosh as well as actor/writers Patton Oswalt and Jon Cryer.

By 11 PM PT, #IStandWithTheWGA was a Top 10 trending toping worldwide on Twitter.

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https://deadline.com/2019/04/inside-final-wga-ata-meeting-breakdown-balance-of-power-shifts-writers-1202595300/

2019-04-13 05:38:00Z
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