Senin, 22 April 2019

On Game of Thrones, Everyone Gets Ready to Fight the Dead...and to Die - Gizmodo

Jaime (Nikolaj Coster-Waldau) makes a stand.
Photo: All images: Helen Sloan (HBO)

We didn’t need seven seasons of shocking character deaths to know that not all our favorite characters are going to survive the battle against the White Walkers. It turns out very few characters on the show have any illusions about staying alive either, so they have to choose how to spend their final day before the dead arrive on their doorstep. It makes for a very bleak episode, but a damned good one, too.

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After last week’s rocky season premiere, I am very happy to report that things are much, much improved. While last week’s episode often felt rushed to the point of incoherence, “A Knight of the Seven Kingdoms” has nothing but time—time to stay with those gathered at Winterfell as they get ready to fight a war no one much expects to win…but are forced to wait for that war to arrive and reckon with their probable demises. All of those thoughtful character moments that have made the series so special and were almost completely lacking in the premiere? It turns out they were all here.

Compare anything from last week with the beginning of last night’s episode, in which everyone decides what the hell to do with Jaime. Just about all the main characters get a chance to weigh in and let us know how they feel about his arrival. Daenerys is ready to kill the traitor who murdered her father, Sansa is also ready to punish the man who attacked her father in season one, Brienne vouches for Jaime’s honor and tells of his good deeds when they were together, and Tyrion hopes to save his brother while being on Daenerys’ bad side for getting utterly duped by Cersei. Best of all is Jaime’s frequent, desperate looks at Bran, wondering if he’s going to mention how Jaime pushed him off that tower all those years ago, but only getting Bran’s uncomfortable Three-Eyed Raven stare in return. None of this needed to be seen—we all knew Jaime wasn’t going to be killed, because he’s obviously going to fight alongside the good guys—but it felt natural and real, in that way that makes Game of Thrones so special.

And that was just the first scene! Jaime then got time to talk to Bran alone, and discover Bran has no hard feelings (he has no feelings at all, really) and that by pushing a kid out that window Jaime accidentally set himself on a road to becoming a better person. Jaime and Tyrion also get to spend some alone time together, marveling at how two Lannisters have somehow both ended up fighting for the Starks in Winterfell. And then when Jaime and Brienne reunite, he tells her he’d be honored if he could serve under her when the fighting starts.

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Tyrion (Peter Dinklage) enjoys his fifth of 18 drinks.

Honestly, it’s almost a little obnoxious that so many characters get so much time to process Jaime’s arrival when so many major moments were jam-packed into the show last week, but it’s these scenes where the characters don’t have plot duties that really stand out.

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Sansa and Daenerys finally get to have a private conversation and it’s everything I wanted; from Daenerys’ too-friendly overtures to the two women bonding over the perils of the patriarchy to Sansa’s utter refusal to forget that when the war is over the fate of Winterfell and the North is still in the queen’s hands. Tyrion and Jaime, drinking and regretting the “perils of self-betterment” was outstanding. Sansa’s palpable happiness at seeing fellow Ramsay survivor Theon again was much briefer, but also satisfying. Even the mini-Night’s Watch reunion of Jon, Samwell, and Edd had a bit of emotional heft.

Not all of it worked, though. Sam giving Jorah his family’s Valyrian sword to fight with didn’t feel particularly earned. The scene where Davos is inexplicably serving food to raw recruits and meets the clichéd “small child who wants to be a soldier” was worthless. And I’m honestly not at all sure how I feel about Arya’s determination to have sex before most likely dying the next day (although to be fair I don’t think Gendry was sure how to feel either).

But the episode is going to be remembered for one scene and one scene alone, and it’s not the one where Jon reveals his true parentage to Daenerys (which conveniently occurs seconds before the White Walkers arrive). It’s when Tyrion and Jaime are drinking, and are slowly joined by Brienne, Podrick, Davos, and Tormund, and then…that’s it, basically. They drink and talk and think about how they’re probably going to die in the very, very near future. These different characters, who have had vastly different journeys, come together and quietly bond in their shared doom, and it’s just marvelous. It honestly didn’t need that cheesy but incredibly satisfying moment when Jaime knights Brienne, but Gwendoline Christie does such an excellent job of conveying Brienne’s emotions while she’s trying desperately to restrain them, and it’s a lovely reminder of how important these scenes are to Game of Thrones—or can be.

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Of course, given that the episode ends with the White Walkers staring at Winterfell, I sincerely doubt we’re in for any more simple, quiet scenes for…well, ever, maybe? The war will clearly begin next week, and I don’t know that there’s much reason to suspect it’ll end anytime before the final episode. That’s fine—it’s what we’ve all been waiting for, after all—and I feel very confident that the spectacles in store are going to blow our minds. But we all needed this episode, not just as the traditional calm before the storm, but as a reminder of what this show is and has been, and why we’re so damn invested in seeing who manages to live through what’s next—however few they may be.

Because right now, the big plan is “kill the Night King and hope they all die” like when they slew the Walker last season and his wights collapsed. Bran will hang out in the Godswood because the Night King hates Three-Eyed Ravens so much he’ll likely head there to attack—at which point Theon and his Iron Islanders will pop up, as, hopefully, will Dany with one of her dragons. It’s not the worst plan, but as Bran points out, no one actually knows if dragon fire can even destroy the Night King. Given that next week is only the third episode of six, I’m guessing…no. It won’t.

Which most likely means some the characters we saw thinking they may be about to die are going to be very, very right. Thank goodness we’ll have this last night to remember them by.

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Davos (Liam Cunningham) takes time out of his incredibly busy day to, uh, serve soup.

Assorted Musings:

  • Jon basically sprinting away from Daenerys every time they were done having a group meeting made me chuckle.
  • For defenses, Winterfell has catapults, plenty of spiked barricades, and a trench they can set on fire. Oh, and nine million dragonglass weapons. Could be worse!
  • Arya’s Gendry-made weapon was a spear with a dragonglass blade at each end. Should make for a pretty action scene.
  • Bran doesn’t care that Jaime threw him out a window and paralyzed him, but Bran also likes to say “The things we do for love” in front of Jaime constantly to make him feel like shit.
  • Holy crap, was that Ghost? (It was.)
  • Holy crap, was that “Jenny of Oldstones”? (It was.)
  • This show cannot make me care about Grey Worm and Missandei, but that didn’t make their decision to make travel plans for after the war any less trite. The only question now is which one of them will die—or will they both?
  • Hey, what the hell was up with Brienne looking to Pod when Jaime offered to knight her, and then Pod barely nodded his approval? Brienne doesn’t need shit from you, Podrick.
  • That was also some very good acting from Emilia Clarke when Jon is telling Dany his origin story. There are lots of conflicting emotions going on at once—and I like how Dany’s first thought is of the Iron Throne, and not the fact she has been having sex with her nephew.
  • That Winterfell war map was hilarious. There’s the keep, the various Winterfell forces, and then basically the entire top half of the board is the Night King’s army. Ha ha, they’re doomed!
  • Samwell, laying down some truth: “Everyone seems to forget I’m the first one to kill a White Walker.”

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https://io9.gizmodo.com/on-game-of-thrones-everyone-gets-ready-to-fight-the-de-1834206021

2019-04-22 11:30:00Z
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Game of Thrones: Amazon error as second episode is uploaded early - BBC News

The latest episode of Game of Thrones was uploaded to Amazon early due to an "error", the company has said.

The second instalment of the eighth and final series was not supposed to be broadcast until Sunday evening.

But some Amazon Prime members were able to watch it several hours before that.

"We regret that for a short time Amazon customers in Germany were able to access episode two of season eight of Game of Thrones," an Amazon spokesman said.

"This was an error and has been rectified."

It may have been taken down soon after it was uploaded, but it was long enough for many fans to view the whole episode.

As a result, screengrabs and plot details started appearing online before the official broadcast - which led to fans worrying about accidentally coming across spoilers (which we obviously won't post here).

However, plenty of people had some fun with the leak.

US singer Mariah Carey suggested that she was about to post some "major Game of Thrones spoilers" on Twitter... before going on to upload a picture of herself on the Iron Throne.

This is the second week in a row that Game of Thrones has appeared online early.

Last week's launch episode was made available to DirecTV Now customers four hours early.

A spokesman for AT&T, which owns the service, said: "Apparently our system was as excited as we are for Game of Thrones tonight and gave a few DirecTV Now customers early access to the episode by mistake.

"When we became aware of the error, we immediately fixed it and we look forward to tuning in this evening."

Writing in Forbes, Paul Tassi said: "HBO has to be tearing their hair out that this keeps happening, but this show is so popular and there are so many of these markets to manage, it does almost seem inevitable that something will go wrong.

"At least we're not dealing with people flat-out stealing episodes like we saw in a breach a few years ago, but this is not great either."

Follow us on Facebook, on Twitter @BBCNewsEnts, or on Instagram at bbcnewsents. If you have a story suggestion email entertainment.news@bbc.co.uk.

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https://www.bbc.com/news/entertainment-arts-48012633

2019-04-22 10:39:41Z
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Why Queen Elizabeth Quietly Admires Meghan Markle's Rule-Breaking - The Cheat Sheet

The press, especially the British media, has been quick to criticize Meghan Markle about specific fashion faux pas, her signature hairstyles, and dresses that seem to breach British royal protocol for being slightly too short. In some cases, the allusion is that the queen, herself, is upset about the Dutchess’ Hollywood tendencies.

Will Prince Harry, Meghan’s husband, or Queen Elizabeth step in to enforce their standards? And how does the queen really feel about Meghan’s rule-breaking?

Is Meghan Markle bossy?

It is true that Meghan starts her day very early in the morning and begins her correspondence and scheduling just shortly after she awakes. She does seem to demand much of herself and those around her, such as support staff and assistance. But the simple fact remains that she has worked for years to develop her acting career. The duchess has long been the boss of her career, working steadily on the “Meghan Markle” brand. It’s no wonder that she has transferred that energy and intensity to her royal duties now. And it is likely the queen, who has strong work ethics, appreciates this quality about Meghan.

Meghan Markle’s birth plan is changing up royal traditions

The Duke and Duchess of Sussex toyed with the idea of having their baby at their new home: Frogmore House. Some reports suggest Meghan will give birth in the cottage and others speculate that she will go to a local Windsor hospital: Frimley Park Hospital in Surrey. This changes things up, as many members of the royal family — like Princess Anne, Princess Diana, and Kate Middleton — gave birth at London’s Lindo Wing at St. Mary’s Hospital and Meghan doesn’t plan to follow suit.

Meghan Markle’s relationship with Queen Elizabeth

Yes, Meghan may have bent a few historic royal rules along the way, but has she angered Queen Elizabeth by her perfectionistic personality? The two have a lot in common so it’s likely the queen is flexible on the areas where Meghan opts to create her own path.

The queen allowed Meghan to join in the royal family’s Christmas festivities in 2017 before Meghan was married to Harry, which is usually not recognized as acceptable. This is a strong sign that the two are on great terms. What’s more, the queen reportedly enjoys having tea with Meghan and has not said a word about the Duchess wearing dark nail polish or off-the-shoulder fashions, which are both deemed inappropriate for royals.

We’d say that Queen Elizabeth is quite a strong and courageous woman. Her success as a monarch; her devotion to her country, and her bold and focused leadership are renowned. These same strengths might be what causes the queen to admire her grandson’s rule-breaking wife.

Why the queen admires Meghan Markle

Friends of Meghan say she is one of the most sincere and genuine people they ever met. They also refer to her as a “class act.” Her former fellow actors also admire Meghan for her tenacity and hard work as she was building her acting career.

The duchess has been called strong-willed and outspoken, which is said of Queen Elizabeth II, as well. Meghan, in her royal role, is an active philanthropist and humanitarian, patronizing charities for the arts, animals, education, and the support of vulnerable women.

We can see quite well why the queen admires her grandson’s wife. She is likely proud that Harry found such a talented, intelligent, and kind partner. Meghan, much like her deceased mother-in-law, tends to lead with her heart.

I don’t go by the rule book … I lead from the heart, not the head. – Diana, Princess of Wales

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https://www.cheatsheet.com/entertainment/why-queen-elizabeth-quietly-admires-meghan-markles-rule-breaking.html/

2019-04-22 07:58:52Z
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Game of Thrones: S8E2 Post-Show - IGN Watch Party - IGN

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https://www.youtube.com/watch?v=sft0QxF0I5E

2019-04-22 05:35:24Z
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Minggu, 21 April 2019

Kanye West brings Sunday service to Coachella for Easter - Fox News

As promised, Kanye West brought his “Sunday Service” to Coachella on Easter morning, as dozens of musicians, singers and dancers performed a set of spiritual songs, covers and songs by the rapper himself — including a new one called “Water” — for an audience of thousands from a hilltop on the festival grounds in Indio, Calif. While he rapped briefly on a couple of songs, West was generally the ringleader of the service, as he has been on previous incarnations in California and Oregon since he began leading the service early in January.

To reach the site, Coachella attendees walked some distance from the festival’s parking section to a cordoned-off area of the campground. A full band — complete with harp — was set up on the plateaued top of a circular mound covered with freshly laid sod. A waist-high fence surrounded the hill, which had a sort of VIP area extending up another grassy hill behind the stage. Across the field, patrons could purchase food and beverages including orange juice, coffee and smoothies, plus chicken and waffles, breakfast tacos and burritos. Yet many more were interested in the “church clothes,” — a.k.a. merch — for sale, including sweatshirts for $165-$225, “Jesus Walks” socks for $50, $70 T-shirts reading “Trust God” on the front and “Sunday Service at the Mountain” on the back.

The service opened with a slightly eerie organ prelude, as West and the dozens-strong choir, glad in purple-beige robes, made their way toward the hill. Gradually they arrayed in a circle around it while more robe-clad singers and dancers arrayed atop the hill behind the stage.

After around 15 minutes of prelude, percussion kicked in and the band began playing jazz-fusion-flavored music reminiscent of Stevie Wonder’s and Roy Ayers’ early ‘70s albums. It was a large band, with at least five percussionists, a big horn section, a harpist as well as the dozens-strong choir, all of whom were wearing headset microphones.

After about 20 minutes the musicians stopped playing, except for a single guitarist keeping rhythm, as West took the stage alongside the percussionists, fist-bumping bandmembers along the way.

The music resumed, switching between the full band and organ prelude music, with a pair of vocalists scat-singing while more choir members filed onto the hill, occasionally saying “He is risen!”

The livestream occasionally pulled back to an aerial shot that showed how the performance area, with the cleared grass around it, resembled an eye. (Many commentators on social media also pointed out the setup’s similarity to the fictional world of the surreal 1990s children’s TV show “TeleTubbies”.)

After about 45 minutes the singing began in earnest, with the choirleader exhorting the singers as well as the crowd: “Come on, turn up a little volume on that praise! Can we hear that name one more time? He is Jesus!”

After a gospel vamp around the phrase “You’re the only power!,” the singer suddenly broke into the chant from West’s 2010 hit “Power,” clapping out the rhythm. That quickly morphed into “Higher,” and another that seemed to be a rearrangement of Otis Redding’ “Try a Little Tenderness” with a chorus of “Jesus won’t leave us,” then Stevie Wonder’s “As” and then a stirring take on Soul II Soul’s 1990 hit “Back to Life,” the chorus of which sounded stunning sung a capella by a gospel choir.

The music gradually segued into Teyana Taylor singing her West-produced “Never Would Have Made It,” which morphed into a take on West’s “Fade,” which itself interpolates Motown artists Rare Earth’s cover of the Temptations’ “(I Know) I’m Losing You.”

INDIO, CALIFORNIA - APRIL 20: Kanye West performs during 2019 Coachella Valley Music And Arts Festival on April 20, 2019 in Indio, California. (Photo by Timothy Norris/Getty Images for Coachella)

INDIO, CALIFORNIA - APRIL 20: Kanye West performs during 2019 Coachella Valley Music And Arts Festival on April 20, 2019 in Indio, California. (Photo by Timothy Norris/Getty Images for Coachella)

The choirmaster continued to lead the choir through vamps on phrases like “We absorb the light” and “We have everything we need.” Dozens more dancers were arrayed around the hills surrounding the performance area, breaking out synchronized dance moves.

Through the performance, West — with his short-cropped hair dyed several shades of purple— was beaming and joining in, but not really performing until toward the end, when he sat down at a keyboard and chopped up some soulful vocal samples with beats while a choir member danced.

“Ye, we all want some of that brighter day!” the choirmaster shouted as the choir broke into Kirk Franklin’s song of the same name.

The group continued vamping on various phrases and snippets of songs — we even think we heard someone briefly say “Poopity scoop,” a reference to West’s jokey song “Lift Yourself” — until finally West picked up a mic and, with his voice hoarse, rapped on “All Falls Down,” with the choir joining him on the chorus.

He then announced a new song called “Water,” a low-key song with spiritually themed lyrics and a gentle rhythm revolving around the chorus “We are water,” closing with some verses from “Ultralight Beam.” After more extended vamping, the set ended with a long take on West’s 2004 song “Jesus Walks”; West picked up the mic and hoarsely rapped the song’s verses, finishing on his knees on the hilltop as cameras and applauding singers surrounded him.

Finally, he rose and smiled at the camera, pausing for several long moments before the band played a medley of gospel and soul covers and the dancers filed off of the hill.

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https://www.foxnews.com/entertainment/coachella-kanye-west-sunday-service-easter

2019-04-21 20:19:04Z
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‘La Llorona’ Conjures $30M Overseas Bow; ‘Shazam!’ & ‘Dumbo’ cross $300M WW – International Box Office - Deadline

UPDATE, writethru: Warner Bros/New Line’s James Wan-produced horror pic The Curse Of La Llorona haunted cinemas in 71 overseas markets this frame, opening to $30M at the international box office. Along with domestic, the global bow is $56.5M.

In many countries, the Easter weekend is bracketed by days off on the Friday and/or Monday, and Llorona, with its Catholic iconography, tapped into that. Latin America leans into horror and this film, with Mexican folklore at its center, was No. 1 in the region where it is tracking above The Conjuring (+11%), Halloween (+30%), A Quiet Place (+60%) and Lights Out (+95%). Mexico leads all play at $5.3M while Europe and parts of Asia had decent starts; Brazil was slightly soft with the market dominated by family fare (Shazam!, Dumbo) and the faith-based Breakthrough.

The thriftily-priced $9M La Llorona still has Japan and the UK to come. Too bad it didn’t release in the latter this weekend which could have used the jolt. Right now, it looks like the current session in Britain could be the first four-day Easter weekend this century to gross under £10M. There’s been lovely weather there, but the lack of a major opener also is showing impact.

Of course, next weekend will be a different story amid the thunderous arrival of Avengers: Endgame. Cinemas in London, Leicester, the Midlands, Bristol and many more are already selling out shows. Highlighting the anticipation for Endgame, even China was quiet this frame, led by the continuing play of P Storm ($113M cume), and as pre-sales on the MCU pic have surged past $60M.

Widely for non horror fans, this weekend was all about holdovers. Notably, WB/New Line/DC’s Shazam! added another $22M to cross the $200M mark overseas and $300M globally. Families also leant an ear to Disney’s Dumbo, pushing the expensive little pachyderm above both those same milestones.

Ahead of the worldwide reckoning with Thanos that begins Wednesday offshore, Disney/Marvel’s Captain Marvel put a couple new notches on her belt. With a global cume of $1.09B through Sunday, Carol Danvers now fronts the No. 8 all-time superhero movie, passing The Dark Knight Rises.

Elsewhere, Voltage’s teen drama After had another good weekend, grossing $9.5M in 38 markets for a $25.4M overseas cume, per comScore. Lionsgate/Millennium’s Hellboy meanwhile picked up just $3.4M in 40 hubs, also per comScore.

Breakdowns on this week’s films have been updated below.

NEW
THE CURSE OF LA LLORONA

The Michael Chaves-directed horror pic, which is not directly connected to the Conjuring universe as it doesn’t involve paranormal investigators, the Warrens, opened in 71 overseas markets to $30M on 13,262 screens. The top film internationally in a largely holdover weekend ahead of next frame’s Avengers: Endgame was No. 1 in the Latin American region, tapping into the Easter holiday and Mexican folklore. As noted above, it bested a handful of comps in the region.

In Europe, the Middle East and Africa, it’s on par with The Conjuring, A Quiet Place and Lights Out. In Asia, it’s the No. 1 movie, coming in more than double Pet Sematary and Halloween.

The best overall play was Mexico at $5.3M on 2,600 screens with a 32% share of the Top 5 titles. It outperformed nearly all comps there including Insidious: The Last Key (+36%), The Conjuring (+61%), A Quiet Place (+101%), Pet Sematary (+158%) and Lights Out (+185%).
 
Colombia was the next best start at $2.4M and ahead of all comps except Annabelle. France grossed $2.1M on 254 screens to rank No. 2, on par with a number of comps and over Lights Out (+20%) and A Quiet Pladce (%39%).
 
Spain brought in $1.7M on 330 screens, ranking No. 3, but above most comps including 34% over Annabelle. Indonesia scared up $1.6M on 654 screens at No. 1, also topping most comps.

Korea ($1.3M/620 screens/No. 2), India ($1.1M/1,032/No. 1 U.S. movie), Russia ($1.1M/1,758/No. 3), Italy ($863K/314 screens/No. 3) and Brazil ($796K/350/No. 4) round out the Top 10.

The UK and Japan are still to come along with a handful of markets as the movie looks to act as counterprogramming to Thanos and crew.

HOLDOVERS/EXPANSIONS
SHAZAM!

Warner’s family friendly superhero added another $22M with school breaks and the Easter holiday helping fuel the box office. Playing on about 16,000 screens in 80 markets, the Zachary Levi-starrer has now grossed $201.5M abroad and $322.8M globally.

Japan opened this session with $2M on 723 screens at No. 4, but No. 1 for a U.S. movie. The release topped Ant-Man by 9% and is on par with Guardians Of The Galaxy.

Brazil in the 3rd frame dropped just 21% to stay No. 1 and gross $11.4M to date. Australia held the No. 1 spot while Mexico dipped to No. 3. The UK took back the No. 1 slot on a very quiet weekend and Spain increased 2% in the 3rd session. Colombia also saw a sizable increase, up 34%.

The Top 10 markets are China ($43.5M), the UK ($15.4M), Mexico ($14.2M), Brazil ($11.4M) and Australia ($9.8M).

DUMBO

Also in the family sphere, Disney’s Dumbo added $13.7M from 55 material markets. The offshore cume is now $206.6M for $307.9M worldwide. Belgium is a big fan of the pachyderm, maintaining No. 1 for the fourth straight weekend. Within the rest of Europe, holds were good for the holiday including in Denmark (-5%), Spain (-12%), Portugal (-24%) and France (-46%).

In Lat Am, Dumbo dropped just 12% with strong holds in Colombia (+28%), Argentina (+20%), Peru (+5%), Chile (-3%), Brazil (-19%) and Mexico (-35%).

Across Asia-Pacific, strong holds include New Zealand (+30%), Singapore (+19%), Hong Kong (-4%) and Australia (-9%).

The Top 5 markets are the UK ($27.9M), China ($21.8M), Mexico ($20.2M), Spain ($14M) and France ($12.2M).

WONDER PARK

Paramount’s animated amusement admitted another $10.9M worth of visitors in 56 markets. That includes a debut in China where the start was No. 3 with $3M at 8,992 locations. The international cume is now $48.5M.

Also new this session were the Netherlands ($328K/135 sites) and Hong Kong ($264K/40).

France led the weekend play and has now grossed $6.1M. Korea is the final market to release, way down the line in August.

CAPTAIN MARVEL

In the 7th weekend, Disney/Marvel’s Captain Marvel picked up $6.5M from 49 material markets. The offshore total is now $689.5M with $1,089.5M worldwide where Carol Danvers is the No. 8 biggest superhero of all time.

Europe dropped 37% regionally with a great +25% hold in Spain and slight eases elsewhere. Korea also got a bump, up 70% as anticipation for Endgame swells. Latin America had a 12% drop, increasing in Chile by 2% and dipping just 14% in Brazil.

Here are the Top 5 grossers: China ($153.6M), the UK ($49.7M), Korea ($45.1M), Brazil ($37.9M) and Mexico ($33.2M).

MISC UPDATED CUMES/NOTABLE

Pet Sematary (PAR): $5.5M intl weekend (58 markets); $46.1M intl cume
Breakthrough (FOX/DIS): $2.8M intl weekend (20 markets/+28% in Brazil); $5.9M cume
Us (UNI): $1.7M intl weekend (58 markets); $75.3M intl cume
Little (UNI): $1.4M intl weekend (13 markets); $4.8M intl cume
How To Train Your Dragon: The Hidden World (UNI): $700K intl weekend (37 markets); $355.4M intl cume
Bohemian Rhapsody (FOX): $500K intl weekend (20 markets); $685.6M intl cume
Greta (UNI): $500K intl weekend (2 markets); $3M intl cume ($1.5M Universal)
Boy Erased (UNI): $200K intl weekend (8 markets); $4.6M intl cume

LOCAL-LANGUAGE

Foxstar’s Indian pic Kalank, a romance drama set during the 1940s partition and from Karan Johar’s Dharma Productions, opened to $10.4M in two markets offshore. Of that, $9.5M was from India where the movie is No. 1 this weekend. Alia Bhatt, Varun Dhawan and Aditya Roy Kapoor star in the title by director Abhishek Varman.

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https://deadline.com/2019/04/curse-of-la-llorona-shazam-dumbo-captain-marvel-china-global-international-box-office-1202599323/

2019-04-21 19:40:00Z
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Prince William wants Prince Harry, Meghan Markle 'as far away as possible': report - Fox News

The royal rift may be deeper than anyone knew.

A new report claims that Prince William wants Prince Harry and wife Meghan Markle "as far away as possible."

Prince William reportedly wants the Duke and Duchess of Sussex to go overseas and ensure that he and wife Kate Middleton stay in the spotlight.

KATE MIDDLETON, MEGHAN MARKLE HAVE 'UNUSUAL SHOW OF AFFECTION' AMID FEUD RUMORS

Insiders claim that Kensington Palace considered sending Harry, 34, and Markle, 37, to Canada or Australia.

“There have been various ideas floated for them to take on a job abroad, such as governor-general of Australia or Canada, wherever,” a palace source told The Sunday Times of London. “The trouble is that you effectively set them up as king and queen of a whole separate country, and 24-hour media means that Australia is not as far away as it used to be.”

PRINCE HARRY MAY BE MORE DIFFICULT THAN MEGHAN MARKLE, ROYAL EXPERT CLAIMS

Additionally, Markle already spent years in Canada during her tenure on "Suits," making it "moot," the source said.

The couple reportedly have considered work in Africa.

A friend of William and Harry alleged, “In some ways it would suit William to get his brother out of the country for a few years and Meghan as far away as possible."

MEGHAN MARKLE LIKELY TO HAVE WINGS CLIPPED BY ROYAL FAMILY, EXPERT SAYS

What's more, though it was initially reported that Harry and Markle planned on moving to their newly renovated Frogmore Cottage to ensure their privacy, insiders claim that the couple were actually pushed there by the rest of the royals.

"Meghan and Harry feel they have been cut adrift,” a source close to the couple said.

PRINCE WILLIAM LIKELY TO BE ANGERED BY MEGHAN MARKLE'S LAVISH BABY SHOWER

“They sent them down to Frogmore to try to keep them out of the limelight for a bit," a source said. "This is doomed to fail. They are worried that Harry and Meghan are going to establish a totally separate enterprise that nobody can get under control."

“There are discussions in palace circles about how do we harness Harry and Meghan and this tremendous global attention they get. How do we draw them back, because laying down the law and ticking them off doesn’t work at all,” the source added.

WHY KATE MIDDLETON SKIPPED MEGHAN MARKLE'S BABY SHOWER

An insider who's reportedly close to both the princes said, “It’s a bit sad really. The wives don’t get on. The brothers have fallen out.”

PRINCE CHARLES PUTS HIS FOOT DOWN TO END MEGHAN MARKLE, KATE MIDDLETON FEUD

A source also claimed that despite the public goodwill toward Markle and Harry, “People are telling William, ‘Don’t worry. Your influence will grow and Harry’s will fade.’ This is peak Harry.”

Since Harry and Markle's royal wedding in May 2018, rumors of a feud between Markle and Middleton, as well as William and Harry, have rumbled in the press.

Insiders previously claimed that William warned Harry that he may have been moving too fast with Markle, leading to a feud between the Cambridge and Sussex couples. However, some sources — including Kensington Palace — deny any feud at all between any of the parties allegedly involved.

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“I do not believe that William and Harry are growing apart,” Princess Diana's former butler Paul Burrell said. “They may have differences, as they are two very different personalities, [but] I think that her life bond was forged at the time of their mother’s death and they are inseparable.”

Fox News' Stephanie Nolasco contributed to this report.

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https://www.foxnews.com/entertainment/prince-william-prince-harry-meghan-markle-overseas-feud

2019-04-21 18:52:41Z
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