Jumat, 26 April 2019

Taylor Swift drops single 'Me!' and video featuring Panic! At the Disco's Brendon Urie - Fox News

You’ll never find another like “Me!”

Taylor Swift released her new single “Me!” featuring Panic! at the Disco’s Brendon Urie along with a fantasy-themed music video at midnight Friday morning after much anticipation from fans. The singer announced the song and video release on Instagram after a week of cryptic posts, including a mysterious countdown clock and a colorful Nashville butterfly mural captioned with the April 26 release date.

Taylor Swift attends the Time 100 Gala, celebrating the 100 most influential people in the world, at Frederick P. Rose Hall, Jazz at Lincoln Center on Tuesday, April 23, 2019, in New York. (Associated Press)

Taylor Swift attends the Time 100 Gala, celebrating the 100 most influential people in the world, at Frederick P. Rose Hall, Jazz at Lincoln Center on Tuesday, April 23, 2019, in New York. (Associated Press)

TAYLOR SWIFT LOOKS PERFECT IN PASTEL GOWN AT TIME 100 GALA

The video, which Twift co-directed, begins as a pink snake, whose light pastel coloring does not match its more sinister demeanor, slithers along a multicolored brick road. The serpent lunges forward until suddenly bursting into hundreds of small butterflies.

Swift and her love interest, Urie, dramatically argue in French then proceed to chase each other in a cat-and-mouse-like romance through a CGI fantasy world, swearing that they’ll never find another like “Me!”

Light pinks, baby blues and butterflies from the video filled up the 29-year-old's Instagram.

Swift spoke about her new music in an interview with ABC.

“Me is a song about embracing your individuality, and really celebrating it, and owning it,” Swift said. “With a pop song we have the ability to get a melody stuck in people’s heads and I just want it to be one that makes them feel better about themselves.”

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“I can’t believe how much they care, “ Swift said of her fans who’ve been following her every social media move. “It makes it more fun for me to create music videos knowing they’ll care about little Easter eggs or clues or hints.”

Swift’s previous album, 2017’s "Reputation," topped Billboard charts throughout last year. The singer sold out concerts around the world, touring for most of 2018, Entertainment Weekly reported. Most recently, the country-turned-pop star has also been working on a big-screen adaptation of "Cats."

Swift wrote "ME!" with Urie and co-producer Joel Little, the New Zealander best known for producing Lorde's 2013 debut album, "Pure Heroine." He has also worked on hits for Imagine Dragons and Khalid.

The Associated Press contributed to this story.

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https://www.foxnews.com/entertainment/taylor-swift-releases-drops-single-me-with-matching-video-featuring-panic-at-the-discos-brendon-urie

2019-04-26 06:35:44Z
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How Long Has Queen Elizabeth Been Waiting for Prince Harry to Settle Down? - The Cheat Sheet

Anyone who remembers what Prince Harry was like when he was younger will understand that he gave his family a lot of worries and headaches. The prince was constantly in the news for his crazy antics and being the total opposite of his more mature brother, Prince William.

However, Harry made a marvelous 180 in the past few years. As he is preparing to bring into the world his first child, we think it’s a good time to look back on Harry’s life in his youth to see just how long Queen Elizabeth has been waiting for her grandson to settle down.

Prince Harry was known as a wild child when he was young

Prince Harry
Prince Harry and his brother | PA Images via Getty Images)

During his teenage years, news of Harry getting into trouble started surfacing. As a student, he was caught taking drugs and accused of enlisting a teacher’s help to cheat.

A few years later, his character came into question when he was photographed in a Nazi costume. As if that wasn’t enough, when Harry was in the military, he was also caught on tape calling his fellow soldiers “Paki” and “raghead.” Although he apologized for both incidents, they no doubt left a stain on his image.

At the turn of the decade, while William was settling down with his long-time girlfriend, Harry made headlines for his partying ways. Notably, in 2012, naked pictures of his wild night in Las Vegas surfaced in tabloid magazines around the world, causing the royal family lots of shame and embarrassment.

Prince Harry dated a party girl before meeting Meghan Markle

For much of his youth, Harry was known for being in a relationship with Chelsy Davy, the daughter of a Zimbabwean billionaire. While Davy studied law in London and had a stint at a prestigious firm, she was mostly known for having a party girl image in the media — not much different than Harry’s reputation.

The couple dated for several years before ultimately breaking up. Reportedly, it was because Davy did not want to bear the burdens of marrying into the royal family.

Prince Harry has turned into a serious family man with Meghan Markle

After many years of making negative headlines, though, Harry managed to turn his life around. In the past few years, he started taking on more work to represent the queen and support meaningful causes.

More importantly, Harry also fulfilled his dream of starting a family when he married American actress Meghan Markle. She, herself, has the same goal as well as a history of doing humanitarian work, which allows Harry to have some good influence around him.

Far from his days of putting on offensive acts, Harry is known today for promoting equality and human rights alongside his wife. He’s a feminist and Meghan, too, has expressed that she wants her child to be a feminist regardless of gender.

The couple is expecting their first child, which could be due any time soon, and Harry has been helping his wife a lot during her pregnancy. From setting up their new home to decreasing his workload to be there for her, Harry has been an exemplary model of a great husband and father.

Queen Elizabeth seems to really like Meghan Markle

It’s a given that, compared to before, these days Queen Elizabeth no longer has no worry about Harry — he has matured into a great man and is living a more meaningful life. The queen seems to also quite like having Meghan around. The former actress is a great companion to Harry and is taking her role in the royal family very seriously. No doubt Queen Elizabeth is proud of her grandson for how far he has come.

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https://www.cheatsheet.com/entertainment/how-long-has-queen-elizabeth-been-waiting-for-prince-harry-to-settle-down.html/

2019-04-26 06:05:57Z
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Avengers: Endgame Review - Is Anyone Really Dead in the Marvel Movie? - Esquire.com

Editor's note: There are spoilers in this story.

There comes a point in Avengers: Endgame when Thanos learns the error of his plan, which was to snap his fingers and kill half of all living beings to make the universe a better place. Why bother destroying only half the universe, when he can destroy the entire universe and rebuild it how he imagines without these pesky Avengers? Ultimately, the lives he gives and the lives he takes away matter less than the end result.

What's striking is that this is the exact concept upon which Marvel has built the three Avengers movies, where nothing matters and there are no consequences—not even in life or death.

Back in the late aughts, the Marvel brand was in trouble. “It seemed like something that is old. Comics were very niche. No one saw the value of it,” the original head of Marvel Studios, Avi Arad, said in a Vanity Fair oral history of Iron Man. It didn’t help that in those days, the characters for which Marvel had the rights were what one headline called "B-list heroes." As current Marvel Studios head Kevin Feig remembered of Comic-Con in 2006, “When somebody asked: ‘Is The Avengers ever possible?’ We had no real plans at that point. It was a pipe dream.”

No one expected that more than a decade later this pipe dream would become the most popular and profitable franchise in the world—one comprised of 22 interconnecting movies. It’s a spectacular accomplishment that has fundamentally transformed the foundation of the entertainment industry. Everybody wants a cinematic universe: Star Wars, DC, Jurassic World, Game of Thrones, Harry Potter, The Joker (?), Universal Monsters, etc.

The dream is to create an endless entertainment property that never dies. So, when it comes to the massive, climactic Avengers: Endgame—which, along with the upcoming Spider-Man film, concludes this phase of Marvel movies, whatever that means—it’s hard for it to feel like the actual end of anything. Because, let’s be perfectly clear, the Marvel Cinematic Universe will never end. Our great great grandchildren will enjoy mandatory screenings of Iron Man remastered for immersive VR at Disney State University. Gwyneth Paltrow’s Goop will eventually use a human fetus to create endless clones of Chris Hemsworth to ensure that he can star as Thor for all eternity (honestly not a horrible idea).

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Robert Downey Jr.’s Tony Stark floats in space about to die the first time in this movie that he nearly dies but then doesn’t.

Marvel

So, again, what is Avengers: Endgame the end of, exactly?

I’m going to jump right to the ending here, so consider this a spoiler warning for anyone who wasn’t expecting this to happen.

Seriously, major spoilers to come, so stop reading right now if you don't want to know.

Here they come...

Los Angeles World Premiere Of Marvel Studios' "Avengers: Endgame"
Jeremy Renner and Scarlett Johansson at the L.A. premiere of Avengers: Endgame on April 23. Renner’s character, Hawkeye, gets a shocking amount of screen time in the film.

Alberto E. RodriguezGetty Images

Iron Man dies. Tony Stark uses the Infinity Gauntlet to destroy Thanos and his army, saving humanity. Captain America gets …. old. He travels back in time to live out the rest of his life with Margaret Carter. Black Widow dies, sacrificing herself so Hawkeye can get the Soul Stone.

These would appear to be very clear endings for characters we’ve known for a decade. This, it seems, is the ending that we’re given in Avengers: Endgame. But it’s not really at all, is it?

Avengers: Infinity War ended with Thanos’ Snap, which killed half the universe—including a bunch of the Avengers that we know already have movies coming up. Fans were literally sobbing in the theater. They were feeling real emotions. They grieved for these characters. But midway through Avengers: Endgame this snap is reversed, as many fans (and those who knew Disney has more Black Panther and Guardians movies on the way) had guessed.

To stop Thanos, the remaining Avengers use the Quantum Realm to travel back to times where they knew they could find an Infinity Stone and grab it before Thanos can. In the end, Captain America travels back in time on his own to put the stones back (allegedly fixing the timeline in a way that I don’t really buy), but decides to stay and live his life. I’d love a simultaneous drama about Captain America’s normal life watching the universe get destroyed a few times and doing nothing about it. There’s another new movie idea, Disney.

As is the danger with introducing time travel into a movie that's not explicitly about time travel, it creates a paradox that makes it difficult for viewers to relate to the film. They endured the emotional trauma of Thanos' snap, but, narratively speaking, the resolution in Avengers: Endgame is an easy fix that essentially renders the events of Avengers: Infinity War pointless. Even Gamora, who seemed to be fully dead after being sacrificed by Thanos for the Soul Stone, was brought back in a way thanks to time travel.

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These two are in the new movie a lot! They do not die, you’ll see more of them forever.

Marvel

Isn’t it theoretically possible for the Avengers to, at any given point, travel back in time and save Natasha or Tony or get the other Captain America or any other infinite possibilities? Are we to truly believe that anyone is really dead at any given time?

The idea of time travel completely shatters the entire narrative of the Marvel Cinematic Universe, ensuring there can never truly be consequences for any action. The Avengers failed in Avengers: Infinity War; then they didn’t. Why does Infinity War matter? Why does anything matter? (I understand there is a precedent for time travel and the multiverse in the comic book source material, but that was predominately used as a way to explain away the very muddled universe of Marvel Comics. That makes sense as an all-encompassing fix to thousands of comics, but for a comparatively succinct collection of movies, it strays from Marvel's obsessively tight narrative structure.)

Avengers: Endgame is a fun movie, but it’s impossible not to be frustrated with how Marvel stumbled on the landing.

These are the questions I couldn’t help but ask myself throughout Avengers: Endgame. For three hours I had a sort of superhero existential crisis. Am I thinking too deeply into this? Absolutely not because the MCU demands you think too deeply into it. Fans have spent an entire year writing detailed academic papers analyzing the tactics the Avengers could use to defeat Thanos.

If there’s anything we know for sure about the Marvel Cinematic Universe it’s that there are no stakes and no one truly dies. If it’s so simple to bring back anyone who’s dead, are we truly supposed to grieve? If, in 10 years, people get bored with the new heroes, couldn’t Disney simply resurrect Robert Downey Jr.’s Tony Stark at any given time? It’s hard to feel anything at all when the light fades from Arc Reactor in his chest. Are we supposed to grieve for Scarlett Johansson's Natasha Romanoff, when she has her own solo movie coming up? Yes, this is scheduled to be a prequel, but if it does well, wouldn’t Disney be inclined to bring her back?

It doesn’t help that the movie is essentially split into two uneven halves. Part one is the Avengers grieving, coming to terms with their failure, and trying to devise a plan. This part also dedicates a shocking amount of time to Hawkeye for no other purpose than to set the grounds for the upcoming Hawkeye series starring Jeremy Renner. Does anyone care about Hawkeye? I certainly don't, and by the looks of his performance Renner doesn't either.

In the second half, with a very abrupt snap, everyone’s back and everyone is fighting Thanos with little to no warning. After the painstaking lengths the first half of the movie takes to explain the timeline and the Quantum Realm, none of these details really make any sense at all. I wish all the parents out there good luck trying to explain Quantum Mechanics and the Butterfly Effect of time travel to their six-year-old. Because this movie sure as hell doesn’t do that.

I’m in absolute awe of what Marvel has done in the last decade—going from near obscurity to the biggest thing in the world. They’ve done it in spectacular form and figured out the perfect formula to make every one of these movies totally fine. Avengers: Endgame does what all the great Marvel movies do—it's a fun and funny action movie made by people who are experts at doing just that. But it’s impossible not to be frustrated with how Marvel stumbled on the landing—failing to build any actual stakes into this universe and instead introducing concepts that break the foundation of the story they’re trying to tell. It's an insult to all the fans who—I reiterate—cried at the end of Infinity War. This is a film that makes Infinity War essentially pointless. This is a film that ends in the same battle we already saw. This is a film that concludes with the defeat of the biggest baddest villain these heroes will ever face. But then they'll fight another one who is also big and bad but maybe be bigger and badder than Thanos?

So what comes next? Well, more Marvel movies. More X-Men movies. More Black Panther and Guardians and Captain Marvel movies. More bad guys who are of lesser importance to Thanos or perhaps more villains who just become stronger and stronger. There will be more heroes, more villains, more CGI fights, more deaths (maybe?), more deaths undone (probably), more sequels and spinoffs and TV series and toys and money and more money and dear God I'm so tired.

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https://www.esquire.com/entertainment/movies/a27256650/avengers-endgame-review-who-is-dead/

2019-04-26 04:01:00Z
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Kamis, 25 April 2019

Blac Chyna's Harvard Online Class Unearths Insane Scam - TMZ

Blac Chyna Harvard Online Class Unearths Insane Scam

4/25/2019 12:17 PM PDT

EXCLUSIVE

Blac Chyna's interest in attending a Harvard Business School Online course was hatched by a PR firm that offered to do all the work and even take a pic of her wearing a Harvard hoodie ... for a price.

TMZ broke the story ... Chyna has been accepted to take a Harvard Online course called Business Analytics, teaching students how to interpret data and make savvy business decisions.

We found out Chyna got wind of the course through an email sent to her team by Christian Emiliano, who refers to himself as Social Media Renaissance Man. 

Christian's email pitch ... for $3,250, "Our team will complete all the course work for you, all you have to do is take one test (we will provide you the study guide) and then take credit for the program." Once completed, Chyna could add the Harvard education to her resume and improve her brand. 

It gets better ... "You can go on the Harvard campus and take a picture with a Harvard hoodie on / you can post updates on your snapchat and Instagram Story." As for where the $3,250 goes ... "$2,250 for the course/$1000 for us to complete the entire course for you." 

We contacted Chyna's people, and although they acknowledge they got Christian's pitch, Chyna never hired him and decided to take the course on her own. Christian confirmed that to us as well. 

Turns out ... after we posted our story this morning, another social media star also posted her admission letter to the Harvard Business School Online course. 

So, Christian may not be Rick Singer -- the guy who got Olivia Jade and Isabella into USC after Lori Loughlin and her husband paid $500k -- but his proposal seems to offer the same underhanded way to succeed in college without really trying.

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https://www.tmz.com/2019/04/25/blac-chyna-harvard-online-class-unearths-insane-scam/

2019-04-25 19:17:00Z
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Fortnite Avengers: Endgame Challenges - Collect Infinity Stones, Use Iron Man's Repulsors, And More - GameSpot

We're not sure if you've noticed but Avengers: Endgame is out this week. To coincide with the launch of Marvel's arthouse indie flick about a group of best buds taking on a radical activist, Epic Games has introduced a crossover event into its little multiplayer game Fortnite.

Over the next few days, those playing the Endgame LTM will be split into two teams. One team will be aligned with Thanos and the Chitauri, while the others will be taking on the role of the heroes. Team Thanos must find all the Infinity Stones and power up the mad titan so he can decimate the enemy forces, while the heroes can locate and equip weapons used by the Avengers to bring Thanos and his army down.

Tying into the LTM is a set of challenges which, when completed, will unlock some really cool cosmetic rewards. Arguably the most exciting is a new Glider that is modeled after the Quinjet. There are also sprays, emoticons, and banners themed after the franchise. The initial three challenges are available now, and involve using Iron Man's repulsors to do damage, collecting three Infinity Stones, and playing seven Endgame LTM matches. More challenges will become available every two days, and you can take a look at the rewards on offer below.

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Fortnite's Avengers: Endgame Challenges

  • Complete any 10 challenges to earn the reward item -- Avenger's Quinjet Glider
  • Deal damage while hovering with Iron Man's repulsors (100) -- 500 XP
  • Collect Infinity Stones (3) -- Fortnite Endgame Loading Screen
  • Play matches of Endgame (7) -- Captain America's shield Banner

Separately from the Endgame LTM, Epic is also selling some Avengers-inspired cosmetic items through Fortnite's in-game store. First is a Black Widow skin, harvesting tool, and emote, but those will only be available until later today, April 25. However, Epic says that a second Avengers set will be added to the store "early next week."

In our Avengers: Endgame review, Michael Rougeau described the movie as "a love letter to the entire MCU--the whole thing." He continued: "It's messy and confusing, and there's going to be a lot of discussion about whether the ending even makes sense ... but holy hell is it an emotional, fulfilling ride. I have no doubt we're going to spend the coming weeks picking and pulling it apart until we've over-analyzed every single aspect imaginable. But right now, in the aftermath, Avengers Endgame feels like a win."

If you still have some time before you're able to see the movie, we recommend checking out our guide for how to avoid Avengers: Endgame spoilers online. Staying unspoiled is trickier than you might think, but we've got some very handy tricks that will help.

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https://www.gamespot.com/articles/fortnites-avengers-endgame-challenges-collect-infi/1100-6466469/

2019-04-25 18:57:00Z
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Avengers: Endgame Doesn't Have A Post-Credits Scene, But There Is Something At The End - GameSpot

All of the movies in the Marvel Cinematic Universe have an extra scene tacked onto the end credits of the movie. It's something fans have come to expect from the shared universe. However, that all changes with Avengers: Endgame, which hits theaters on April 26. There isn't a traditional mid-credit or end-credit sequence, but there is a little audio stinger at the end.

Don't worry, there are no Endgame spoilers here. For more on the movie, check out our Avengers: Endgame review or read some reviews from around the industry.

Avengers: Endgame marks the 22nd movie in the MCU and the first time in the shared film universe that will not have a visual sequence tacked on to the end, teasing what's next for Marvel. However, there may be a reason to stick around as there is an audio stinger at the end, when the Marvel logo appears. The metal hitting metal sound is open to interpretation, but it's been suggested it sounds like Tony Stark forging his first Iron Man armor. So as soon as the credits begin to roll, the choice is yours. You can leave the theater or stay through the credits to hear a noise that may or not mean anything for Phase 4.

Endgame is effectively the end of Phase 3 of the MCU, and as we learned last month, these films will be known as The Infinity Saga. As far as recent mid-credits and post-credit sequences go, Infinity War ended with Samuel L. Jackson's Nick Fury contacting Captain Marvel on a pager, Ant-Man and the Wasp left Paul Rudd's Scott Lang trapped in the Quantum Realm with his friends snapped to dust, and Captain Marvel showed us Brie Larson's Carol Danvers answering the pager's call in the present, meeting the Avengers. Additionally, there were a couple of comedic post-credit moments as well.

Some of these sequences give the audience a hint as to what's coming next. But with Endgame being the end of the 22-film journey, there's nothing left to tease before Phase 4 begins--although Marvel boss Kevin Feige has clarified that Spider-Man: Far From Home, not Endgame, is technically the end of Phase 3. So perhaps some hint as to what is to come will be delivered there, once the movie is released in July. Whatever transpires in Endgame, and when Far From Home is set, we know the movie will feature both Nick Fury and Tom Holland's Peter Parker, along with a variety of returning characters from Homecoming.

In our Endgame review, GameSpot's Mike Rougeau wrote, "Endgame is truly a love letter to the entire MCU--the whole thing." Additionally, enjoy our predictions of who will die in the video above, the latest teaser for the film, and the best ways to avoid spoilers for Endgame, which hits theaters on April 26.

If you can't wait for the end-credits to use the facilities, check out our guide on when to go pee. It's spoiler-safe, giving just vague allusions to what events to watch for when you step out to relieve yourself. At just over three hours long and the stakes being so high, no one will blame you if you need a quick bathroom trip.

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https://www.gamespot.com/articles/avengers-endgame-doesnt-have-a-post-credits-scene-/1100-6466420/

2019-04-25 14:40:00Z
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What Does Megan Markle Owe the Media? - Jezebel

Image: Getty

The British tabloids are mad. They are mad because Meghan and Harry have drawn a set of firm boundaries around the birth of their child: They won’t be telling the public every last detail about the birth, and they certainly won’t be posing on any hospital steps like Kate did in 2013, 2015, and 2018 as she and William left Lindo Wing. Instead, they’ll be producing their own photos, and sharing them later.

This news has been poorly received. “Keeping the nation in the dark over details, even after the birth, is a bad look for the royal couple,” wrote the Sun, according a roundup in the New York Times this week. “The public has a right to know about the lives of those largely funded by their taxes. You can accept that, or be private citizens. Not both.”

The royals and the British press have long had a close but dysfunctional relationship—one that vacillates between reverence and vitriol, access and repulsion. But with the arrival of Meghan Markle, that relationship has grown more strained. Though the British press covered the wedding with enthusiasm and excitement, the tabloids also provided a megaphone for all Meghan’s hideous relatives, and their coverage has often had ugly racist undertones. It is no wonder that Harry and Meghan would want to set boundaries.

But for royals, who fundamentally depend upon the media for their throne’s continued existence—there’s no such thing as a king without somebody seeing him as a king—boundaries are all but impossible. They always have been.

Even in the glory days of divine right—when the public considered the monarch appointed by God, someone whose touch could heal the sick—the royals always kept an eye on their public perception. The legal chain of custody for the English throne, in particular, has been less stable than magnets sold to tourists at Buckingham Palace gift shop tend to suggest; historically, a wildly unpopular king always risked rebellion from landed nobility, who with the right amount of muscle could scrape up somebody legitimate enough to make a play for the throne. And, too, the intimate matters of the monarch’s body were a matter of state importance; historically, the Home Secretary and other officials attended the births of new heirs, a legacy of the 17th century “warming pan scandal,” when rivals to the Stuarts suggested that James II’s son was in fact a pretender, smuggled into the queen’s bedchambers via a warming pan, to secure the succession.

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In the United Kingdom, over the course of several centuries the crown’s power waned, so that by the 19th century the country was a constitutional monarchy and Queen Victoria found herself with little formal control. To protect the crown, she and her consort Prince Albert enshrined the royal family as a symbol, the upright bourgeois heart of the great British nation, distributing the image through the burgeoning press of the era. This carefully crafted paradigm took the occasional hit—Victoria’s tomcatting son Prince Edward, the Wallis Simpson debacle and the couple’s attendant coziness with Nazis—but it has essentially dominated the monarchy’s playbook over for two centuries. Even after the antics and rancor of the ’80s and ’90s nearly decimated decades of careful branding work, the Windsors have managed to boomerang back to this basic model.

Yet this strategy relies on the media to distribute the all-important image. Victoria and Albert savvily shaped their likeness: the reason we picture Victoria as the cap-wearing imperial grandmother to a nation is that she propagated that particular look by embracing photography. (Speaking to the BBC History Extra podcast, historian Lucy Worsley speculated that in fact she may have opted for giant dresses to avoid wearing a corset, to avoid irritating an abdominal hernia sustained in childbirth.)

This is the reason for the annual Christmas radio address that gradually morphed into the television address; this is the reason for the royals’ enthusiastic embrace of social media. Buckingham Palace (i.e., the Queen’s staff), Clarence House (Prince Charles’s staff), and Kensington Palace (which handles the Cambridges and, until recently, Harry and Meghan as well) all embraced Instagram and Twitter long before Meghan, with her experience running the lifestyle website The Tig, arrived on the scene.

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Remember that Twitter video, posted by Kensington Palace, where Harry and Queen Elizabeth herself playfully beefed with the Obamas to promote the Invictus Games? 

Like so many other celebrities, the Windsors have embraced the possibilities of social media to cut out the press and, as much as possible, to set their own narrative. Think of how frequently Kate has taken the official photos of her children that are distributed to papers across the world. It’s a careful curation of a public image that rivals that of BeyoncĂ©.

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But unlike the Carter family, the royals need the media, fundamentally, in order to maintain what power remains to them, and ensure the continued existence of their throne. The monarchy is a fiction which continues to exist on certain terms; it’s a bargain that demands payment. Without the media, the royals are just random rich people born into an outdated hereditary system of power. A defunct royal title maybe gets you a byline in Vogue, but it doesn’t get you much real power on the world stage.

And so for Harry and Megan, the wedding was a whirlwind, but it was also the easy part—generating enormous goodwill and a triumphant, positive storyline for the family. But the narrative logic of the tabloids demands drama, and after the triumph comes the fall. Hence Harry and Meghan will spend the rest of their lives calculating how much access is the right amount of access; whether the bits they dole out will placate the media or simply encourage them to dig and dig and dig.

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https://jezebel.com/the-monarchy-is-a-fiction-1834271186

2019-04-25 15:30:00Z
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