https://www.cnn.com/2019/06/06/entertainment/marcia-cross-husband-cancer-trnd/index.html
2019-06-06 12:35:00Z
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Striking Vipers is the name of one of the three new episodes from season five of Netflix's Black Mirror and, as usual, it is just as bleak as ever about how technology might impact our lives in the near-future.
With a stellar cast featuring Anthony Mackie (Falcon from the MCU) and Yahya Abdul-Mateen II (Black Manta in Aquaman, providing some Marvel versus DC excitement), the episode tells quite an engaging story involving a Street Fighter-style video game called Striking Vipers, which just got upgraded with a VR mode if played with the fancy TCKR System, which you plop onto the side of your head.
What grabbed our attention, though, was the box Striking Vipers came in – it's not entirely unlike a Switch game case, and contains a similarly diminutive cartridge (which, it should be said, looks like a hybrid between a Switch game card and a Vita one):
Mackie doesn't lick the cart, so we can't confirm if it has the same bitter coating as Switch game cards, and there's no bulky Labo VR headset needed, either. Instead, the game card slots into the controller on this console, so it seems Google's Stadia didn't take off in this alternate reality. With Google announcing launch plans for its streaming enterprise later today, we wonder if it'll do better in our own timeline.
Tetsuya Mizuguchi's psychedelic Tetris Effect also features in the episode, a game which has unfortunately yet to arrive on Switch, although we've got our fingers crossed it'll appear at some point. We're all about Tetris 99, of course, but that's hardly a game you can zone out to with a tasty beverage after a hard day at the office.
Let us know if you've seen the episode yet (and what you thought) with a comment below.
Thanks to Henmii for the spot!
"The Late Late Show" host James Corden made it clear Wednesday night that he doesn't associate himself with Trump supporters during an appearance on "The Late Show," saying "all the people that I like and respect" don't like President Trump.
"Late Show" host Stephen Colbert began the conversation with talk of "our president's" recent visit to Britain, but first asked the British-born Corden, whose show is based in Los Angeles, whether he was a U.S. citizen.
"He's not my president," Corden grinned. "He's very much yours."
JAMES CORDEN FIRED BACK AT A TROLL WHO WISHED CANCER ON HIS SON OVER A 'GAME OF THRONES' JOKE
Colbert then mentioned Trump's repeated downplaying of the protests that took place in Britain and asked Corden for his insights on how the "people back home" feel about the U.S. president.
"Well, I think they feel exactly as people do here," Corden responded. "I'm sure a very vocal, sort of far-right group of people who think that, 'Yeah, this is absolutely right.' And then there's probably all the people I know and all the people, all of the people that I like and respect are like, 'What?!'"
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Corden, who will host the Tony Awards on Sunday, went on to mock Trump's interactions with the royal family as well as his knowledge of Brexit, Britain's effort to withdraw from the European Union.
"I saw a thing that said he'd been talking about Brexit. I'm like, 'What is he ... Up until yesterday, he thought Brexit was the most important meal of the day," the CBS star quipped. "It's crazy. It's madness, all of it."
Cindy Watts, Dave Paulson and Matthew Leimkuehler Nashville Tennessean
Published 2:36 AM EDT Jun 6, 2019
Carrie Underwood book-ended the CMT Music Awards on Wednesday night, capturing the first and last trophies of the evening.
Underwood accepted Female Video of the Year for her "Love Wins" and the night's top honor of Video of the Year for "Cry Pretty." The wins and performances in the middle were sprinkled with fireworks, legends, superstars — and a stray expletive courtesy of Zac Brown.
If you didn't tune in to the show, here are seven moments you missed:
With her wins for Female Video of the Year and Video of the Year, Carrie Underwood has extended her lead as the winner of the most awards in the show's history.
According to the Associated Press, “Love Wins” and "Cry Pretty" earned Underwood her 19th and 20th win.
"Ultimately they are the reason we do what we do, the fans," Underwood said after the show. "They put me here in the first place. When I was on 'Idol,' they voted then to get me here and they're still voting. It means a lot. I come from such a special platform that I've always kind of felt like an elected official, a little bit. I always want to do right by them."
Underwood took the stage at Bridgestone Arena on Wednesday night, lauding the first award of the night — Female Video of the Year — as a birthday gift for her husband, former Nashville Predator Mike Fisher.
After giving a free performance of "Southbound" from the steps of the Parthenon, Underwood took the stage in Centennial Park once again to accept the last award of the night, claiming the Video of the Year win for "Cry Pretty."
Legendary and leading women in country music teamed together for a performance of beloved Tanya Tucker song "Delta Dawn."
Brandi Carlile, Martina McBride, Trisha Yearwood, Carly Pearce, Deana Carter and Rae Lynn joined Tucker for a rousing performance of her 1972 breakout hit.
The appearance by Tucker coincides with Wednesday's release of her new single, "The Wheels of Laredo." The track comes off an upcoming album, "While I'm Livin'," produced by Carlile and Shooter Jennings — Tucker's first record in 17 years.
On producing the album and singing "Delta Dawn" with Tucker, Carlile told the Tennessean: "I think we take our legends in music for granted and wait, basically, until they’re too old to tell them (how much) we appreciate them."
Asked on the red carpet about how the project came to be, Tucker said, "Well, that’s a big long answer.
"What’s the short story? We had fun. A lot of fun."
Dan + Shay picked up their first industry award at the CMT Music Awards in 2018 with “Tequila,” and Dan Smyers and Shay Mooney continued the trend Wednesday when they won Duo Video of the Year again, this time with “Speechless.”
“It’s crazy to look back on the last year,” Mooney said. “A lot of things have happened in the last year and it’s just amazing. This being a fan-voted award makes it that much more special. We’ve been on the road and we’ve seen their faces and we’ve heard their stories and that just makes it that much more incredible.”
Following their win, Dan + Shay performed their current single “All to Myself” during the CMT Music Awards. With a stage set up in the shape of a plus sign and their performance punctuated by fireworks, the moment was one of the most explosive of the night. Beforehand, the men were a bit nervous because they weren’t able to practice with the fireworks during rehearsal.
“It’s always crazy when you do something like that,” Smyers said. “Actually, when we did rehearsal there was someone emulating with their hands.”
The duo's performance also included a helicopter and they joked that next year maybe they would have a rope drop down from the sky and fly away at the end.
“We’ll just lift up and say bye to the fans,” Smyers quipped.
Little Big Town brought its tour de force single "The Daughters" center stage Wednesday night.
A stirring ballad that underscores unbalanced expectations put on women, the group sings: "And pose like a trophy on a shelf/ Dream for everyone, but not yourself/ I've heard of God the son and God the father/ I'm still looking for a God for the daughters."
The Grammy Award-winning country quartet released "The Daughters" earlier this year, debuting the song live at the ACM Awards in April.
Little Big Town member Karen Fairchild co-wrote the track with Sean McConnell and Ashley Ray. As highlighted in an in-depth Tennessean story last week, "The Daughters" brings lyrical attention to religion — one of a number of country songs to do so this year.
"I believe that God's love is for everyone, and I don’t think he has an equality problem," Fairchild told the Tennessean. "So much of our lives are still framed in a masculine way for men, and this was just saying, where's the God for the daughters and why are we still fighting these battles."
Ashley McBryde was so shocked when she won her trophy for Breakthrough Video of the Year for "Girl Goin' Nowhere," she didn't know which way to walk and politely swiped Luke Combs blue solo cup on the way to the stage.
"I ran up and took his drink," McBryde said. "I didn’t have one. It helps me to have something in my hands. When I said, ‘Can I have your drink,' he said, ‘Yeah of course.’"
The Arkansas native admitted that not only did she take a sip, she accidentally spilled it on her clothes. Thankfully, she said, Hunter Hayes immediately reassured her.
Gratitude was McBryde's theme of the night.
"That’s full circle for that song," she explained of "Girl Goin' Nowhere." "It didn’t get a lot of attention on radio, but the fans voted on this and that’s really important to us, especially for 'Girl Goin' Nowhere.’"
McBryde was inspired to write her autobiographical ballad by a high school algebra teacher who told her she couldn't and shouldn't follow her dreams to be a singer/songwriter in Nashville.
"Here I am at the CMT Awards and I just won an award that I wrote in spite of that bitter old bat," she said. "I hope her TV was on. She’s a gem. She’s still inspiring people, still. She lit a fire under me. She was the first 'no' I ever received."
Zac Brown of the Zac Brown Band let loose a dramatic expletive after winning the Group Video of the Year award for “Someone I Used To Know.”
Brown, the lead singer of the group, took the stage with the rest of the band and reflected on how long it took the musicians to make it in their career. Brown finished his speech with a surprise message to all those who doubted him, saying, at a certain point, you have to tell the "haters" to "f--- off."
Andrew Wigdor contributed to this story.
Ellen “Pulls No Punches” Pompeo is opening up about the turbulent early seasons of Grey’s Anatomy — and she is Not. Holding. Back.
“The first 10 years we had serious culture issues, very bad behavior, really toxic work environment,” the actress recalls in a new interview with TVLine’s sister pub Variety. “But once I started having kids, it became no longer about me. I need to provide for my family.”
Although Pompeo does not point fingers at anyone in particular, she says that the culture on the Grey’s set improved dramatically “after Season 10” in the wake of “some big shifts in front of the camera, behind the camera.
“It became my goal to have an experience there that I could be happy and proud about, because we had so much turmoil for 10 years,” she continues. “My mission became, this can’t be fantastic to the public and a disaster behind the scenes. [Series creator] Shonda Rhimes and I decided to rewrite the ending of this story. That’s what’s kept me [from leaving].”
Pompeo says she also stuck around because she had something to prove. “Patrick Dempsey left the show in Season 11, and the studio and network believed the show could not go on without the male lead,” she recalls. “So I had a mission to prove that it could. I was on a double mission.”
The interview comes on the heels of Pompeo extending her Grey’s deal through May 2021 (aka the series’ 17th season).