Kamis, 01 Agustus 2019

A.J. Calloway, 'Extra' 'agreed to part ways' after investigation into host's conduct - USA TODAY

A.J. Calloway is leaving the syndicated entertainment news show “Extra” in the wake of sexual misconduct allegations.

Warner Brothers issued a statement on Wednesday saying the company has investigated the claims into Calloway’s conduct and he and the company “have mutually agreed to part ways.” The statement did not say when the agreement was made.

The company had investigated prior accusations against Calloway and found no suggestion of workplace misconduct. But the 44-year-old was suspended in February after Warner Brothers became aware of additional allegations.

At the time, Calloway’s lawyer said her client vehemently denied ever assaulting anyone and looked forward to clearing his name.

His lawyer has not replied to an email seeking comment.

Calloway had been with “Extra” since 2005.

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https://www.usatoday.com/story/entertainment/celebrities/2019/08/01/a-j-calloway-extra-part-ways-after-investigation-into-conduct/1886709001/

2019-08-01 12:01:00Z
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'Hobbs & Shaw' review: 'Fast & Furious' franchise stalls out - New York Post

Dwayne Johnson’s new film “Fast & Furious Presents: Hobbs & Shaw” is not as solid as a rock. Balsa wood, maybe, or a bar of soap.

The flick’s flimsiness is not the Rock’s fault. If you had told me in 2002 that the former wrestler would end up being one of the only bankable movie stars left in Hollywood, I would have said, “Go home, you’re drunk.” But it’s true, and he’s rightly earned that status. The Rock is funny and charismatic in “Hobbs & Shaw,” and his bro chemistry with co-star Jason Statham is a joy. The pair slinging vicious insults at each other is almost vaudevillian — it would make a decent live tour.

And then there’s the rest of the movie.

The first spinoff in the “Fast & Furious” franchise has misguidedly been made into a ho-hum spy comedy.

Luke Hobbs (Johnson), an American federal agent, and Deckard Shaw (Statham), a British mercenary, are brought together to find the villain who stole the Vitamix of viruses, an infection that quickly liquefies a person’s internal organs. Complicating matters, the person who actually holds the virus is Hattie (Vanessa Kirby), Deckard’s sister, who’s also an agent. Hobbs and Shaw need to save her, destroy the substance and bring down a bloke named Brixton (Idris Elba).

He’s the bad guy. How do we know? When Brixton, a genetically engineered human who wears a technological suit straight out of “Black Panther,” first enters, somebody asks him, “Who the hell are you?”

“Bad guy,” he says. Thanks for the help!

Later, when Brixton is told, “You can’t save the world with genocide!,” he goes, “Genocide, schmenocide!”

Genocide, schmenocide? Most of the humor outside of Johnson and Statham trading barbs is similarly lazy, likes its star cameos: Helen Mirren doing a lousy cockney accent as Shaw’s incarcerated mum; and Ryan Reynolds with his usual Paul-Rudd-on-crack line delivery. The best appearance is Kevin Hart as an air marshal who wants to see some real action.

The editing is often as slack as the jokes. The final fight sequence, set in Samoa, takes place over a 30-minute countdown to disaster for the characters. In that time, the sky goes from total darkness, to midday sunny, to cloudy and then back to blue skies again. I know it’s an island, but sheesh.

There are two big chases, which live up to the series’ entire reason for existing. One travels through major London arteries and features a “Transformers”-esque motorcycle that can squeeze into impossibly small spaces.

The other is set outside a secret lair in Ukraine. Why, you think, can’t the filmmakers extend the cleverness and innovation of their automotive pursuits to, say, plot and dialogue?

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https://nypost.com/2019/08/01/hobbs-shaw-review-fast-furious-franchise-stalls-out/

2019-08-01 11:46:00Z
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A$AP Rocky set to testify as Trump's hostage negotiator watches in court - CNN International

A$AP Rocky, whose real name is Rakim Mayers, pleaded not guilty to assault charges on Tuesday after being detained following a street brawl in the Swedish capital Stockholm on June 30.
The artist, whose case has fueled a diplomatic quarrel after repeated interventions from Trump's administration, is expected to address the court with his testimony on Thursday once an interrogation of the alleged victim has concluded.
A$AP Rocky's lawyer, Slobodan Jovicic, began proceedings by grilling the alleged victim about why he started talking to the rapper's bodyguard.
"To me they were just normal people. I didn't recognize them," the alleged victim said, adding that he approached the bodyguard to ask for help finding his friend.
The court was also shown surveillance footage of the brawl, in which the rapper and his two co-defendants, Bladimir Corniel and David Rispers, assert they were acting in self defense.

Surveillance footage analyzed

The second day of the trial began with continued interrogation of the alleged victim, who says A$AP Rocky and his entourage assaulted him by kicking and beating him with a glass bottle or part of one while he lay on the ground.
A$AP Rocky pleads not guilty to assault as Stockholm trial begins
The alleged victim told the rapper's lawyer Jovicic he was surprised by the behavior of A$AP Rocky and his entourage, whom he claimed were pushing him away as he searched for his friend.
But Jovicic pressed the alleged victim on why he approached the group in the first place.
"Out of all the people in this square, you feel it appropriate to ask these people, whose language you don't even understand?," he asked. The alleged victim spoke in Persian and his answers were translated in the courtroom.
Jovicic also played a clip from a cell phone where it appears the victim was trying to strike the rapper's bodyguard with his fist and rings, followed by an attempt to hit him with headphones.
The alleged victim was also probed by Corniel's lawyer, Martin Persson, on whether a bottle was used in the attack, as previously claimed during Tuesday's hearing.
After viewing stills from a video of the incident, Persson referred to the alleged attackers and told the victim: "So none of the eight hands in these photos actually holds a bottle."
"I asked if they had the bottles from the beginning when they approached you and you said yes. Why are you unsure of this now?," the lawyer added.
Renee Black, A$AP Rocky's mother, arrives at the courthouse on Thursday.
The alleged victim replied: "My wounds have not come from nowhere. Would they have come from the air? There are witnesses that can attest to this."
The images only show "a short sequence of what happened. I was trying to get away," he added.
In photos of the crime scene displayed to the court on Tuesday, a broken glass bottle was visible on the street where the brawl took place and a fragment of what appeared to be the same bottle could be seen stuck in A$AP Rocky's sweater.
Footage of the altercation posted by TMZ and clips shared by A$AP Rocky himself, which have been at the heart of the investigation, were also played in court on Tuesday.
Under Swedish law, A$AP Rocky could face a maximum penalty of two years in prison. However, according to Swedish media, the prosecutors have indicated they do not expect to ask for the maximum penalty.

Presidential presence in courtroom

Presidential Hostage Affairs Envoy Robert C. O'Brien greeted A$AP Rocky's mother with a handshake as proceedings began.
O'Brien's presence in the courtroom, for the second day of the trial, marks the latest move from the Oval Office in a trial that is being closely watched by Trump and has caused a diplomatic quarrel between the President and his Swedish counterparts.
Robert C O'Brien, US Special Envoy for Hostage Affairs, arrives at the second day of the trial on Thursday.
It comes after O'Brien told CNN on Tuesday that Trump wants the rapper and his two co-defendants, Corniel and Rispers, to "come home as soon as possible."
Trump has repeatedly pressed Swedish Prime Minister Stefan Löfven to free A$AP Rocky on Twitter, but his efforts have been rebuffed by the country's government.
A$AP Rocky is expected to testify later on Thursday. Jovicic maintains his client did not commit any crime. The rapper asserts that he was acting in self-defense when he threw the victim to the ground and stepped on his arm.
The trial, at a packed Stockholm District Court, has attracted the world's media, and judge Per Lennerbrant told the courtroom on Thursday he wanted its focus to remain on the incident in question.
"This case is about an alleged assault that happened here in Stockholm. Nothing else. I want to say this to everyone, ahead of today's questioning," he said at the start of proceedings.
The trial is set to conclude on Friday, when closing arguments will be made, but Lennerbrant suggested on Thursday that proceedings are running behind schedule and a further day may be needed.

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https://www.cnn.com/2019/08/01/europe/aap-rocky-trial-day-two-intl/index.html

2019-08-01 10:54:00Z
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A$AP Rocky Will Not Testify in Swedish Assault Trial - TMZ

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https://www.tmz.com/2019/08/01/asap-rocky-testify-swedish-sweden-assault-trial/

2019-08-01 08:00:00Z
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Rabu, 31 Juli 2019

The Irishman Teaser Trailer Reaction & Review - Collider Videos

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https://www.youtube.com/watch?v=hKBthOd_oGM

2019-07-31 17:19:57Z
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Hal Prince, Giant of Broadway and Tony Award Collector, Dies at 91 - The New York Times

Hal Prince, the Broadway royal and prodigious Tony winner, the producer or director (or both) of many of the theater’s most enduring musicals, including “Damn Yankees,” “West Side Story,” “Fiddler on the Roof,” “Cabaret,” “Sweeney Todd” and “The Phantom of the Opera,” the longest-running show in Broadway history, died on Wednesday in Reykjavik, Iceland. He was 91.

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CreditAllyn Baum/The New York Times

The death was confirmed by a spokesman.

Mr. Prince began working in the theater in the halcyon days of Broadway, when Cole Porter and Rodgers and Hammerstein were its songwriting kings, the stage musical was a robust American art form (not to mention an affordable entertainment option) and theater songs were staples of the airwaves.

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CreditGjon Mili/The LIFE Picture Collection, via Getty Images

His contributions were prolific and persisted through challenging eras — when rock ‘n’ roll threatened to make show music irrelevant, when the decline of Times Square discouraged Broadway attendance, when the arrival of popular British musicals like “Phantom” pushed aside their American counterparts and when corporations like Disney entered the Broadway sweepstakes and miniaturized the impact of the independent producer.

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CreditUnited Press International

Mr. Prince’s singularly significant role in shaping the Broadway musical during the second half of the 20th century was acknowledged by the Tony award for lifetime achievement he received in 2006.

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CreditRon Galella/Ron Galella Collection, via Getty Images

That was his 21st Tony, a number far surpassing that of anyone else in multiple categories. The count began with the 1955 best musical, “The Pajama Game,” which Mr. Prince co-produced with Frederick Brisson and Robert E. Griffith. The total reached 20 in 1995 for his direction of an extravagant revival of “Show Boat,” the landmark 1927 musical by Jerome Kern and Oscar Hammerstein 2d from Edna Ferber’s novel about life on a Mississippi steamship.

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CreditVyacheslav Prokofyev\TASS, via Getty Images

Often considered the foundation of the modern musical for its character development and melding of score and story, “Show Boat” was a fitting valedictory – though not quite his final show — for a man who helped expand the possibilities of narrative in the musical theater form.

Mr. Prince was known, especially in the first decades of his theater life, as a fiendish workaholic; at one point in 1960, three shows that he produced were appearing on Broadway at the same time.

And he was known, throughout his career, for his collaborations with a murderer’s row of creative talents, among them the choreographers Bob Fosse, Jerome Robbins, Michael Bennett and Susan Stroman, the designers Eugene Lee, Patricia Zipprodt and Florence Klotz, and the composers Leonard Bernstein, John Kander, Stephen Sondheim, who was his most frequent confederate, and Andrew Lloyd Webber.

Mr. Lloyd Webber, was, with their work together on “Evita” about the opportunistic Argentine populist Eva Peron, and on “The Phantom of the Opera,” which Mr. Prince directed in London and on Broadway, his most profit-generating collaborator.

A complete version of this obituary will appear shortly.

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https://www.nytimes.com/2019/07/31/theater/hal-prince-dead.html

2019-07-31 15:41:26Z
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Scorsese’s ‘The Irishman’ Trailer Is Here With A De-Aged Robert De Niro - HuffPost

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https://www.huffpost.com/entry/scorseses-the-irishman-trailer-is-here-with-a-de-aged-robert-de-niro_n_5d419994e4b0d24cde08ea8f

2019-07-31 15:00:00Z
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