Selasa, 17 September 2019

Andrew Yang Knows You May Disagree With Him About Shane Gillis - The New York Times

Shane Gillis, a 31-year-old stand-up comedian who was named last week to the “Saturday Night Live” cast, has mimicked caricatures of Chinese accents. He has called it a “hassle” to have to speak with a waiter in a Chinese restaurant. He has used a racial slur to refer to the entrepreneur Andrew Yang.

And in response, Mr. Yang, who has emerged as one of just a handful of viable Asian-American candidates ever to seek a major party’s nomination for president, has preached forgiveness.

“Shane — I prefer comedy that makes people think and doesn’t take cheap shots. But I’m happy to sit down and talk with you if you’d like,” he said in a tweet over the weekend. “For the record, I do not think he should lose his job. We would benefit from being more forgiving rather than punitive. We are all human.”

But lose his job Mr. Gillis did. On Monday afternoon, “S.N.L.” announced that he would not be joining the show, and in a statement, called his language “offensive, hurtful and unacceptable.”

Then, about an hour after the announcement, Mr. Yang tweeted again, suggesting that Mr. Gillis had taken him up on his offer to talk things out.

”Shane Gillis reached out,” Mr. Yang said. “Looks like we will be sitting down together soon.”

A spokesman for Mr. Yang did not have any comment on Mr. Gillis’s departure from the show on Monday night. Nonetheless, the dayslong ordeal with its swift and sudden turn has had the side effect of thrusting Mr. Yang, a long-shot candidate with a loyal following, into the spotlight and placing him at the center of a national conversation about racism, outrage culture and absolution.

For more than a year, Mr. Yang, 44, has built support from outside the political establishment by purposely staying above the political fray, posting videos of himself having fun playing basketball and preaching “humanity first” as a central tenet of his campaign. His response to Mr. Gillis over the weekend echoed those inviting approaches.

But as many “S.N.L.” viewers and others across the country clamored for Mr. Gillis to be fired, believing his jokes to be beyond excusable, Mr. Yang’s response unnerved those hoping for a more forceful condemnation from him. Perhaps the most pointed criticism has come from the Asian-American community itself, where some have expressed a mix of incredulity and weighty disappointment at the way Mr. Yang has talked about race throughout his campaign.

Mr. Yang took “a position that’s very much at odds with the Asian-American community,” said Jenn Fang, the creator of a long-running Asian-American advocacy blog, Reappropriate, who tweeted over the weekend about Mr. Yang’s comments. “He’s trying to let Shane Gillis off the hook so he can cater to other voters that he needs to get to the White House.”

Mr. Yang also received significant blowback from people within and outside Asian-American communities for appearing to draw a comparison between how society treats anti-Asian racism and anti-black racism.

“Anti-Asian racism is particularly virulent because it’s somehow considered more acceptable,” Mr. Yang argued on Twitter. “If Shane had used the n word, the treatment would likely be immediate and clear.”

As one of three remaining candidates in the race who do not have a background in politics, Mr. Yang has won fans by speaking off the cuff and peppering his stump speech with sometimes self-deprecating humor. Because he has made automation and concern over mass unemployment central themes of his candidacy, he has won the support of some young, white, male Trump voters while at the same time attracting progressives and a significant share of Asian-Americans — all groups he seeks to hold together under the apolitical campaign catch phrase “Not left, not right, but forward.”

But his handling of race has sometimes undermined that careful balancing act and raised the concerns among some who say he has been too willing to lean in to stereotypes about Asian-Americans to win support. His biggest applause line remains “The opposite of Donald Trump is an Asian man who likes math”; in front of a national television audience during the debate last week, he observed, “I am Asian, so I know a lot of doctors.”

In tweets, Mr. Yang also reiterated that he had been the target of racial epithets in the past. Asked about his jokes about liking math and knowing doctors, he has maintained that the Asian-American community is diverse, that his individual experience does not speak for everyone and that Americans are smart enough to see through the model minority myth, which overgeneralizes Asians as diligent and high-achieving.

In an interview on Monday with The New York Times just hours before Mr. Gillis was dropped from “S.N.L.,” Mr. Yang said he had not meant to compare his experience as an Asian-American to “the experience of growing up black in this country.” He said he had intended only to make an “observation” about anti-Asian racism and the fact that it is not always taken seriously.

Mr. Yang said he and his wife had sat down to watch Mr. Gillis’s comedy routines for 30 minutes to an hour and had concluded that he was not “malignant or evil.” He also said he had resisted sending a tweet containing an explicative that would have more forcefully expressed his anger at Mr. Gillis.

“There’s a complex set of reactions one has,” Mr. Yang said.

He said that someone had yelled a slur at him out a car window “just the other day” and added that he had talked to his wife about the experience. He said they had bemoaned the fact that such a slur could eventually be directed at one of their boys.

Mr. Yang also denied that there were any politics at play. “This is both how I genuinely see this and what I think is best,” he said. “I totally respect people who have different points of view.”

Danielle Seid, an assistant professor of English at Baruch College who studies film and television history, said Mr. Yang had definitely found himself “in a tough spot.” He had been right to point out that anti-Asian racism has often not been treated seriously, she said, but he may not have done “a good job of parsing that with his tweets about the n-word.”

Mr. Yang’s comments could have been read as an argument that “Asians have it worse” than other minority groups, when “it’s pretty clear that, in terms of racist policies and practices and culture in the United States, so much of it is founded on anti-black racism,” said, Ellen Wu, an associate professor of history at Indiana University.

At a broader level, both Professor Seid and Professor Wu said Mr. Yang’s high profile had made him something of a spokesman for the Asian-American community. As such, Professor Seid said she wished Mr. Yang had been “more forceful in condemning Mr. Gillis’s ‘jokes’ and taken the opportunity to congratulate Bowen Yang,” one of the show’s writers who was also elevated to a featured performer’s position.

Kevin Xu, a co-host of the Model MAJORITY Podcast and a former Obama White House staff member, said he had wanted Mr. Gillis to lose his job “because he is racist and not funny.”

But he defended Mr. Yang’s handling of the situation. Given that Mr. Yang is a candidate for president, Mr. Xu said he believed it was appropriate for him to “take the high road.”

“This is the best way he could have handled something like this,” Mr. Xu said. “I think over all he’s doing a pretty good job owning up to his minority status while still doing what he needs to do to run for president.”

“I don’t think that, for someone like him — just like Barack Obama or Hillary Clinton or any other historical candidate trying to break any sort of ceiling — they can do this perfectly,” Mr. Xu added. “It’s a very, very high-wire act. It’s very hard.”

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https://www.nytimes.com/2019/09/17/us/politics/shane-gillis-snl-andrew-yang.html

2019-09-17 11:37:00Z
52780385434008

Andrew Yang Knows You May Disagree With Him About Shane Gillis - The New York Times

Shane Gillis, a 31-year-old stand-up comedian who was named last week to the “Saturday Night Live” cast, has mimicked caricatures of Chinese accents. He has called it a “hassle” to have to speak with a waiter in a Chinese restaurant. He has used a racial slur to refer to the entrepreneur Andrew Yang.

And in response, Mr. Yang, who has emerged as one of just a handful of viable Asian-American candidates ever to seek a major party’s nomination for president, has preached forgiveness.

“Shane — I prefer comedy that makes people think and doesn’t take cheap shots. But I’m happy to sit down and talk with you if you’d like,” he said in a tweet over the weekend. “For the record, I do not think he should lose his job. We would benefit from being more forgiving rather than punitive. We are all human.”

But lose his job Mr. Gillis did. On Monday afternoon, “S.N.L.” announced that he would not be joining the show, and in a statement, called his language “offensive, hurtful and unacceptable.”

Then, about an hour after the announcement, Mr. Yang tweeted again, suggesting that Mr. Gillis had taken him up on his offer to talk things out.

”Shane Gillis reached out,” Mr. Yang said. “Looks like we will be sitting down together soon.”

A spokesman for Mr. Yang did not have any comment on Mr. Gillis’s departure from the show on Monday night. Nonetheless, the dayslong ordeal with its swift and sudden turn has had the side effect of thrusting Mr. Yang, a long-shot candidate with a loyal following, into the spotlight and placing him at the center of a national conversation about, racism, outrage culture and absolution.

For more than a year, Mr. Yang, 44, has built support from outside the political establishment by purposely staying above the political fray, posting videos of himself having fun playing basketball and preaching “humanity first” as a central tenet of his campaign. His response to Mr. Gillis over the weekend echoed those inviting approaches.

But as many “S.N.L.” viewers and others across the country clamored for Mr. Gillis to be fired, believing his jokes to be beyond excusable, Mr. Yang’s response unnerved those hoping for a more forceful condemnation from him. Perhaps the most pointed criticism has come from the Asian-American community itself, where some have expressed a mix of incredulity and weighty disappointment at the way Mr. Yang has talked about race throughout his campaign.

Mr. Yang took “a position that’s very much at odds with the Asian-American community,” said Jenn Fang, the creator of a long-running Asian-American advocacy blog, Reappropriate, who tweeted over the weekend about Mr. Yang’s comments. “He’s trying to let Shane Gillis off the hook so he can cater to other voters that he needs to get to the White House.”

Mr. Yang also received significant blowback from people within and outside Asian-American communities for appearing to draw a comparison between how society treats anti-Asian racism and anti-black racism.

“Anti-Asian racism is particularly virulent because it’s somehow considered more acceptable,” Mr. Yang argued on Twitter. “If Shane had used the n word, the treatment would likely be immediate and clear.”

As one of three remaining candidates in the race who do not have a background in politics, Mr. Yang has won fans by speaking off the cuff and peppering his stump speech with sometimes self-deprecating humor. Because he has made automation and concern over mass unemployment central themes of his candidacy, he has won the support of some young, white, male Trump voters while at the same time attracting progressives and a significant share of Asian-Americans — all groups he seeks to hold together under the apolitical campaign catch phrase “Not left, not right, but forward.”

But his handling of race has sometimes undermined that careful balancing act and raised the concerns among some who say he has been too willing to lean in to stereotypes about Asian-Americans to win support. His biggest applause line remains “The opposite of Donald Trump is an Asian man who likes math”; in front of a national television audience during the debate last week, he observed, “I am Asian, so I know a lot of doctors.”

In tweets, Mr. Yang also reiterated that he had been the target of racial epithets in the past. Asked about his jokes about liking math and knowing doctors, he has maintained that the Asian-American community is diverse, that his individual experience does not speak for everyone and that Americans are smart enough to see through the model minority myth, which overgeneralizes Asians as diligent and high-achieving.

In an interview on Monday with The New York Times just hours before Mr. Gillis was dropped from “S.N.L.,” Mr. Yang said he had not meant to compare his experience as an Asian-American to “the experience of growing up black in this country.” He said he had intended only to make an “observation” about anti-Asian racism and the fact that it is not always taken seriously.

Mr. Yang said he and his wife had sat down to watch Mr. Gillis’s comedy routines for 30 minutes to an hour and had concluded that he was not “malignant or evil.” He also said he had resisted sending a tweet containing an explicative that would have more forcefully expressed his anger at Mr. Gillis.

“There’s a complex set of reactions one has,” Mr. Yang said.

He said that someone had yelled a slur at him out a car window “just the other day” and added that he had talked to his wife about the experience. He said they had bemoaned the fact that such a slur could eventually be directed at one of their boys.

Mr. Yang also denied that there were any politics at play. “This is both how I genuinely see this and what I think is best,” he said. “I totally respect people who have different points of view.”

Danielle Seid, an assistant professor of English at Baruch College who studies film and television history, said Mr. Yang had definitely found himself “in a tough spot.” He had been right to point out that anti-Asian racism has often not been treated seriously, she said, but he may not have done “a good job of parsing that with his tweets about the n-word.”

Mr. Yang’s comments could have been read as an argument that “Asians have it worse” than other minority groups, when “it’s pretty clear that, in terms of racist policies and practices and culture in the United States, so much of it is founded on anti-black racism,” said, Ellen Wu, an associate professor of history at Indiana University.

At a broader level, both Professor Seid and Professor Wu said Mr. Yang’s high profile had made him something of a spokesman for the Asian-American community. As such, Professor Seid said she wished Mr. Yang had been “more forceful in condemning Mr. Gillis’s ‘jokes’ and taken the opportunity to congratulate Bowen Yang,” one of the show’s writers who was also elevated to a featured performer’s position.

Kevin Xu, a co-host of the Model MAJORITY Podcast and a former Obama White House staff member, said he had wanted Mr. Gillis to lose his job “because he is racist and not funny.”

But he defended Mr. Yang’s handling of the situation. Given that Mr. Yang is a candidate for president, Mr. Xu said he believed it was appropriate for him to “take the high road.”

“This is the best way he could have handled something like this,” Mr. Xu said. “I think over all he’s doing a pretty good job owning up to his minority status while still doing what he needs to do to run for president.”

“I don’t think that, for someone like him — just like Barack Obama or Hillary Clinton or any other historical candidate trying to break any sort of ceiling — they can do this perfectly,” Mr. Xu added. “It’s a very, very high-wire act. It’s very hard.”

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https://www.nytimes.com/2019/09/17/us/politics/shane-gillis-snl-andrew-yang.html

2019-09-17 11:14:00Z
52780385434008

Cops Can't Take Aaron Carter's Guns Unless He's Declared Mentally Unfit - TMZ

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https://www.tmz.com/2019/09/17/aaron-carter-guns-cops-cant-take-mentally-unstable/

2019-09-17 08:00:00Z
CBMiUmh0dHBzOi8vd3d3LnRtei5jb20vMjAxOS8wOS8xNy9hYXJvbi1jYXJ0ZXItZ3Vucy1jb3BzLWNhbnQtdGFrZS1tZW50YWxseS11bnN0YWJsZS_SAVJodHRwczovL2FtcC50bXouY29tLzIwMTkvMDkvMTcvYWFyb24tY2FydGVyLWd1bnMtY29wcy1jYW50LXRha2UtbWVudGFsbHktdW5zdGFibGUv

Senin, 16 September 2019

It's real and it's spectacular: Netflix buys exclusive rights to stream Seinfeld - Ars Technica

"If I lose this Netflix streaming deal, that's it for me."
Enlarge / "If I lose this Netflix streaming deal, that's it for me."
Aurich Lawson / Seinfeld

Netflix and Sony Pictures Television confirmed on Monday that they had reached a streaming-exclusivity deal for one of the most popular TV series in the world: Seinfeld.

Beginning in 2021, Netflix will become the exclusive online-streaming home for the series throughout the world. This will bump current online distributors Hulu (USA) and Amazon (most other streamed regions). Hulu's previous five-year deal for the series' domestic streaming rights to the series was pegged at anywhere between $160M and $180M per year. This new Netflix's deal likely adds up to more money based solely on its international reach, but neither Sony, Netflix, or Castle Rock Entertainment disclosed any terms.

The LA Times reported that Netflix has announced full 4K resolution support for Seinfeld's Netflix run, a first for the series. It remains to be seen how this upscaling will be handled—whether to expect the original, grain-filled video being recreated like on some of the finest UHD Blu-rays on the market or if we will see significant digital touch-ups instead. (Either way, we wonder whether Kramer will apply his ingenuity to this 4K-ization, akin to his work on tie dispensers and male lingerie.)

The same report also alleges that Netflix outbid a huge field of streaming competitors for Seinfeld's global streaming rights: NBCUniversal, CBS All Access, AT&T TimeWarner, Hulu, and Amazon. Notably missing from that list: Apple TV+ and Disney+, who each have their own paths paved for November 2019 service launches.

The news comes as Netflix faces stiffer competition in the nostalgic-TV sector. AT&T Time Warner is pushing full steam ahead with its HBO Max product in 2020, and the service made headlines in July when it announced that the '90s sitcom Friends, which currently streams on Netflix, would jump ship to HBO Max upon its launch. This was followed by August's massive HBO Max deal struck with BBC America to exclusively carry series like Dr. Who, Luther, and Top Gear.

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https://arstechnica.com/gaming/2019/09/netflix-becomes-master-of-seinfeld-domain-buys-exclusive-streaming-rights/

2019-09-16 17:00:00Z
52780385499201

'KUWTK': Kim Kardashian's Mystery Illness Finally Revealed Following Lupus Scare - msnNOW

Replay Video
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Last week's Keeping Up With the Kardashians left fans wondering if Kim Kardashian-West did, in fact, have lupus after the reality star tested positive for lupus antibodies.

On Sunday, Kim went in for an ultrasound on her hands -- where she's been experiencing pain the worst -- to see if having lupus antibodies meant she was actually afflicted with the ailment.

Fortunately, the doctor deemed that Kim was not battling lupus. However, her joint pain is very real, and not a result of the carpal tunnel she was diagnosed with last year. Instead, it turns out she's got psoriatic arthritis, resulting from her psoriasis.

"First of all, if you have any evidence for lupus, we would have screened it," Kim's doctor explained in the episode. "You do not have lupus and rheumatoid arthritis. So, you can be reassured. You probably have psoriatic arthritis because psoriasis comes and goes. There’s nothing there right now."

Kim went on to explain that she felt "so relieved" to know that her health issues were not nearly as severe as they could have been.

"The pain is going to come and go sometimes, but I can manage it," Kim explained. "This isn’t going to stop me."

ET spoke with Kim last week, where she revealed that she's "on a medication now, so everything seems to be fine for right now," and she's "just rolling with it day by day."

However, when she first found out she potentially could have lupus, the mother of four admitted she felt scared and depressed at what that would mean for her family.

"When you do have a diagnosis -- or you get tested for something and you get a result that you weren't expecting -- you definitely get in your head and for a second you kinda get this little depression of, like, 'OK, what are all of the possibilities that can happen? What's my life gonna look like? I really wanna be active for my kids.' And so it triggers something," Kardashian shared.

"I really had to get myself together because I do have kids and I do have a family that I just have to be positive and get it together for," she continued. "No matter what's going on in your life, you can take that time to grieve for a second… and then figure out how to be positive about it because it's not going to change. There's no point in being depressed and staying in that head space, but I felt it for a minute."

Keeping Up With the Kardashians airs Sundays at 9 p.m. ET/PT on E!

 

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https://www.msn.com/en-us/tv/celebrity/kuwtk-kim-kardashians-mystery-illness-finally-revealed-following-lupus-scare/ar-AAHlWuX

2019-09-16 10:00:00Z
52780383174346

Ric Ocasek, frontman of the Cars, found dead in his Manhattan apartment - The Washington Post


Ric Ocasek of the Cars performs at the band's induction into the Rock & Roll Hall of Fame in Cleveland in April 2018. (Aaron Josefczyk/Reuters)

Shortly after the Cars released its third album in 1980, singer, songwriter and guitarist Ric Ocasek played a cassette in his at-home recording studio in north Boston for a Rolling Stone writer, showing off the rough-cut demos of the songs from “Panorama.” The album had received mixed reviews from critics, but fans loved it, filling concert venues across America.

Listening to the stripped down versions of the songs, though, the writer told the frontman his solo performances were “far stranger and more obsessed-sounding” than the tracks on the album. A bandmate described the recordings as “inside-out music.” The reporter told Ocasek he liked these odd early recordings better than the final ones.

“I have to admit,” Ocasek responded with a smile, “in my heart of hearts, that sometimes I do, too. But the band can’t always play this stuff the way I envision it.”

The experimental vision of the lanky, black-haired artist turned the Cars into an international phenomenon by straddling the line between his avant-garde interests and melodic, radio-friendly rock. His songs sometimes confounded critics, who were unsure where to place the Cars in an emerging constellation of New Wave bands, but crowds flocked to the band, which landed in the Rock & Roll Hall of Fame in 2018.

Ocasek died in his Manhattan apartment on Sunday afternoon at age 75, New York City police told the Associated Press. Officials said they do not suspect foul play and are awaiting a medical examiner’s report. He is survived by his estranged wife, supermodel Paulina Porizkova and their two adult sons.

Born Richard Otcasek in Baltimore, he got his first guitar as a gift from his grandmother. But Ocasek’s musical career really began in Cleveland, where he graduated from high school in 1963. He sneaked into a folk club there and played acoustic guitar in front of an audience for the first time as a teenager, he told Rolling Stone in 2017. He met bassist Benjamin Orr in Cleveland while Orr was often playing for a local TV program with a band called the Grasshoppers. That’s also where Ocasek said he smoked his first joint.

Ocasek and Orr joined forces and traveled the country before settling in Boston and starting the Cars, a five-man group that played local bars and recorded its first demo album in 1977. Boston radio stations played the band’s demos for “Just What I Needed” and “My Best Friend’s Girl” so often that Elektra Records signed the group in 1978 and produced its debut album, “The Cars,” which was a near-instant hit. Three songs from the album⁠ — “Just What I Needed,” “My Best Friend’s Girl,” and “Good Times Roll” ⁠ — made the Billboard Hot 100 chart. In 1984, the band had another huge success with “Heartbeat City,” an album with five Top 40 singles.

The Cars’ music video for the song “Double Life” was one of the first 30 aired on VH1, and the band won the inaugural MTV Video of the Year award in 1984 for “You Might Think.”

Viewed by many as standoffish and eccentric, Ocasek acknowledged that people could see him as “forbidding or aloof.” But those who worked with Ocasek described him as dedicated to his craft.

“Ric was very, very sober and very down to earth, which is rare,” Roy Thomas Baker, who produced several albums for the Cars, told Rolling Stone in 1979.

Ocasek wrote seven albums with the Cars, and also released seven solo albums. After the Cars broke up in 1988, Ocasek began producing music for other bands, including Bad Religion, No Doubt and Weezer. A towering figure, Ocasek was known for dressing in black and wearing his signature sunglasses. He described himself as an “outcast” for much of his early life, but he said music was a way to connect with people.

“To me, music’s a powerful emotional force,” he told Rolling Stone in 1980. “It can make people cry, feel happy or feel sexual. But more important than all of that, it’s a way to communicate without alienating people, a way to get beyond loneliness. It’s a private thing people can have for themselves any time they want. Just turn on a radio and there it is: a sense of belonging. Without having to surrender to anybody else’s needs.”

As news of Ocasek’s death spread on Sunday evening, rock bands shared tributes to the late artist. Weezer posted photos of Ocasek in the studio, calling him “our friend and mentor.”

“We will miss him forever, & will forever cherish the precious times we got to work and hang out with him,” Weezer posted on Twitter. “Rest in Peace & rock on Ric, we love you."

At a show in Boston on Sunday, Brooklyn-based rock band the Hold Steady walked onstage playing the Cars’ “Since You’re Gone.”

Ocasek’s career brought him back to Cleveland in 2018, where the Cars performed “My Best Friend’s Girl” during the ceremony to induct the band into the Rock & Roll Hall of Fame.

“I kind of started playing here and I could stop playing here, in Cleveland,” Ocasek told Rolling Stone the day he found out the Cars would be joining the Hall of Fame. “This could be the bookends. One guy on a guitar playing bad songs and then I’m in the Rock & Roll Hall of Fame 45 years later.”

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https://www.washingtonpost.com/nation/2019/09/16/ric-ocasek-cars-frontman-dead-manhattan/

2019-09-16 09:51:47Z
52780384811994

Ric Ocasek, frontman of the Cars, found dead in his Manhattan apartment - The Washington Post


Ric Ocasek of The Cars performs at the band's induction into the Rock & Roll Hall of Fame in Cleveland in April 2018. (Aaron Josefczyk/Reuters)

Shortly after the Cars released its third album in 1980, singer, songwriter and guitarist Ric Ocasek played a cassette in his at-home recording studio in north Boston for a Rolling Stone writer, showing off the rough-cut demos of the songs from Panorama. The album had received mixed reviews from critics, but fans loved it, filling concert venues across America.

Listening to the stripped down versions of the songs, though, the writer told the frontman his solo performances were “far stranger and more obsessed-sounding” than the tracks on the album. A bandmate described the recordings as “inside-out music.” The reporter told Ocasek he liked these odd early recordings better than the final ones.

“I have to admit,” Ocasek responded with a smile, “in my heart of hearts, that sometimes I do, too. But the band can’t always play this stuff the way I envision it.”

The experimental vision of the lanky, black-haired artist turned the Cars into an international phenomenon by straddling the line between his avant-garde interests and melodic, radio-friendly rock. His songs sometimes confounded critics, who were unsure where to place the Cars in an emerging constellation of New Wave bands, but crowds flocked to the band, which landed in the Rock & Roll Hall of Fame in 2018.

Ocasek died in his Manhattan apartment on Sunday afternoon at age 75, New York City police told the Associated Press. Officials said they do not suspect foul play and are awaiting a medical examiner’s report. He is survived by his estranged wife, supermodel Paulina Porizkova and their two adult sons.

Born Richard Otcasek in Baltimore, he got his first guitar as a gift from his grandmother. But Ocasek’s musical career really began in Cleveland, where he graduated from high school in 1963. He sneaked into a folk club there and played acoustic guitar in front of an audience for the first time as a teenager, he told Rolling Stone in 2017. He met bassist Benjamin Orr in Cleveland while Orr was often playing for a local TV program with a band called The Grasshoppers. That’s also where Ocasek said he smoked his first joint.

Ocasek and Orr joined forces and traveled the country before settling in Boston and starting the Cars, a five-man group that played local bars and recorded its first demo album in 1977. Boston radio stations played the band’s demos for “Just What I Needed” and “My Best Friend’s Girl” so often that Elektra Records signed the group in 1978 and produced its debut album, The Cars, which was a near-instant hit. Three songs from the album⁠ — “Just What I Needed,” “My Best Friend’s Girl,” and “Good Times Roll” ⁠ — made the Billboard Hot 100 chart. In 1984, the band had another huge success with Heartbeat City, an album with five Top 40 singles.

The Cars’ music video for the song “Double Life” was one of the first thirty aired on VH1, and the band won the inaugural MTV Video of the Year award in 1984 for “You Might Think.”

Viewed by many as standoffish and eccentric, Ocasek acknowledged that people could see him as “forbidding or aloof.” But those who worked with him described him as dedicated to his craft.

“Ric was very, very sober and very down to earth, which is rare,” Roy Thomas Baker, who produced several albums for the Cars, told Rolling Stone in 1979.

Ocasek wrote seven albums with the Cars, and also released seven solo albums. After the Cars broke up in 1988, Ocasek began producing music for other bands, including Bad Religion, No Doubt and Weezer. A towering figure, Ocasek was known for dressing in black and wearing his signature sunglasses. He described himself as an “outcast” for much of his early life, but said music was a way to connect with people.

“To me, music’s a powerful emotional force,” he told Rolling Stone in 1980. “It can make people cry, feel happy or feel sexual. But more important than all of that, it’s a way to communicate without alienating people, a way to get beyond loneliness. It’s a private thing people can have for themselves any time they want. Just turn on a radio and there it is: a sense of belonging. Without having to surrender to anybody else’s needs.”

As news of Ocasek’s death spread on Sunday evening, rock bands shared tributes to the late artist. Weezer posted photos of Ocasek in the studio, calling him “our friend and mentor.”

“We will miss him forever, & will forever cherish the precious times we got to work and hang out with him,” Weezer posted on Twitter. “Rest in Peace & rock on Ric, we love you."

At a show in Boston on Sunday, Brooklyn-based rock band The Hold Steady walked onstage playing “Since You’re Gone.”

Ocasek’s career brought him back to Cleveland in 2018, where the Cars performed “My Best Friend’s Girl” during the ceremony to induct the band into the Rock & Roll Hall of Fame.

“I kind of started playing here and I could stop playing here, in Cleveland,” Ocasek told Rolling Stone the day he found out the Cars would be joining the Hall of Fame. “This could be the bookends. One guy on a guitar playing bad songs and then I’m in the Rock & Roll Hall of Fame 45 years later.”

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https://www.washingtonpost.com/nation/2019/09/16/ric-ocasek-cars-frontman-dead-manhattan/

2019-09-16 09:45:00Z
52780384811994