Rabu, 20 November 2019

A Hollywood executive wanted Julia Roberts to play Harriet Tubman in a biopic - CNN

In a recent Q&A, screenwriter Gregory Allen Howard opened up about the 26-year journey to getting the "Harriet" biopic to the big screen.
At the time the effort started, he said, Hollywood was not the same.
"I wanted to turn Harriet Tubman's life, which I'd studied in college, into an action-adventure movie. The climate in Hollywood, however, was very different back then," Howard said. "I was told how one studio head said in a meeting, 'This script is fantastic. Let's get Julia Roberts to play Harriet Tubman.'"
Howard said when someone suggested Roberts could not play the role, the executive responded, "It was so long ago. No one is going to know the difference.'"
Cynthia Erivo in "Harriet."
British actress Cynthia Erivo got the role of the legendary abolitionist and freedom fighter in "Harriet," which is in theaters now.
The casting of a British actress in the role of an African-American slave who led others to freedom was also criticized. The cast also includes Janelle Monáe, Leslie Odom Jr., Jennifer Nettles, Joe Alwyn and Clarke Peters.
The screenwriter said he's always thought Tubman's story was extraordinary.
"Harriet was bigger than life. Harriet freeing slaves had a multiplying effect ... Harriet showed them how powerful they could become," Howard said.
Tubman escaped from slavery and helped hundreds of slaves find freedom during the US Civil War era through the Underground Railroad, changing the course of American history.

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https://www.cnn.com/2019/11/20/entertainment/julia-roberts-harriet-tubman-trnd/index.html

2019-11-20 14:32:00Z
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2020 GRAMMY Awards: Complete Nominees List - grammy.com

The 62nd GRAMMY Awards are right around the corner, airing Jan. 26 on CBS, but the nominations are here now! Find out who is nominated in each of the 84 categories in the full list below (use the links to jump to a desired field).

 

1. Record Of The Year
Award to the Artist and to the Producer(s), Recording Engineer(s) and/or Mixer(s) and mastering engineer(s), if other than the artist.

  • HEY, MA
    Bon Iver
    BJ Burton, Brad Cook, Chris Messina & Justin Vernon, producers; BJ Burton, Zach Hansen & Chris Messina, engineers/mixers; Greg Calbi, mastering engineer
     
  • BAD GUY
    Billie Eilish
    Finneas O'Connell, producer; Rob Kinelski & Finneas O'Connell, engineers/mixers; John Greenham, mastering engineer
     
  • 7 RINGS
    Ariana Grande
    Charles Anderson, Tommy Brown, Michael Foster &
    Victoria Monet, producers; Serban Ghenea, John Hanes,
    Billy Hickey & Brendan Morawski, engineers/mixers;
    Randy Merrill, mastering engineer
     
  • HARD PLACE
    H.E.R.
    Rodney “Darkchild” Jerkins, producer; Joseph Hurtado, Jaycen Joshua, Derek Keota & Miki Tsutsumi, engineers/mixers; Colin Leonard, mastering engineer
     
  • TALK
    Khalid
    Disclosure & Denis Kosiak, producers; Ingmar Carlson, Jon Castelli, Josh Deguzman, John Kercy, Denis Kosiak, Guy Lawrence & Michael Romero, engineers/mixers; Dale Becker, mastering engineer
     
  • OLD TOWN ROAD
    Lil Nas X Featuring Billy Ray Cyrus
    Andrew "VoxGod" Bolooki & YoungKio, producers; Andrew "VoxGod" Bolooki & Cinco, engineers/mixers; Eric Lagg, mastering engineer
     
  • TRUTH HURTS
    Lizzo
    Ricky Reed & Tele, producers; Chris Galland, Manny Marroquin & Ethan Shumaker, engineers/mixers; Chris Gehringer, mastering engineer
     
  • SUNFLOWER
    Post Malone & Swae Lee
    Louis Bell & Carter Lang, producers; Louis Bell & Manny Marroquin, engineers/mixers

2. Album Of The Year
Award to Artist(s) and to Featured Artist(s), Songwriter(s) of new material, Producer(s), Recording Engineer(s), Mixer(s) and Mastering Engineer(s) credited with at least 33% playing time of the album, if other than Artist.

  • I,I
    Bon Iver
    Brad Cook, Chris Messina & Justin Vernon, producers; Zach Hansen & Chris Messina, engineers/mixers; BJ Burton, Brad Cook & Justin Vernon, songwriters; Greg Calbi, mastering engineer
     
  • NORMAN F***ING ROCKWELL!
    Lana Del Rey
    Jack Antonoff & Lana Del Rey, producers; Jack Antonoff & Laura Sisk, engineers/mixers; Jack Antonoff & Lana Del Rey, songwriters; Chris Gehringer, mastering engineer
     
  • WHEN WE ALL FALL ASLEEP, WHERE DO WE GO?
    Billie Eilish
    Finneas O'Connell, producer; Rob Kinelski & Finneas O'Connell, engineers/mixers; Billie Eilish O'Connell & Finneas O'Connell, songwriters; John Greenham, mastering engineer
     
  • THANK U, NEXT
    Ariana Grande
    Tommy Brown, Ilya, Max Martin & Victoria Monet, producers; Serban Ghenea & Brendan Morawski, engineers/mixers; Tommy Brown, Ariana Grande, Savan Kotecha, Max Martin, Victoria Monet, Tayla Parx & Ilya Salmanzadeh, songwriters; Randy Merrill, mastering engineer
     
  • I USED TO KNOW HER
    H.E.R.
    David "Swagg R'Celious" Harris, H.E.R., Walter Jones & Jeff Robinson, producers; Miki Tsutsumi, engineer/mixer; Sam Ashworth, Jeff “Gitty” Gitelman, David "Swagg R'Celious" Harris & H.E.R., songwriters; Colin Leonard, mastering engineer
     
  • 7
    Lil Nas X
    Montero Lamar Hill, songwriter; Eric Lagg, mastering engineer
     
  • CUZ I LOVE YOU (DELUXE)
    Lizzo
    Ricky Reed, producer; Manny Marroquin & Ethan Shumaker, engineers/mixers; Eric Frederic & Melissa Jefferson, songwriters; Chris Gehringer, mastering engineer
     
  • FATHER OF THE BRIDE
    Vampire Weekend
    Ezra Koenig & Ariel Rechtshaid, producers; John DeBold, Chris Kasych, Takemasa Kosaka, Ariel Rechtshaid & Hiroya Takayama, engineers/mixers; Ezra Koenig, songwriter; Emily Lazar, mastering engineer

3. Song Of The Year
A Songwriter(s) Award. A song is eligible if it was first released or if it first achieved prominence during the Eligibility Year. (Artist names appear in parentheses.) Singles or Tracks only.

  • ALWAYS REMEMBER US THIS WAY
    Natalie Hemby, Lady Gaga, Hillary Lindsey & Lori McKenna, songwriters (Lady Gaga)
     
  • BAD GUY
    Billie Eilish O'Connell & Finneas O'Connell, songwriters (Billie Eilish)
     
  • BRING MY FLOWERS NOW
    Brandi Carlile, Phil Hanseroth, Tim Hanseroth & Tanya Tucker, songwriters (Tanya Tucker)
     
  • HARD PLACE
    Ruby Amanfu, Sam Ashworth, D. Arcelious Harris, H.E.R. & Rodney Jerkins, songwriters (H.E.R.)
     
  • LOVER
    Taylor Swift, songwriter (Taylor Swift)
     
  • NORMAN F***ING ROCKWELL
    Jack Antonoff & Lana Del Rey, songwriters (Lana Del Rey)
     
  • SOMEONE YOU LOVED
    Tom Barnes, Lewis Capaldi, Pete Kelleher, Benjamin Kohn & Sam Roman, songwriters (Lewis Capaldi)
     
  • TRUTH HURTS
    Steven Cheung, Eric Frederic, Melissa Jefferson & Jesse Saint John, songwriters (Lizzo)

4. Best New Artist
An artist will be considered for Best New Artist if their eligibility year release/s achieved a breakthrough into the public consciousness and notably impacted the musical landscape.

  • BLACK PUMAS
     
  • BILLIE EILISH
     
  • LIL NAS X
     
  • LIZZO
     
  • MAGGIE ROGERS
     
  • ROSALÍA
     
  • TANK AND THE BANGAS
     
  • YOLA

5. Best Pop Solo Performance
For new vocal or instrumental pop recordings. Singles or Tracks only.

  • SPIRIT
    Beyoncé
     
  • BAD GUY
    Billie Eilish
     
  • 7 RINGS
    Ariana Grande
     
  • TRUTH HURTS
    Lizzo
     
  • YOU NEED TO CALM DOWN
    Taylor Swift

6. Best Pop Duo/Group Performance
For new vocal or instrumental duo/group or collaborative pop recordings. Singles or Tracks only.

  • BOYFRIEND
    Ariana Grande & Social House
     
  • SUCKER
    Jonas Brothers
     
  • OLD TOWN ROAD
    Lil Nas X Featuring Billy Ray Cyrus
     
  • SUNFLOWER
    Post Malone & Swae Lee
     
  • SEÑORITA
    Shawn Mendes & Camila Cabello

7. Best Traditional Pop Vocal Album
For albums containing at least 51% playing time of new traditional pop recordings.


  • Andrea Bocelli
     
  • LOVE (DELUXE EDITION)
    Michael Bublé
     
  • LOOK NOW
    Elvis Costello & The Imposters
     
  • A LEGENDARY CHRISTMAS
    John Legend
     
  • WALLS
    Barbra Streisand

8. Best Pop Vocal Album
For albums containing at least 51% playing time of new vocal pop recordings.

  • THE LION KING: THE GIFT
    Beyoncé
     
  • WHEN WE ALL FALL ASLEEP, WHERE DO WE GO?
    Billie Eilish
     
  • THANK U, NEXT
    Ariana Grande
     
  • NO.6 COLLABORATIONS PROJECT
    Ed Sheeran
     
  • LOVER
    Taylor Swift

9. Best Dance Recording
For solo, duo, group or collaborative performances. Vocal or Instrumental. Singles or tracks only.

  • LINKED
    Bonobo
    Simon Green, producer; Simon Green, mixer
     
  • GOT TO KEEP ON
    The Chemical Brothers
    The Chemical Brothers, producers; Steve Dub Jones & Tom Rowlands, mixers
     
  • PIECE OF YOUR HEART
    Meduza Featuring Goodboys
    Simone Giani, Luca De Gregorio & Mattia Vitale, producers; Simone Giani, Luca De Gregorio & Mattia Vitale, mixers
     
  • UNDERWATER
    RÜFÜS DU SOL
    Jason Evigan & RÜFÜS DU SOL, producers; Cassian Stewart-Kasimba, mixer
     
  • MIDNIGHT HOUR
    Skrillex & Boys Noize Featuring Ty Dolla $ign
    Boys Noize & Skrillex, producers; Skrillex, mixer

10. Best Dance/Electronic Album
For vocal or instrumental albums. Albums only.

  • LP5
    Apparat
     
  • NO GEOGRAPHY
    The Chemical Brothers
     
  • HI THIS IS FLUME (MIXTAPE)
    Flume
     
  • SOLACE
    RÜFÜS DU SOL
     
  • WEATHER
    Tycho

11. Best Contemporary Instrumental Album
For albums containing approximately 51% or more playing time of instrumental material. For albums containing at least 51% playing time of new recordings.

  • ANCESTRAL RECALL
    Christian Scott aTunde Adjuah
     
  • STAR PEOPLE NATION
    Theo Croker
     
  • BEAT MUSIC! BEAT MUSIC! BEAT MUSIC!
    Mark Guiliana
     
  • ELEVATE
    Lettuce
     
  • METTAVOLUTION
    Rodrigo y Gabriela

12. Best Rock Performance
For new vocal or instrumental solo, duo/group or collaborative rock recordings.

  • PRETTY WASTE
    Bones UK
     
  • THIS LAND
    Gary Clark Jr.
     
  • HISTORY REPEATS
    Brittany Howard
     
  • WOMAN
    Karen O & Danger Mouse
     
  • TOO BAD
    Rival Sons

13. Best Metal Performance
For new vocal or instrumental solo, duo/group or collaborative metal recordings.

  • ASTOROLUS - THE GREAT OCTOPUS
    Candlemass Featuring Tony Iommi
     
  • HUMANICIDE
    Death Angel
     
  • BOW DOWN
    I Prevail
     
  • UNLEASHED
    Killswitch Engage
     
  • 7EMPEST
    Tool

14. Best Rock Song
A Songwriter(s) Award. Includes Rock, Hard Rock and Metal songs. A song is eligible if it was first released or if it first achieved prominence during the Eligibility Year. (Artist names appear in parentheses.) Singles or Tracks only.

  • FEAR INOCULUM
    Tool, songwriters (Tool)
     
  • GIVE YOURSELF A TRY
    George Daniel, Adam Hann, Matthew Healy & Ross MacDonald, songwriters (The 1975)
     
  • HARMONY HALL
    Ezra Koenig, songwriter (Vampire Weekend)
     
  • HISTORY REPEATS
    Brittany Howard, songwriter (Brittany Howard)
     
  • THIS LAND
    Gary Clark Jr., songwriter (Gary Clark Jr.)

15. Best Rock Album
For albums containing at least 51% playing time of new rock, hard rock or metal recordings.

  • AMO
    Bring Me The Horizon
     
  • SOCIAL CUES
    Cage The Elephant
     
  • IN THE END
    The Cranberries
     
  • TRAUMA
    I Prevail
     
  • FERAL ROOTS
    Rival Sons

16. Best Alternative Music Album
Vocal or Instrumental.

  • U.F.O.F.
    Big Thief
     
  • ASSUME FORM
    James Blake
     
  • I,I
    Bon Iver
     
  • FATHER OF THE BRIDE
    Vampire Weekend
     
  • ANIMA
    Thom Yorke

17. Best R&B Performance
For new vocal or instrumental R&B recordings.

  • LOVE AGAIN
    Daniel Caesar & Brandy
     
  • COULD'VE BEEN
    H.E.R. Featuring Bryson Tiller
     
  • EXACTLY HOW I FEEL
    Lizzo Featuring Gucci Mane
     
  • ROLL SOME MO
    Lucky Daye
     
  • COME HOME
    Anderson .Paak Featuring André 3000

18. Best Traditional R&B Performance
For new vocal or instrumental traditional R&B recordings.

  • TIME TODAY
    BJ The Chicago Kid
     
  • STEADY LOVE
    India.Arie
     
  • JEROME
    Lizzo
     
  • REAL GAMES
    Lucky Daye
     
  • BUILT FOR LOVE
    PJ Morton Featuring Jazmine Sullivan

19. Best R&B Song
A Songwriter(s) Award. A song is eligible if it was first released or if it first achieved prominence during the Eligibility Year. (Artist names appear in parentheses.) Singles or Tracks only.

  • COULD'VE BEEN
    Dernst Emile II, David “Swagg R’Celious” Harris, H.E.R. & Hue “Soundzfire” Strother, songwriters (H.E.R. Featuring Bryson Tiller)
     
  • LOOK AT ME NOW
    Emily King & Jeremy Most, songwriters (Emily King)
     
  • NO GUIDANCE
    Chris Brown, Tyler James Bryant, Nija Charles, Aubrey Graham, Anderson Hernandez, Michee Patrick Lebrun, Joshua Lewis, Noah Shebib & Teddy Walton, songwriters (Chris Brown Featuring Drake)
     
  • ROLL SOME MO
    David Brown, Dernst Emile II & Peter Lee Johnson, songwriters (Lucky Daye)
     
  • SAY SO
    PJ Morton, songwriter (PJ Morton Featuring JoJo)

20. Best Urban Contemporary Album
For albums containing at least 51% playing time of newly recorded contemporary vocal tracks derivative of R&B.

  • APOLLO XXI
    Steve Lacy
     
  • CUZ I LOVE YOU (DELUXE)
    Lizzo
     
  • OVERLOAD
    Georgia Anne Muldrow
     
  • SATURN
    NAO
     
  • BEING HUMAN IN PUBLIC
    Jessie Reyez

21. Best R&B Album
For albums containing at least 51% playing time of new R&B recordings.

  • 1123
    BJ The Chicago Kid
     
  • PAINTED
    Lucky Daye
     
  • ELLA MAI
    Ella Mai
     
  • PAUL
    PJ Morton
     
  • VENTURA
    Anderson .Paak

22. Best Rap Performance
For a Rap performance. Singles or Tracks only.

  • MIDDLE CHILD
    J. Cole
     
  • SUGE
    DaBaby
     
  • DOWN BAD
    Dreamville Featuring J.I.D, Bas, J. Cole, EARTHGANG & Young Nudy
     
  • RACKS IN THE MIDDLE
    Nipsey Hussle Featuring Roddy Ricch & Hit-Boy
     
  • CLOUT
    Offset Featuring Cardi B

23. Best Rap/Sung Performance
For a solo or collaborative performance containing both elements of R&B melodies and Rap.

  • HIGHER
    DJ Khaled Featuring Nipsey Hussle & John Legend
     
  • DRIP TOO HARD
    Lil Baby & Gunna
     
  • PANINI
    Lil Nas X
     
  • BALLIN
    Mustard Featuring Roddy Ricch
     
  • THE LONDON
    Young Thug Featuring J. Cole & Travis Scott

24. Best Rap Song
A Songwriter(s) Award. A song is eligible if it was first released or if it first achieved prominence during the Eligibility Year. (Artist names appear in parentheses.) Singles or Tracks only.

  • BAD IDEA
    Chancelor Bennett, Cordae Dunston, Uforo Ebong & Daniel Hackett, songwriters (YBN Cordae Featuring Chance The Rapper)
     
  • GOLD ROSES
    Noel Cadastre, Aubrey Graham, Anderson Hernandez, Khristopher Riddick-Tynes, William Leonard Roberts II, Joshua Quinton Scruggs, Leon Thomas III & Ozan Yildirim, songwriters (Rick Ross Featuring Drake)
     
  • A LOT
    Jermaine Cole, Dacoury Natche, 21 Savage & Anthony White, songwriters (21 Savage Featuring J. Cole)
     
  • RACKS IN THE MIDDLE
    Ermias Asghedom, Dustin James Corbett, Greg Allen Davis, Chauncey Hollis, Jr. & Rodrick Moore, songwriters (Nipsey Hussle Featuring Roddy Ricch & Hit-Boy)
     
  • SUGE
    DaBaby, Jetsonmade & Pooh Beatz, songwriters (DaBaby)

25. Best Rap Album
For albums containing at least 51% playing time of new rap recordings.

  • REVENGE OF THE DREAMERS III
    Dreamville
     
  • CHAMPIONSHIPS
    Meek Mill
     
  • I AM > I WAS
    21 Savage
     
  • IGOR
    Tyler, The Creator
     
  • THE LOST BOY
    YBN Cordae

26. Best Country Solo Performance
For new vocal or instrumental solo country recordings.

  • ALL YOUR’N
    Tyler Childers
     
  • GIRL GOIN' NOWHERE
    Ashley McBryde
     
  • RIDE ME BACK HOME
    Willie Nelson
     
  • GOD'S COUNTRY
    Blake Shelton
     
  • BRING MY FLOWERS NOW
    Tanya Tucker

27. Best Country Duo/Group Performance
For new vocal or instrumental duo/group or collaborative country recordings.

  • BRAND NEW MAN
    Brooks & Dunn With Luke Combs
     
  • I DON'T REMEMBER ME (BEFORE YOU)
    Brothers Osborne
     
  • SPEECHLESS
    Dan + Shay
     
  • THE DAUGHTERS
    Little Big Town
     
  • COMMON
    Maren Morris Featuring Brandi Carlile

28. Best Country Song
A Songwriter(s) Award. A song is eligible if it was first released or if it first achieved prominence during the Eligibility Year. (Artist names appear in parentheses.) Singles or Tracks only.

  • BRING MY FLOWERS NOW
    Brandi Carlile, Phil Hanseroth, Tim Hanseroth & Tanya Tucker, songwriters (Tanya Tucker)
     
  • GIRL GOIN' NOWHERE
    Jeremy Bussey & Ashley McBryde, songwriters (Ashley McBryde)
     
  • IT ALL COMES OUT IN THE WASH
    Miranda Lambert, Hillary Lindsey, Lori McKenna & Liz Rose, songwriters (Miranda Lambert)
     
  • SOME OF IT
    Eric Church, Clint Daniels, Jeff Hyde & Bobby Pinson, songwriters (Eric Church)
     
  • SPEECHLESS
    Shay Mooney, Jordan Reynolds, Dan Smyers & Laura Veltz, songwriters (Dan + Shay)

29. Best Country Album
For albums containing at least 51% playing time of new country recordings.

  • DESPERATE MAN
    Eric Church
     
  • STRONGER THAN THE TRUTH
    Reba McEntire
     
  • INTERSTATE GOSPEL
    Pistol Annies
     
  • CENTER POINT ROAD
    Thomas Rhett
     
  • WHILE I'M LIVIN'
    Tanya Tucker

30. Best New Age Album
For albums containing at least 51% playing time of new vocal or instrumental new age recordings.

  • FAIRY DREAMS
    David Arkenstone
     
  • HOMAGE TO KINDNESS
    David Darling
     
  • WINGS
    Peter Kater
     
  • VERVE
    Sebastian Plano
     
  • DEVA
    Deva Premal

31. Best Improvised Jazz Solo
For an instrumental jazz solo performance. Two equal performers on one recording may be eligible as one entry. If the soloist listed appears on a recording billed to another artist, the latter's name is in parenthesis for identification. Singles or Tracks only.

  • ELSEWHERE
    Melissa Aldana, soloist
     
  • SOZINHO
    Randy Brecker, soloist
     
  • TOMORROW IS THE QUESTION
    Julian Lage, soloist
     
  • THE WINDUP
    Branford Marsalis, soloist
     
  • SIGHTSEEING
    Christian McBride, soloist

32. Best Jazz Vocal Album
For albums containing at least 51% playing time of new vocal jazz recordings.

  • THIRSTY GHOST
    Sara Gazarek
     
  • LOVE & LIBERATION
    Jazzmeia Horn
     
  • ALONE TOGETHER
    Catherine Russell
     
  • 12 LITTLE SPELLS
    Esperanza Spalding
     
  • SCREENPLAY
    The Tierney Sutton Band

33. Best Jazz Instrumental Album
For albums containing at least 51% playing time of new instrumental jazz recordings.

  • IN THE KEY OF THE UNIVERSE
    Joey DeFrancesco
     
  • THE SECRET BETWEEN THE SHADOW AND THE SOUL
    Branford Marsalis Quartet
     
  • CHRISTIAN MCBRIDE'S NEW JAWN
    Christian McBride
     
  • FINDING GABRIEL
    Brad Mehldau
     
  • COME WHAT MAY
    Joshua Redman Quartet

34. Best Large Jazz Ensemble Album
For albums containing at least 51% playing time of new ensemble jazz recordings.

  • TRIPLE HELIX
    Anat Cohen Tentet
     
  • DANCER IN NOWHERE
    Miho Hazama
     
  • HIDING OUT
    Mike Holober & The Gotham Jazz Orchestra
     
  • THE OMNI-AMERICAN BOOK CLUB
    Brian Lynch Big Band
     
  • ONE DAY WONDER
    Terraza Big Band

35. Best Latin Jazz Album
For vocal or instrumental albums containing at least 51% playing time of newly recorded material. The intent of this category is to recognize recordings that represent the blending of jazz with Latin, Iberian-American, Brazilian, and Argentinian tango music.

  • ANTIDOTE
    Chick Corea & The Spanish Heart Band
     
  • SORTE!: MUSIC BY JOHN FINBURY
    Thalma de Freitas With Vitor Gonçalves, John Patitucci, Chico Pinheiro, Rogerio Boccato & Duduka Da Fonseca
     
  • UNA NOCHE CON RUBÉN BLADES
    Jazz At Lincoln Center Orchestra With Wynton Marsalis & Rubén Blades
     
  • CARIB
    David Sánchez
     
  • SONERO: THE MUSIC OF ISMAEL RIVERA
    Miguel Zenón

36. Best Gospel Performance/Song
This award is given to the artist(s) and songwriter(s) (for new compositions) for the best traditional Christian, roots gospel or contemporary gospel single or track.

  • LOVE THEORY
    Kirk Franklin; Kirk Franklin, songwriter
     
  • TALKIN' 'BOUT JESUS
    Gloria Gaynor Featuring Yolanda Adams; Bryan
    Fowler, Gloria Gaynor & Chris Stevens, songwriters
     
  • SEE THE LIGHT
    Travis Greene Featuring Jekalyn Carr
     
  • SPEAK THE NAME
    Koryn Hawthorne Featuring Natalie Grant
     
  • THIS IS A MOVE (LIVE)
    Tasha Cobbs Leonard; Tony Brown, Brandon Lake, Tasha Cobbs Leonard & Nate Moore, songwriters

37. Best Contemporary Christian Music Performance/Song
This award is given to the artist(s) and songwriter(s) (for new compositions) for the best contemporary Christian pop, Christian rap/hip-hop, or Christian rock single or track.

  • ONLY JESUS
    Casting Crowns; Mark Hall, Bernie Herms & Matthew West, songwriters
     
  • GOD ONLY KNOWS
    for KING & COUNTRY & Dolly Parton; Josh Kerr, Jordan Reynolds, Joel Smallbone, Luke Smallbone & Tedd Tjornhom, songwriters
     
  • HAVEN'T SEEN IT YET
    Danny Gokey; Danny Gokey, Ethan Hulse & Colby Wedgeworth, songwriters
     
  • GOD'S NOT DONE WITH YOU (SINGLE VERSION)
    Tauren Wells
     
  • RESCUE STORY
    Zach Williams; Ethan Hulse, Andrew Ripp, Jonathan Smith & Zach Williams, songwriters

38. Best Gospel Album
For albums containing at least 51% playing time of newly recorded, vocal, traditional or contemporary/R&B gospel music recordings.

  • LONG LIVE LOVE
    Kirk Franklin
     
  • GOSHEN
    Donald Lawrence Presents The Tri -City Singers
     
  • TUNNEL VISION
    Gene Moore
     
  • SETTLE HERE
    William Murphy
     
  • SOMETHING'S HAPPENING! A CHRISTMAS ALBUM
    CeCe Winans

39. Best Contemporary Christian Music Album
For albums containing at least 51% playing time of newly recorded, vocal, contemporary Christian music, including pop, rap/hip hop, or rock recordings.

  • I KNOW A GHOST
    Crowder
     
  • BURN THE SHIPS
    for KING & COUNTRY
     
  • HAVEN'T SEEN IT YET
    Danny Gokey
     
  • THE ELEMENTS
    TobyMac
     
  • HOLY ROAR
    Chris Tomlin

40. Best Roots Gospel Album
For albums containing at least 51% playing time of newly recorded, vocal, traditional/roots gospel music, including country, Southern gospel, bluegrass, and Americana recordings.

  • DEEPER ROOTS: WHERE THE BLUEGRASS GROWS
    Steven Curtis Chapman
     
  • TESTIMONY
    Gloria Gaynor
     
  • DEEPER OCEANS
    Joseph Habedank
     
  • HIS NAME IS JESUS
    Tim Menzies
     
  • GONNA SING, GONNA SHOUT
    (Various Artists)
    Jerry Salley, Producer

41. Best Latin Pop Album
For albums containing at least 51% playing time of new Latin pop recordings.

  • VIDA
    Luis Fonsi
     
  • 11:11
    Maluma
     
  • MONTANER
    Ricardo Montaner
     
  • #ELDISCO
    Alejandro Sanz
     
  • FANTASIA
    Sebastian Yatra

42. Best Latin Rock, Urban or Alternative Album
For albums containing at least 51% playing time of new Latin rock, urban or alternative recordings.

  • X 100PRE
    Bad Bunny
     
  • OASIS
    J Balvin & Bad Bunny
     
  • INDESTRUCTIBLE
    Flor De Toloache
     
  • ALMADURA
    iLe
     
  • EL MAL QUERER
    ROSALÍA

43. Best Regional Mexican Music Album (Including Tejano)
For albums containing at least 51% playing time of new regional Mexican (banda, norteño, corridos, gruperos, mariachi, ranchera and Tejano) recordings.

  • CAMINANDO
    Joss Favela
     
  • PERCEPCIÓN
    Intocable
     
  • POCO A POCO
    La Energia Norteña
     
  • 20 ANIVERSARIO
    Mariachi Divas De Cindy Shea
     
  • DE AYER PARA SIEMPRE
    Mariachi Los Camperos

44. Best Tropical Latin Album
For albums containing at least 51% playing time of new tropical Latin recordings.

  • OPUS
    Marc Anthony
     
  • TIEMPO AL TIEMPO
    Luis Enrique + C4 Trio
     
  • CANDELA
    Vicente García
     
  • LITERAL
    Juan Luis Guerra 4.40
     
  • A JOURNEY THROUGH CUBAN MUSIC
    Aymée Nuviola

45. Best American Roots Performance
For new vocal or instrumental American Roots recordings. This is for performances in the style of any of the subgenres encompassed in the American Roots Music field including Americana, bluegrass, blues, folk or regional roots. Award to the artist(s).

  • SAINT HONESTY
    Sara Bareilles
     
  • FATHER MOUNTAIN
    Calexico And Iron & Wine
     
  • I'M ON MY WAY
    Rhiannon Giddens with Francesco Turrisi
     
  • CALL MY NAME
    I'm With Her
     
  • FARAWAY LOOK
    Yola

46. Best American Roots Song
A Songwriter(s) Award. Includes Americana, bluegrass, traditional blues, contemporary blues, folk or regional roots songs. A song is eligible if it was first released or if it first achieved prominence during the Eligibility Year. (Artist names appear in parentheses.) Singles or Tracks only.

  • BLACK MYSELF
    Amythyst Kiah, songwriter (Our Native Daughters)
     
  • CALL MY NAME
    Sarah Jarosz, Aoife O'Donovan & Sara Watkins, songwriters (I'm With Her)
     
  • CROSSING TO JERUSALEM
    Rosanne Cash & John Leventhal, songwriters (Rosanne Cash)
     
  • FARAWAY LOOK
    Dan Auerbach, Yola Carter & Pat McLaughlin, songwriters (Yola)
     
  • I DON'T WANNA RIDE THE RAILS NO MORE
    Vince Gill, songwriter (Vince Gill)

47. Best Americana Album
For albums containing at least 51% playing time of new vocal or instrumental Americana recordings.

  • YEARS TO BURN
    Calexico And Iron & Wine
     
  • WHO ARE YOU NOW
    Madison Cunningham
     
  • OKLAHOMA
    Keb' Mo'
     
  • TALES OF AMERICA
    J.S. Ondara
     
  • WALK THROUGH FIRE
    Yola

48. Best Bluegrass Album
For albums containing at least 51% playing time of new vocal or instrumental bluegrass recordings.

  • TALL FIDDLER
    Michael Cleveland
     
  • LIVE IN PRAGUE, CZECH REPUBLIC
    Doyle Lawson & Quicksilver
     
  • TOIL, TEARS & TROUBLE
    The Po’ Ramblin’ Boys
     
  • ROYAL TRAVELLER
    Missy Raines
     
  • IF YOU CAN'T STAND THE HEAT
    Frank Solivan & Dirty Kitchen

49. Best Traditional Blues Album
For albums containing at least 51% playing time of new vocal or instrumental traditional blues recordings.

  • KINGFISH
    Christone "Kingfish" Ingram
     
  • TALL, DARK & HANDSOME
    Delbert McClinton & Self-Made Men
     
  • SITTING ON TOP OF THE BLUES
    Bobby Rush
     
  • BABY, PLEASE COME HOME
    Jimmie Vaughan
     
  • SPECTACULAR CLASS
    Jontavious Willis

50. Best Contemporary Blues Album
For albums containing at least 51% playing time of new vocal or instrumental contemporary blues recordings.

  • THIS LAND
    Gary Clark Jr.
     
  • VENOM & FAITH
    Larkin Poe
     
  • BRIGHTER DAYS
    Robert Randolph & The Family Band
     
  • SOMEBODY SAVE ME
    Sugaray Rayford
     
  • KEEP ON
    Southern Avenue

51. Best Folk Album
For albums containing at least 51% playing time of new vocal or instrumental folk recordings.

  • MY FINEST WORK YET
    Andrew Bird
     
  • REARRANGE MY HEART
    Che Apalache
     
  • PATTY GRIFFIN
    Patty Griffin
     
  • EVENING MACHINES
    Gregory Alan Isakov
     
  • FRONT PORCH
    Joy Williams

52. Best Regional Roots Music Album
For albums containing at least 51% playing time of new vocal or instrumental regional roots music recordings.

53. Best Reggae Album
For albums containing at least 51% playing time of new reggae recordings.

  • RAPTURE
    Koffee
     
  • AS I AM
    Julian Marley
     
  • THE FINAL BATTLE: SLY & ROBBIE VS. ROOTS RADICS
    Sly & Robbie & Roots Radics
     
  • MASS MANIPULATION
    Steel Pulse
     
  • MORE WORK TO BE DONE
    Third World

54. Best World Music Album
For albums containing at least 51% playing time of new vocal or instrumental World Music recordings.

  • GECE
    Altin Gün
     
  • WHAT HEAT
    Bokanté & Metropole Orkest Conducted By Jules Buckley
     
  • AFRICAN GIANT
    Burna Boy
     
  • FANM D'AYITI
    Nathalie Joachim With Spektral Quartet
     
  • CELIA
    Angelique Kidjo

55. Best Children's Album
For albums containing at least 51% playing time of new musical or spoken word recordings that are created and intended specifically for children.

  • AGELESS SONGS FOR THE CHILD ARCHETYPE
    Jon Samson
     
  • FLYING HIGH!
    Caspar Babypants
     
  • I LOVE RAINY DAYS
    Daniel Tashian
     
  • THE LOVE
    Alphabet Rockers
     
  • WINTERLAND
    The Okee Dokee Brothers

56. Best Spoken Word Album (Includes Poetry, Audio Books & Storytelling)

  • BEASTIE BOYS BOOK
    (Various Artists)
    Michael Diamond, Adam Horovitz, Scott Sherratt & Dan Zitt, producers
     
  • BECOMING
    Michelle Obama
     
  • I.V. CATATONIA: 20 YEARS AS A TWO-TIME CANCER SURVIVOR
    Eric Alexandrakis
     
  • MR. KNOW-IT-ALL
    John Waters
     
  • SEKOU ANDREWS & THE STRING THEORY
    Sekou Andrews & The String Theory

57. Best Comedy Album
For albums containing at least 51% playing time of new recordings.

  • QUALITY TIME
    Jim Gaffigan
     
  • RELATABLE
    Ellen DeGeneres
     
  • RIGHT NOW
    Aziz Ansari
     
  • SON OF PATRICIA
    Trevor Noah
     
  • STICKS & STONES
    Dave Chappelle

58. Best Musical Theater Album
For albums containing at least 51% playing time of new recordings. Award to the principle vocalist(s) and the album producer(s) of 51% or more playing time of the album. The lyricist(s) and composer(s) of a new score are eligible for an Award if they have written and/or composed a new score which comprises 51% or more playing time of the album.

  • AIN'T TOO PROUD: THE LIFE AND TIMES OF THE TEMPTATIONS
    Saint Aubyn, Derrick Baskin, James Harkness, Jawan M. Jackson, Jeremy Pope & Ephraim Sykes, principal soloists; Scott M. Riesett, producer (Original Broadway Cast)
     
  • HADESTOWN
    Reeve Carney, André De Shields, Amber Gray, Eva Noblezada & Patrick Page, principal soloists; Mara Isaacs, David Lai, Anaïs Mitchell & Todd Sickafoose, producers (Anaïs Mitchell, composer & lyricist) (Original Broadway Cast)
     
  • MOULIN ROUGE! THE MUSICAL
    Danny Burstein, Tam Mutu, Sahr Ngaujah, Karen Olivo & Aaron Tveit, principal soloists; Justin Levine, Baz Luhrmann, Matt Stine & Alex Timbers, producers (Original Broadway Cast)
     
  • THE MUSIC OF HARRY POTTER AND THE CURSED CHILD - IN FOUR CONTEMPORARY SUITES
    Imogen Heap, producer; Imogen Heap, composer (Imogen Heap)
     
  • OKLAHOMA!
    Damon Daunno, Rebecca Naomi Jones, Ali Stroker, Mary Testa & Patrick Vaill, principal soloists; Daniel Kluger & Dean Sharenow, producers (Richard Rodgers, composer; Oscar Hammerstein II, lyricist) (2019 Broadway Cast)

59. Best Compilation Soundtrack For Visual Media
Award to the artist(s) and/or ‘in studio' producer(s) of a majority of the tracks on the album. In the absence of both, award to the one or two individuals proactively responsible for the concept and musical direction of the album and for the selection of artists, songs and producers, as applicable. Award also goes to appropriately credited music supervisor(s).

  • THE LION KING: THE SONGS
    (Various Artists)
     
  • QUENTIN TARANTINO'S ONCE UPON A TIME IN HOLLYWOOD
    (Various Artists)
     
  • ROCKETMAN
    Taron Egerton
     
  • SPIDER-MAN: INTO THE SPIDER-VERSE
    (Various Artists)
     
  • A STAR IS BORN
    Lady Gaga & Bradley Cooper

60. Best Score Soundtrack For Visual Media
Award to Composer(s) for an original score created specifically for, or as a companion to, a current legitimate motion picture, television show or series, video games or other visual media.

  • AVENGERS: ENDGAME
    Alan Silvestri, composer
     
  • CHERNOBYL
    Hildur Guðnadóttir, composer
     
  • GAME OF THRONES: SEASON 8
    Ramin Djawadi, composer
     
  • THE LION KING
    Hans Zimmer, composer
     
  • MARY POPPINS RETURNS
    Marc Shaiman, composer

61. Best Song Written For Visual Media
A Songwriter(s) award. For a song (melody & lyrics) written specifically for a motion picture, television, video games or other visual media, and released for the first time during the Eligibility Year. (Artist names appear in parentheses.) Singles or Tracks only.

  • THE BALLAD OF THE LONESOME COWBOY
    Randy Newman, songwriter (Chris Stapleton)
    Track from: Toy Story 4
     
  • GIRL IN THE MOVIES
    Dolly Parton & Linda Perry, songwriters (Dolly Parton)
    Track from: Dumplin'
     
  • I'LL NEVER LOVE AGAIN (FILM VERSION)
    Natalie Hemby, Lady Gaga, Hillary Lindsey & Aaron Raitiere, songwriters (Lady Gaga & Bradley Cooper)
    Track from: A Star Is Born
     
  • SPIRIT
    Beyoncé Knowles-Carter, Timothy McKenzie & Ilya Salmanzadeh, songwriters (Beyoncé)
    Track from: The Lion King
     
  • SUSPIRIUM
    Thom Yorke, songwriter (Thom Yorke)
    Track from: Suspiria

62. Best Instrumental Composition
A Composer's Award for an original composition (not an adaptation) first released during the Eligibility Year. Singles or Tracks only.

  • BEGIN AGAIN
    Fred Hersch, composer (Fred Hersch & The WDR Big Band Conducted By Vince Mendoza)
     
  • CRUCIBLE FOR CRISIS
    Brian Lynch, composer (Brian Lynch Big Band)
     
  • LOVE, A BEAUTIFUL FORCE
    Vince Mendoza, composer (Vince Mendoza, Terell Stafford, Dick Oatts & Temple University Studio Orchestra)
     
  • STAR WARS: GALAXY'S EDGE SYMPHONIC SUITE
    John Williams, composer (John Williams)
     
  • WALKIN' FUNNY
    Christian McBride, composer (Christian McBride)

63. Best Arrangement, Instrumental or A Cappella
An Arranger's Award. (Artist names appear in parentheses.) Singles or Tracks only.

  • BLUE SKIES
    Kris Bowers, arranger (Kris Bowers)
     
  • HEDWIG'S THEME
    John Williams, arranger (Anne-Sophie Mutter & John Williams)
     
  • LA NOVENA
    Emilio Solla, arranger (Emilio Solla Tango Jazz Orchestra)
     
  • LOVE, A BEAUTIFUL FORCE
    Vince Mendoza, arranger (Vince Mendoza, Terell Stafford, Dick Oatts & Temple University Studio Orchestra)
     
  • MOON RIVER
    Jacob Collier, arranger (Jacob Collier)

64. Best Arrangement, Instruments and Vocals
An Arranger's Award. (Artist names appear in parentheses.) Singles or Tracks only.

  • ALL NIGHT LONG
    Jacob Collier, arranger (Jacob Collier Featuring Jules Buckley, Take 6 & Metropole Orkest)
     
  • JOLENE
    Geoff Keezer, arranger (Sara Gazarek)
     
  • MARRY ME A LITTLE
    Cyrille Aimée & Diego Figueiredo, arrangers (Cyrille Aimée)
     
  • OVER THE RAINBOW
    Vince Mendoza, arranger (Trisha Yearwood)
     
  • 12 LITTLE SPELLS (THORACIC SPINE)
    Esperanza Spalding, arranger (Esperanza Spalding)

65. Best Recording Package

  • ANÓNIMAS & RESILIENTES
    Luisa María Arango, Carlos Dussan, Manuel García-Orozco & Juliana Jaramillo-Buenaventura, art directors (Voces Del Bullerengue)
     
  • CHRIS CORNELL
    Barry Ament, Jeff Ament, Jeff Fura & Joe Spix, art directors (Chris Cornell)
     
  • HOLD THAT TIGER
    Andrew Wong & Fongming Yang, art directors (The Muddy Basin Ramblers)
     
  • I,I
    Aaron Anderson & Eric Timothy Carlson, art directors (Bon Iver)
     
  • INTELLEXUAL
    Irwan Awalludin, art director (Intellexual)

66. Best Boxed Or Special Limited Edition Package

  • ANIMA
    Stanley Donwood & Tchocky, art directors (Thom Yorke)
     
  • GOLD IN BRASS AGE
    Amanda Chiu, Mark Farrow & David Gray, art directors (David Gray)
     
  • 1963: NEW DIRECTIONS
    Josh Cheuse, art director (John Coltrane)
     
  • THE RADIO RECORDINGS 1939-1945
    Marek Polewski, art director (Wilhelm Furtwängler & Berliner Philharmoniker)
     
  • WOODSTOCK: BACK TO THE GARDEN - THE DEFINITIVE 50TH ANNIVERSARY ARCHIVE
    Masaki Koike, art director (Various Artists)

67. Best Album Notes

  • THE COMPLETE CUBAN JAM SESSIONS
    Judy Cantor-Navas, album notes writer (Various Artists)
     
  • THE GOSPEL ACCORDING TO MALACO
    Robert Marovich, album notes writer (Various Artists)
     
  • PEDAL STEEL + FOUR CORNERS
    Brendan Greaves, album notes writer (Terry Allen And The Panhandle Mystery Band)
     
  • PETE SEEGER: THE SMITHSONIAN FOLKWAYS COLLECTION)
    Jeff Place, album notes writer (Pete Seeger)
     
  • STAX '68: A MEMPHIS STORY
    Steve Greenberg, album notes writer (Various Artists)

68. Best Historical Album

  • THE GIRL FROM CHICKASAW COUNTY - THE COMPLETE CAPITOL MASTERS
    Andrew Batt & Kris Maher, compilation producers; Simon Gibson, mastering engineer (Bobbie Gentry)
     
  • THE GREAT COMEBACK: HOROWITZ AT CARNEGIE HALL
    Robert Russ, compilation producer; Andreas K. Meyer & Jennifer Nulsen, mastering engineers (Vladimir Horowitz)
     
  • KANKYO ONGAKU: JAPANESE AMBIENT, ENVIRONMENTAL & NEW AGE MUSIC 1980-1990
    Spencer Doran, Yosuke Kitazawa, Douglas Macgowan & Matt Sullivan, compilation producers; John Baldwin, mastering engineer (Various Artists)
     
  • PETE SEEGER: THE SMITHSONIAN FOLKWAYS COLLECTION
    Jeff Place & Robert Santelli, compilation producers; Pete Reiniger, mastering engineer (Pete Seeger)
     
  • WOODSTOCK: BACK TO THE GARDEN - THE DEFINITIVE 50TH ANNIVERSARY ARCHIVE
    Brian Kehew, Steve Woolard & Andy Zax, compilation producers; Dave Schultz, mastering engineer (Various Artists)

69. Best Engineered Album, Non-Classical
An Engineer's Award. (Artists names appear in parentheses.)

  • ALL THESE THINGS
    Tchad Blake, Adam Greenspan & Rodney Shearer, engineers; Bernie Grundman, mastering engineer (Thomas Dybdahl)
     
  • ELLA MAI
    Chris "Shaggy" Ascher, Jaycen Joshua & David Pizzimenti, engineers; Chris Athens, mastering engineer (Ella Mai)
     
  • RUN HOME SLOW
    Paul Butler & Sam Teskey, engineers; Joe Carra, mastering engineer (The Teskey Brothers)
     
  • SCENERY
    Tom Elmhirst, Ben Kane & Jeremy Most, engineers; Bob Ludwig, mastering engineer (Emily King)
     
  • WHEN WE ALL FALL ASLEEP, WHERE DO WE GO?
    Rob Kinelski & Finneas O'Connell, engineers; John Greenham, mastering engineer (Billie Eilish)

70. Producer Of The Year, Non-Classical
A Producer's Award. (Artists names appear in parentheses.)

  • JACK ANTONOFF

• Arizona Baby (Kevin Abstract) (A)
• Lover (Taylor Swift) (A)
• Norman F***ing Rockwell! (Lana Del Rey) (A)
• Red Hearse (Red Hearse) (A)

  • DAN AUERBACH

• The Angels In Heaven Done Signed My Name (Leo Bud Welch) (A)
• "Let's Rock" (The Black Keys) (A)
• Mockingbird (The Gibson Brothers) (A)
• Myth Of A Man (Night Beats) (A)
• Southern Gentleman (Dee White) (A)
• Walk Through Fire (Yola) (A)

• Heat Of The Summer (Young The Giant) (T)
• Hundred (Khalid) (T)
• No Drug Like Me (Carly Rae Jepsen) (T)
• Outta My Head (Khalid With John Mayer) (T)
• Social Cues (Cage The Elephant) (A)
• Superposition (Young The Giant) (T)
• Too Much (Carly Rae Jepsen) (T)
• Vertigo (Khalid) (T)
• Zero (From "Ralph Breaks The Internet") (Imagine Dragons) (T)

• When We Fall Asleep, Where Do We Go? (Billie Eilish) (A)

  • RICKY REED

• Almost Free (Fidlar) (A)
• Burning (Maggie Rogers) (T)
• Confidence (X Ambassadors Featuring K.Flay) (T)
• Juice (Lizzo) (T)
• Kingdom Of One (Maren Morris) (T)
• Power Is Power (SZA Featuring The Weekend & Travis Scott) (T)
• Tempo (Lizzo Featuring Missy Elliott) (T)
• Truth Hurts (Lizzo) (T)
• The Wrong Man (Ross Golan) (A)

71. Best Remixed Recording
A Remixer's Award. (Artists names appear in parentheses for identification.) Singles or Tracks only.

  • I RISE (TRACY YOUNG'S PRIDE INTRO RADIO REMIX)
    Tracy Young, remixer (Madonna)
     
  • MOTHER'S DAUGHTER (WUKI REMIX)
    Wuki, remixer (Miley Cyrus)
     
  • THE ONE (HIGH CONTRAST REMIX)
    Lincoln Barrett, remixer (Jorja Smith)
     
  • SWIM (FORD. REMIX)
    Luc Bradford, remixer (Mild Minds)
     
  • WORK IT (SOULWAX REMIX)
    David Gerard C Dewaele & Stephen Antoine C Dewaele, remixers (Marie Davidson)

72. Best Immersive Audio Album
For vocal or instrumental albums in any genre. Must be commercially released on DVD-Audio, DVD-Video, SACD, Blu-Ray, or burned download-only/streaming-only copies and must provide a new surround mix of four or more channels. Award to the surround mix engineer, surround producer (if any) and surround mastering engineer (if any).

  • CHAIN TRIPPING
    Luke Argilla, immersive audio engineer; Jurgen Scharpf, immersive audio mastering engineer; Jona Bechtolt, Claire L. Evans & Rob Kieswetter, immersive audio producers (Yacht)
     
  • KVERNDOKK: SYMPHONIC DANCES
    Jim Anderson, immersive audio engineer; Robert C. Ludwig, immersive audio mastering engineer; Ulrike Schwarz, immersive audio producer (Ken-David Masur & Stavanger Symphony Orchestra)
     
  • LUX
    Morten Lindberg, immersive audio engineer; Morten Lindberg, immersive audio mastering engineer; Morten Lindberg, immersive audio producer (Anita Brevik, Trondheimsolistene & Nidarosdomens Jentekor)
     
  • THE ORCHESTRAL ORGAN
    Keith O. Johnson, immersive audio engineer; Keith O. Johnson, immersive audio mastering engineer; Marina A. Ledin & Victor Ledin, immersive audio producers (Jan Kraybill)
     
  • THE SAVIOR
    Bob Clearmountain, immersive audio engineer; Bob Ludwig, immersive audio mastering engineer; Michael Marquart & Dave Way, immersive audio producers (A Bad Think)

73. Best Engineered Album, Classical
An Engineer's Award. (Artist names appear in parentheses.)

  • AEQUA - ANNA THORVALDSDÓTTIR
    Daniel Shores, engineer; Daniel Shores, mastering engineer (International Contemporary Ensemble)
     
  • BRUCKNER: SYMPHONY NO. 9
    Mark Donahue, engineer; Mark Donahue, mastering engineer (Manfred Honeck & Pittsburgh Symphony Orchestra)
     
  • RACHMANINOFF - HERMITAGE PIANO TRIO
    Keith O. Johnson & Sean Royce Martin, engineers; Keith O. Johnson, mastering engineer (Hermitage Piano Trio)
     
  • RILEY: SUN RINGS
    Leslie Ann Jones, engineer; Robert C. Ludwig, mastering engineer (Kronos Quartet)
     
  • WOLFE: FIRE IN MY MOUTH
    Bob Hanlon & Lawrence Rock, engineers; Ian Good & Lawrence Rock, mastering engineers (Jaap Van Zweden, Francisco J. Núñez, Donald Nally, The Crossing, Young People's Chorus Of NY City & New York Philharmonic)

74. Producer Of The Year, Classical
A Producer's Award. (Artist names appear in parentheses.)

  • BLANTON ALSPAUGH

• Artifacts - The Music Of Michael McGlynn (Charles Bruffy & Kansas City Chorale)
• Berlioz: Symphonie Fantastique; Fantaisie Sur La Tempête De Shakespeare (Andrew Davis & Toronto Symphony Orchestra)
• Copland: Billy The Kid; Grohg (Leonard Slatkin & Detroit Symphony Orchestra)
• Duruflé: Complete Choral Works (Robert Simpson & Houston Chamber Choir)
• Glass: Symphony No. 5 (Julian Wachner, The Choir Of Trinity Wall Street, Trinity Youth Chorus, Downtown Voices & Novus NY)
• Sander: The Divine Liturgy Of St. John Chrysostom (Peter Jermihov & PaTRAM Institute Singers)
• Smith, K.: Canticle (Craig Hella Johnson & Cincinnati Vocal Arts Ensemble)
• Visions Take Flight (Mei-Ann Chen & ROCO)

  • JAMES GINSBURG

• Project W - Works By Diverse Women Composers (Mei-Ann Chen & Chicago Sinfonietta)
• Silenced Voices (Black Oak Ensemble)
• 20th Century Harpsichord Concertos (Jory Vinikour, Scott Speck & Chicago Philharmonic)
• Twentieth Century Oboe Sonatas (Alex Klein & Phillip Bush)
• Winged Creatures & Other Works For Flute, Clarinet, And Orchestra (Anthony McGill, Demarre McGill, Allen Tinkham & Chicago Youth Symphony Orchestra)

  • MARINA A. LEDIN, VICTOR LEDIN

• Bates: Children Of Adam; Vaughan Williams: Dona Nobis Pacem (Steven Smith, Erin R. Freeman, Richmond Symphony & Chorus)
• The Orchestral Organ (Jan Kraybill)
• The Poetry Of Places (Nadia Shpachenko)
• Rachmaninoff - Hermitage Piano Trio (Hermitage Piano Trio)

  • MORTEN LINDBERG

• Himmelborgen (Elisabeth Holte, Kåre Nordstoga & Uranienborg Vokalensemble)
• Kleiberg: Do You Believe In Heather? (Various Artists)
• Ljos (Fauna Vokalkvintett)
• LUX (Anita Brevik, Trondheimsolistene & Nidarosdomens Jentekor)
• Trachea (Tone Bianca Sparre Dahl & Schola Cantorum)
• Veneliti (Håkon Daniel Nystedt & Oslo Kammerkor)

• Bruckner: Symphony No. 9 (Manfred Honeck & Pittsburgh Symphony Orchestra)

75. Best Orchestral Performance
Award to the Conductor and to the Orchestra.

  • BRUCKNER: SYMPHONY NO. 9
    Manfred Honeck, conductor (Pittsburgh Symphony Orchestra)
     
  • COPLAND: BILLY THE KID; GROHG
    Leonard Slatkin, conductor (Detroit Symphony Orchestra)
     
  • NORMAN: SUSTAIN
    Gustavo Dudamel, conductor (Los Angeles Philharmonic)
     
  • TRANSATLANTIC
    Louis Langrée, conductor (Cincinnati Symphony Orchestra)
     
  • WEINBERG: SYMPHONIES NOS. 2 & 21
    Mirga Gražinytė-Tyla, conductor (City Of Birmingham Symphony Orchestra & Kremerata Baltica)

76. Best Opera Recording
Award to the Conductor, Album Producer(s) and Principal Soloists.

  • BENJAMIN: LESSONS IN LOVE & VIOLENCE
    George Benjamin, conductor; Stéphane Degout, Barbara Hannigan, Peter Hoare & Gyula Orendt; James Whitbourn, producer (Orchestra Of The Royal Opera House)
     
  • BERG: WOZZECK
    Marc Albrecht, conductor; Christopher Maltman & Eva-Maria Westbroek; François Roussillon, producer (Netherlands Philharmonic Orchestra; Chorus Of Dutch National Opera)
     
  • CHARPENTIER: LES ARTS FLORISSANTS; LES PLAISIRS DE VERSAILLES
    Paul O'Dette & Stephen Stubbs, conductors; Jesse Blumberg, Teresa Wakim & Virginia Warnken; Renate Wolter-Seevers, producer (Boston Early Music Festival Chamber Ensemble; Boston Early Music Festival Vocal Ensemble)
     
  • PICKER: FANTASTIC MR. FOX
    Gil Rose, conductor; John Brancy, Andrew Craig Brown, Gabriel Preisser, Krista River & Edwin Vega; Gil Rose, producer (Boston Modern Orchestra Project; Boston Children's Chorus)
     
  • WAGNER: LOHENGRIN
    Christian Thielemann, conductor; Piotr Beczała, Anja Harteros, Tomasz Konieczny, Waltraud Meier & Georg Zeppenfeld; Eckhard Glauche, producer (Festspielorchester Bayreuth; Festspielchor Bayreuth)

77. Best Choral Performance
Award to the Conductor, and to the Choral Director and/or Chorus Master where applicable and to the Choral Organization/Ensemble.

  • BOYLE: VOYAGES
    Donald Nally, conductor (The Crossing)
     
  • DURUFLÉ: COMPLETE CHORAL WORKS
    Robert Simpson, conductor (Ken Cowan; Houston Chamber Choir)
     
  • THE HOPE OF LOVING
    Craig Hella Johnson, conductor (Conspirare)
     
  • SANDER: THE DIVINE LITURGY OF ST. JOHN CHRYSOSTOM
    Peter Jermihov, conductor (Evan Bravos, Vadim Gan, Kevin Keys, Glenn Miller & Daniel Shirley; PaTRAM Institute Singers)
     
  • SMITH, K.: THE ARC IN THE SKY
    Donald Nally, conductor (The Crossing)

78. Best Chamber Music/Small Ensemble Performance
For new recordings of works with chamber or small ensemble (twenty-four or fewer members, not including the conductor). One Award to the ensemble and one Award to the conductor, if applicable.

  • CERRONE: THE PIECES THAT FALL TO EARTH
    Christopher Rountree & Wild Up
     
  • FREEDOM & FAITH
    PUBLIQuartet
     
  • PERPETULUM
    Third Coast Percussion
     
  • RACHMANINOFF - HERMITAGE PIANO TRIO
    Hermitage Piano Trio
     
  • SHAW: ORANGE
    Attacca Quartet

79. Best Classical Instrumental Solo
Award to the Instrumental Soloist(s) and to the Conductor when applicable.

  • THE BERLIN RECITAL
    Yuja Wang
     
  • HIGDON: HARP CONCERTO
    Yolanda Kondonassis; Ward Stare, conductor (The Rochester Philharmonic Orchestra)
     
  • MARSALIS: VIOLIN CONCERTO; FIDDLE DANCE SUITE
    Nicola Benedetti; Cristian Măcelaru, conductor (Philadelphia Orchestra)
     
  • THE ORCHESTRAL ORGAN
    Jan Kraybill
     
  • TORKE: SKY, CONCERTO FOR VIOLIN
    Tessa Lark; David Alan Miller, conductor (Albany Symphony)

80. Best Classical Solo Vocal Album
Award to: Vocalist(s), Collaborative Artist(s) (Ex: pianists, conductors, chamber groups) Producer(s), Recording Engineers/Mixers with 51% or more playing time of new material.

  • THE EDGE OF SILENCE - WORKS FOR VOICE BY GYÖRGY KURTÁG
    Susan Narucki (Donald Berman, Curtis Macomber, Kathryn Schulmeister & Nicholas Tolle)
     
  • HIMMELSMUSIK
    Philippe Jaroussky & Céline Scheen; Christina Pluhar, conductor; L’Arpeggiata, ensemble (Jesús Rodil & Dingle Yandell)
     
  • SCHUMANN: LIEDERKREIS OP. 24, KERNER-LIEDER OP. 35
    Matthias Goerne; Leif Ove Andsnes, accompanist
     
  • SONGPLAY
    Joyce DiDonato; Chuck Israels, Jimmy Madison, Charlie Porter & Craig Terry, accompanists (Steve Barnett & Lautaro Greco)
     
  • A TE, O CARA
    Stephen Costello; Constantine Orbelian, conductor (Kaunas City Symphony Orchestra)

81. Best Classical Compendium
Award to the Artist(s) and to the Album Producer(s) and Engineer(s) of over 51% playing time of the album, if other than the artist.

  • AMERICAN ORIGINALS 1918
    John Morris Russell, conductor; Elaine Martone, producer
     
  • LESHNOFF: SYMPHONY NO. 4 'HEICHALOS'; GUITAR CONCERTO; STARBURST
    Giancarlo Guerrero, conductor; Tim Handley, producer
     
  • MELTZER: SONGS AND STRUCTURES
    Paul Appleby & Natalia Katyukova; Silas Brown & Harold Meltzer, producers
     
  • THE POETRY OF PLACES
    Nadia Shpachenko; Marina A. Ledin & Victor Ledin, producers
     
  • SAARIAHO: TRUE FIRE; TRANS; CIEL D'HIVER
    Hannu Lintu, conductor; Laura Heikinheimo, producer

82. Best Contemporary Classical Composition
A Composer's Award. (For a contemporary classical composition composed within the last 25 years, and released for the first time during the Eligibility Year.) Award to the librettist, if applicable.

  • BERMEL: MIGRATION SERIES FOR JAZZ ENSEMBLE & ORCHESTRA
    Derek Bermel, composer (Derek Bermel, Ted Nash, David Alan Miller, Juilliard Jazz Orchestra & Albany Symphony Orchestra)
     
  • HIGDON: HARP CONCERTO
    Jennifer Higdon, composer (Yolanda Kondonassis, Ward Stare & The Rochester Philharmonic Orchestra)
     
  • MARSALIS: VIOLIN CONCERTO IN D MAJOR
    Wynton Marsalis, composer (Nicola Benedetti, Cristian Măcelaru & Philadelphia Orchestra)
     
  • NORMAN: SUSTAIN
    Andrew Norman, composer (Gustavo Dudamel & Los Angeles Philharmonic)
     
  • SHAW: ORANGE
    Caroline Shaw, composer (Attacca Quartet)
     
  • WOLFE: FIRE IN MY MOUTH
    Julia Wolfe, composer (Jaap Van Zweden, Francisco J. Núñez, Donald Nally, The Crossing, Young People's Chorus Of NY City & New York Philharmonic)

83. Best Music Video
Award to the artist, video director, and video producer.

  • WE'VE GOT TO TRY
    The Chemical Brothers
    Ellie Fry, video director; Ninian Doff, video producer
     
  • THIS LAND
    Gary Clark Jr.
    Savanah Leaf, video director; Jason Cole, Danielle Hinde & Alicia Martinez, video producers
     
  • CELLOPHANE
    FKA twigs
    Andrew Thomas Huang, video director; Alex Chamberlain, video producer
     
  • OLD TOWN ROAD (OFFICIAL MOVIE)
    Lil Nas X & Billy Ray Cyrus
    Calmatic, video director; Candice Dragonas, Melissa Larsen & Saul Levitz, video producers
     
  • GLAD HE'S GONE
    Tove Lo
    Vania Heymann & Gal Muggia, video directors; Nathan Schottenfels, video producer

84. Best Music Film
For concert/performance films or music documentaries. Award to the artist, video director, and video producer.

  • HOMECOMING
    Beyoncé
    Beyoncé Knowles-Carter & Ed Burke, video directors; Dora Melissa Vargas, video producer
     
  • REMEMBER MY NAME
    David Crosby
    A.J. Eaton, video director; Cameron Crowe, Michele Farinola & Greg Mariotti, video producers
     
  • BIRTH OF THE COOL
    (Miles Davis)
    Stanley Nelson, video director; Nicole London, video producer
     
  • SHANGRI-LA
    (Various Artists)
    Morgan Neville, video director; Emma Baiada, video producer
     
  • ANIMA
    Thom Yorke
    Paul Thomas Anderson, video director; Paul Thomas Anderson, Erica Frauman & Sara Murphy, video producers

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https://www.grammy.com/grammys/news/2020-grammy-awards-complete-nominees-list

2019-11-20 13:39:00Z
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Grammy Nominations 2020: See Full List of Nominees Here - Pitchfork

The nominees for the 2020 Grammy Awards are being announced today. Who will pick up nominations for Album of the Year, Record of the Year, Song of the Year, and Best New Artist? Stay tuned here for more information. The Grammys take place on January 26 at the Staples Center in Los Angeles. They’ll be hosted by Alicia Keys and will air live on CBS.

At last year’s Grammys, Kacey Musgraves won Album of the Year, Childish Gambino won both Song and Record of the Year, and Dua Lipa won Best New Artist. Cardi B, St. Vincent, Beck, Ariana Grande, and Drake were also among last year’s winners.

Read Pitchfork’s review of the 2019 Grammys.

Follow all of Pitchfork’s coverage of this year’s Grammy Awards.

Album of the Year

Bon Iver - i,i
Lana Del Rey - Norman Fucking Rockwell!
Billie Eilish - When We All Fall Asleep Where Do We Go
H.E.R. - I Used to Know Her
Lil Nas X - 7
Lizzo - Cuz I Love You
Vampire Weekend - Father of the Bride

Record of the Year

Bon Iver - Hey Ma
Billie Eilish - Bad Guy
Ariana Grande - 7 rings
H.E.R. - Hard Place
Khalid - Talk
Lil Nas X - Old Town Road
Lizzo - Truth Hurts
Post Malone - Sunflower

Song of the Year

Lady Gaga - Always Remember Us This Way
Billie Eilish - Bad Guy
Brandi Carlile - Bring My Flowers Now
H.E.R. - Hard Place
Taylor Swift - Lover
Lana Del Rey - Norman Fucking Rockwell
Lewis Capaldi - Someone You Love
Lizzo - Truth Hurts

Best New Artist

Black Pumas
Billie Eilish
Lil Nas X
Lizzo
Maggie Rogers
Rosalía
Tank and the Bangas
Yola

Best Pop Solo Performance
Beyoncé - Spirit
Billie Eilish - Bad Guy
Ariana Grande - 7 rings
Lizzo - Truth Hurts
Taylor Swift - You Need to Calm Down

Best Pop Duo/Group Performance
Ariana Grande & the Social House - Boyfriend
The Jonas Brothers - Sucker
Lil Nas X - Old Town Road [ft. Billy Ray Cyrus]
Post Malone - Sunflower [ft. Swae Lee]
Shawn Mendes & Camila Cabello - Señorita

Best Pop Vocal Album Beyoncé - The Lion King: The Gift
Billie Eilish - When We All Fall Asleep, Where Do We Go?
Ariana Grande - thank u, next
Ed Sheeran - No.6 Collaborations Project
Taylor Swift - Lover

Best Traditional Pop Vocal Album Andrea Bocelli - Sì
Michael Bublé - Love (Deluxe Edition)
Elvis Costello & The Imposters - Look Now
John Legend - A Legendary Christmas
Barbra Streisand - Walls

Best Rap Album
Dreamville - Revenge of the Dreamers III
Meek Mill - Championships
21 Savage - I Am > I Was
Tyler, the Creator - IGOR
YBN Cordae - The Lost Boy

Best R&B Performance
Daniel Caesar - Love Again [ft. Brandy]
H.E.R. - Couldn’t Been Her [ft. Bryson Tiller]
Lizzo - Exactly How I Feel [ft. Gucci Mane]
Lucky Daye - Roll Some Mo
Anderson .Paak - Come Home [ft. Andre 3000]

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https://pitchfork.com/news/grammy-nominations-2020-see-full-list-of-nominees-here/

2019-11-20 13:10:00Z
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Taylor Swift vs. Scooter Braun and the Imminent Rerecording War - Hollywood Reporter

In the streaming age, "boilerplate" contract provisions may be outdated for artists who want to reclaim their older songs: "I see broader blanket prohibitions coming."

Here's a prediction: A few years from now, Taylor Swift's Nov. 24 performance at the American Music Awards will be largely forgotten. But the discussion about this performance will reverberate for far longer than most observers expect.

The debate started with a Nov. 14 tweet from Swift, who called out Scooter Braun and Scott Borchetta for allegedly restricting her from performing old songs at the ABC event honoring her as Artist of the Decade. According to Swift, the two men only would permit her to perform "Shake It Off" and other early hits if she agreed not to later rerecord copycat versions, as she's been threatening since Braun in June acquired rights to her Big Machine recordings. Big Machine denied such a move. It's conceivable each side was telling a version of the truth.

While most have focused on whether Braun and Borchetta truly have the ability to block Swift's performance, the thornier and somewhat unresolved legal issue pertains to distribution of Swift's recorded performances.

Consider this prospect: Swift sings at the AMAs, and producer Dick Clark Productions subsequently releases both a live album of the event and an archived stream. Swift then tells her 85 million Twitter followers to please listen and watch these live versions of "Shake It Off" rather than the original one that contributes money to Braun's wallet. Since Swift owns the copyright to the composition (Big Machine owns the masters), she'd financially benefit from doing this.

Braun and Borchetta may have seen Swift's AMA performance as a backdoor route toward rerecording hits and taken the position that any distribution of Swift's recorded appearance flouted Swift's contract.

Several lawyers consulted by THR say this read of the dispute makes sense. It's also supported by a statement put out by Big Machine on Nov. 18 noting its agreement with Dick Clark Productions with respect to post-show streams and rebroadcasts. "Recording artists do not need label approval for live performances on television or any other live media," read the statement. "Record label approval is only needed for contracted artists' audio and visual recordings and in determining how those works are distributed." (Dick Clark Productions is a division of Valence Media, the parent company of THR.)

If the Swift/Big Machine controversy was the result of fear over how her performance would be commercially exploited in the distribution market, this points to a developing issue for the future relationship between artists and record labels that will not simply end with the AMAs. It's one that is born of technological shifts as much as egos.

Traditionally, a record deal limited an artist's ability to rerecord for a finite amount of time. Five years was customary. That way, an artist wouldn't immediately author copycat versions of songs to recover a greater share of royalties. In reality, even if an artist wished to rerecord, he or she needed hefty distribution and marketing backing for it to make economic sense. As such, few in the industry gave much thought to the rerecording provisions of the record deal. Music attorney James Sammataro says the rerecording restriction until now largely has been "boilerplate." Time to shake it off?

Nowadays, online platforms like Spotify and YouTube make it much easier for artists — especially established ones — to deliver to audiences. Stars like Swift can exploit social media to achieve effective promotion as well. In other words, the ability to create market substitutes may appear more threatening to record labels. In the old days, many of these labels would have gladly accepted a TV appearance from an artist as good promotion for old recordings. Not anymore necessarily: "I see broader blanket prohibitions coming," says Sammataro.

From the artist standpoint, the influx of private equity into the music business raises the temperature as well. In her initial tweet, Swift may have hit an industry nerve by pointing to how the Carlyle Group financed Braun's acquisition of Big Machine. With big Wall Street money comes big expectations. The potential of third parties complicating the relationship between artist and record label is very real.

The situation between Swift and Braun may be somewhat unique, but no artist wants to lose control over his or her ability to perform older hits. Once a record deal ends, artists would prefer to assert more authority, not less. "People are learning from this," says attorney Mark Jaffe. "This could become the impetus for making these contracts more clear."

This story first appeared in the Nov. 20 issue of The Hollywood Reporter magazine. To receive the magazine, click here to subscribe.

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https://www.hollywoodreporter.com/thr-esq/taylor-swift-scooter-braun-imminent-rerecording-war-1256382

2019-11-20 12:30:00Z
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Taylor Swift Won't Have Scooter Braun to Attack at AMAs - TMZ

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https://www.tmz.com/2019/11/20/taylor-swift-scooter-braun-beef-feud-amas-american-music-awards-big-machine-ariana-grande/

2019-11-20 09:00:00Z
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Selasa, 19 November 2019

One of the top-performing beauty stocks could surge after 'Kylie Jenner' makeover - CNBC

Beauty company Coty is breaking out — in a good way.

The stock added more than 2% to begin the week after the beauty brand took a majority stake in Kylie Jenner's cosmetics company in a deal worth $600 million. Those gains add to a major gain for shares, climbing more than 80% so far this year.

Matt Maley, equity strategist at Miller Tabak, says the stock could be a risky bet with a worthy reward.

"This is a stock that until this year had been getting clobbered," Maley said on CNBC's "Trading Nation" on Monday. "It was down for four straight years, down well over 60%, and the rally has only just recently broken above that multiyear trend line. If it can take it a little bit further and break above $13.60, that will follow that upward break of the trend line with a very nice higher high and will confirm that its long-term trend has broken to the upside."

"A little bit more risk but more reward because whenever you buy any stock in the early stages of a change in trend, it always gives you a little more upside potential," Maley said.

The Coty-Kylie Jenner deal could be the beginning of a new trend for consumer-facing stocks, says John Petrides, portfolio manager at Tocqueville Asset Management.

"Here's a company that's willing to pay for the eyeballs and the followers that Kylie Jenner has more so than anything else. So, this could be a new paradigm for the consumer staples, packaged goods industry which, you know, has been suffering because of weak mall traffic and the rise of e-commerce because shelf space has basically become infinite," Petrides said during the same segment.

Coty acquired a 51% ownership position in Jenner's beauty and cosmetics portfolio, a deal announced at the beginning of the week. Jenner still has a partnership with Ulta Beauty to sell her products in its stores. That relationship began last November and led to several quarters of revenue growth for Ulta.

"I would expect more acquisitions like this going forward because it could be the new model for companies to acquire top-line growth by partnering up with key influencers," Petrides said.

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https://www.cnbc.com/2019/11/19/beauty-stock-coty-could-surge-after-kylie-jenner-makeover.html

2019-11-19 12:05:00Z
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Why an emotional ‘Dancing With the Stars’ episode ended in tears and angry viewers - The Washington Post

“Can I give it to James, please?” Brooke wept to host Tom Bergeron. His co-host, Erin Andrews, was also in tears.

“No, no,” Bergeron said gently, trying to comfort her. “That’s lovely of you to say that.” Brooke ran over to Van Der Beek and urged him to take her place. “Please, please,” she cried.

Van Der Beek smiled and shook his head. “You’re going to go crush it,” he told her. As the credits rolled, Brooke’s professional partner, Sasha Farber, and the rest of the cast surrounded them for a group hug. Brooke will compete for the Mirror Ball Trophy in next Monday’s season finale against singer Lauren Alaina, actor Kel Mitchell and “The Bachelorette” star Hannah Brown.

As emotions were already running high, the controversial decision to save Brooke prompted an angry outcry from fans on social media. The hashtag #DWTS was a top Twitter worldwide trending topic for hours. Many were extremely upset that Brooke was still in the running, both because they felt Van Der Beek was a better dancer — and the judges already saved her from elimination twice this season.

And although Brooke has been a favorite of the judges, edging out Van Der Beek and Brown for the highest overall average score, Van Der Beek still remained the front-runner. Last week, oddsmakers declared the “Dawson’s Creek” star as the safe choice to win; prediction website GoldDerby also had him as No. 1. But as the comments raged, others pointed to Brooke’s kind gesture at the end of the show.

Later, Brooke told “Entertainment Tonight” that although she has had “the time of my life” in the competition, she truly felt Van Der Beek deserved to go to the finale. “I don’t believe it’s fair that he was sent home, so I just wanted to give my spot to him,” she said. “He’s been through so much, and he’s overcome so many things. Especially this past week, I just felt it was right to give it to him. Obviously, he didn’t accept it. I talked to him and he was proud of me. He told me, ‘Don’t be afraid to shine.’ ”

At first, Monday seemed like just a regular episode, as each couple performed two dances. But when the judges offered criticism about Van Der Beek and partner Emma Slater’s cha-cha, Bergeron broke in. “I want to just allude to something. I know you’ll talk to Erin about it later, but this has been a tough week for you,” he said. “That could have been a complicating factor here.”

Right before they started their second dance, Van Der Beek — who told viewers in October that he and his wife were expecting their sixth child — elaborated in a prerecorded statement. “My wife Kimberly and I went through every expectant parent’s worst nightmare. We lost the baby,” he said, and started to cry. “The little soul that we had expected to welcome into our family took a shortcut to whatever lies beyond. You never know why these things happen. It’s what I’ve been telling my kids. All you know is that it brings you closer together. It breaks you open. It opens up your heart. Deepens your appreciation. Makes you more human.”

“I really didn’t think I would be dancing tonight,” Van Der Beek continued. “But Kimberly from her hospital bed said to me, ‘I’m not done watching you dance.’ … Kimberly, I’m dancing for you. I’m dancing for us.”

After he and Slater completed their fox trot, they both broke down weeping on the dance floor. Judges Carrie Ann Inaba, Len Goodman and Bruno Tonioli were also shaken. “James, when tragedy strikes, it puts everything into perspective. And this is just a dance show,” Goodman said. “For you to come out and dance with so much feeling and emotion, I admire you so much. Well done.”

Van Der Beek’s young daughter started crying in the audience; when the actor noticed this, he walked over to pick her up and carry her to the stage where he waited for the judges’ scores. Andrews held up the microphone to Van Der Beek, who was still cradling his sobbing child. “I feel like scores are absolutely pointless at this point, but we’ll get them for you,” said Andrews, who was almost too choked up to speak.

The deeply emotional scene, however, led to the upsetting final moments. Bergeron announced that Brooke (who landed a perfect 30 and almost-perfect 29 for her two performances, with the judges declaring her dancing “magical”) was in the bottom two against Van Der Beek. Due to new rules this season, viewer votes and judges’ scores determine the bottom two, and then Inaba, Goodman and Tonioli decide whom to send home.

Inaba was first. “This is not easy. First of all, this is not at all what I expected to see here. You both are amazing. Both couples are fantastic,” she said, and paused for a long time. “The couple I want to save, and I’m so sorry, is Ally and Sasha. I’m so sorry, James."

Tonioli sadly concurred. “It’s incredibly hard. You’re all winners. You’ve all given fantastic performances,” he said. “This is very hard. We have to make a decision based on the season. And for that reason alone, I have to say Ally and Sasha.” (Goodman only votes in a tie, and he said he would have chosen Brooke.)

Social media immediately lit up with anger. Earlier in the episode, before she performed a complicated Charleston routine that earned her 30 points, Brooke — who said she previously faced bullying as the “worst” dancer in her former girl group Fifth Harmony — expressed doubt that she would remain on the show if she was in the bottom two once more.

“If I’m in the bottom two again, I don’t think they’re going to save me. So the pressure is on. There’s no room for error,” she said. “This dance has to prove why I deserve to be in the finale.”

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https://www.washingtonpost.com/arts-entertainment/2019/11/19/why-an-emotional-dancing-with-stars-episode-ended-tears-angry-viewers/

2019-11-19 11:00:00Z
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