Sabtu, 08 Februari 2020

Robert Conrad Dead: 'Wild Wild West' Action Star Was 84 - Hollywood Reporter

Renowned for doing his own stunts, he also starred on such shows as 'Hawaiian Eye' and 'Baa Baa Black Sheep' and on the miniseries 'Centennial.'

Robert Conrad, the athletic, two-fisted actor who starred as Secret Service agent James West and did his own spectacular stunts on the 1960s futuristic CBS Western The Wild Wild West, has died. He was 84.

"He lived a wonderfully long life and while the family is saddened by his passing, he will live forever in their hearts," family spokesman Jeff Ballard told People magazine. No other details of his death were immediately available.

Conrad, among the actors employed by Warner Bros. Television to appear on the studio's stable of shows starting in the 1950s, first gained attention for playing Tom Lopaka, a partner in a detective agency, on ABC's Hawaiian Eye.

The Chicago native also was known for starring as real-life World War II pilot Maj. Greg "Pappy" Boyington on NBC's 1976-78 period drama Baa Baa Black Sheep (later known in syndication as Black Sheep Squadron), one of the first series created by Stephen J. Cannell.

Conrad, though, always said that the performance he was most proud of was his turn as the French-Canadian trapper Pasquinel in James Michener's Centennial, the 16 1/2-hour, 12-episode miniseries about the evolution of the American West that aired on NBC in 1978-79. 

He said Michener was on the set during production and told him that he "played the character better than he had written it," Conrad noted during a 2006 chat for the website The Interviews: An Oral History of Television.

On The Wild Wild West, the lithe, blue-eyed Conrad starred as a government agent, working for President Ulysses S. Grant, who employed modern technology to combat villains in the 19th century. Jim West, who wore his spiffy clothes a bit too tight, rode a champion horse and had an eye for the ladies, was paired with Artemus Gordon (Ross Martin), a master of disguise.

The show was "James Bond as a cowboy," and indeed, series creator Michael Garrison had once owned the movie rights to Ian Fleming's first 007 novel, Casino RoyaleWild Wild West lasted four seasons, on the air from September 1965 through April 1969, and attracted another legion of fans in reruns.

Conrad and stuntman Whitey Hughes usually choreographed the show's acrobatic fights (the scripts gave them an amount of time to do them, and they figured things out). Near the end of one season, Conrad said he almost was killed when he fell 14 feet onto a cement floor; he suffered what he described as a "six-inch linear fracture with a high temporal concussion."

Concerned that they would lose the star of their show, CBS executives insisted a stunt double step in for Conrad, but that practice lasted only a couple of episodes, and, after a summer of healing, he was soon back "breaking things," just as he always did.

He was one of the few actors to have been inducted into the Stuntmen's Hall of Fame.

"Ross Martin once said in an interview on the Johnny Carson show, 'Robert does his own stunts, and I do my own acting,' " he said. Asked if he took offense to that, Conrad replied: "I applauded it, it was the truth. I did my acting tongue in cheek. I didn't take any of it seriously. The last year, I didn't even read the scripts, I just read my part. And it worked."

Conrad's ego and toughness also were on display during the Battle of the Network Stars specials, where he more often than not captained the NBC squad to victory. (He did lose one memorable race to Welcome Back Kotter's Gabe Kaplan, getting caught down in the stretch.) 

And in three years as a popular Eveready pitchman, Conrad stared into the camera and challenged anyone to knock a battery off his shoulder.

"Come on, I dare you," he said.

Conrad Robert Falk was born on the South Side of Chicago on March 1, 1935. His father, Leonard, worked in construction and became vice president of the National Sugar Co., and his mother, Jacqueline, did PR and had clients including Patti Page and Vic Damone.

He played running back in high school, thought about a career as a boxer and, when he wasn't loading or driving a truck, sang in a trio that performed in Chicago hotels.

After standing outside theaters to drum up publicity for 1956's Giant (his mother had been dating a Warner Bros. executive, and Conrad bore a resemblance to the recently deceased James Dean), he thought he might try acting.

He attended Northwestern University, majoring in theater arts, and became friends with Rebel Without a Cause actor Nick Adams, who got him a part in Juvenile Jungle (1958).

For a TV show, Conrad landed a gig as a Native American who gets shot and falls off his horse. He fell backward, risking great injury. "That established me as having the talent to do stunts," he said. "So when there was a speaking role associated with a stunt, they'd hire me. You got two for the price of one." 

During rehearsals for a fight sequence on the Warner Bros./ABC series Maverick, Conrad told his actor he was about to tussle with, " 'You're getting too close, you're getting too close,' " he recalled. "I said to the director, 'Why don't you double him?' He said, 'We don't have a double for him, he's going to have to smack you.' I said, 'If he does, he's going to regret it.'

"So we rolled cameras, and sure enough, he hit me, and I hit him back. That went out to one of the executives, and one of them said, 'I like that kid.' And then they put me under contract." 

He played Lopaka, who was half-Caucasian and half-native Hawaiian, for four seasons on Hawaiian Eye, which also starred Anthony Eisley and Connie Stevens. (Lopaka also appeared on crossover episodes of another exotic WBTV show, 77 Sunset Strip.)

After starring with Marisol in the 1964 Spanish movie La nueva Cenicienta (The New Cinderella), Conrad was playing 'Pretty Boy' Floyd opposite Adams in Young Dillinger (1965) when he headed over to CBS after lunch to test for a new show, The Wild Wild West

Very quickly, Conrad got a phone call saying he had been hired and was to start work the following Monday in Sonora, California. (He also said he turned down a chance to play Larry Hagman's part on I Dream of Jeannie.)

Conrad said he trained in karate during the first season of Wild Wild West, and as the series went on, he wore blue underwear so that when his tight pants ripped during fights, the audience couldn't tell.

With television violence coming under fire from politicians in the wake of the 1968 assassinations of Robert Kennedy and Martin Luther King Jr., Wild West West was canceled despite drawing a 33 share of the audience in its 1968-69 season.

Conrad said Baa Baa Black Sheep was axed because it was deemed too violent as well. "I got a double hit," he said.

Wild Wild West, of course, was refashioned as a 1999 movie, with Will Smith passing up a chance to star in The Matrix to portray Jim West. Conrad called the remake "horrible" and "pathetic" and gladly accepted the Razzie Award for the film.

Conrad also starred on other short-lived series including The D.A.Assignment: Vienna, The DukeA Man Called SloaneHigh Mountain Rangers and High Sierra Search and Rescue; hosted Saturday Night Live (musical guest: The Allman Brothers) in 1982; and played John Dillinger in The Lady in Red (1979) and a Richard Nixon confidant in the 1982 NBC telefilm Will: The Autobiography of G. Gordon Liddy.

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2020-02-08 22:23:24Z
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Independent Spirit Awards Winners 2020: Willem Dafoe Wins Best Supporting Male For ‘The Lighthouse’, ‘American Factory’ Best Doc (Updating Live) - Deadline

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2020-02-08 22:02:00Z
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'1917' and 'Parasite' are Oscar worthy — for different reasons - NBC News

In a close battle between favorites for the best picture Oscar, it's the World War I epic "1917" that has stormed to front-runner status this award season. But another consensus contender, the South Korean genre-twisting drama "Parasite," seems to have been steadily leaching votes over the past few weeks.

There will be suspense as the final envelope is opened on Sunday, but both films deserve the most important honor in the film industry — for different reasons.

Inspired by the war stories director Sam Mendes' grandfather told him as a child, "1917" follows two British soldiers as they make their way across enemy lines to prevent an ambush of their fellow troops. "Follows" is the operative word as cinematographer Roger Deakins' camera marches with the protagonists in lockstep through every explosion — as if it were filmed in just one single shot. That it was actually done in a series of seven- or eight-minute takes over 65 days is no less a cinematic feat.

"1917" is directed by Sam Mendes.Universal Pictures

"It's an incredible technical achievement," said Shekhar Kapur, himself a veteran director of several big period films including "Elizabeth." "You can't completely design the shot, so much has to do with the cinematographer and the camera operator having an eye and understanding (in the moment)."

It took an army to film that war movie, said Kapur. An assistant director would have to keep track of the legion of extras as they charged in and out of scenes. The camera operator would have to adjust on the fly if an actor fell or accidentally changed the choreography. And stars George Mackay and Dean-Charles Chapman may not have gotten acting nominations, but they fought honorably in the trenches.

"The camera is on the actors second by second and they have to keep going," said Kapur, who did not work on the film but is a big fan. "It’s not like standing and emoting. It’s much harder to be moving and emoting. They have to keep their concentration for so long.

"In that sense, this collaboration between the (cinematographer), the camera operator, the production designer and the actors, that’s what so amazing about this technical achievement."

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Fresh off wins from the Producers Guild of America, Directors Guild of America, and the British Academy of Film and Television Arts, "1917" has the momentum.

The Academy of Motion Picture Arts and Sciences "has been hungry for an epic to win, because that’s what the Oscars have always represented," said Sasha Stone, founder and editor of Awards Daily. "It also made a lot of money. That’s impressive."

"Parasite," about a poor family of grifters who worm their way into the lives of a rich but naive household, a roller-coaster ride that veers from comedy to drama to horror, also has impressed Hollywood. On Sunday it could become the first foreign-language film to win best picture in the 92-year history of the Oscars.

"It's a timely movie with a political message about class, but it’s also a crowd-pleaser," said Joyce Eng, senior editor at Gold Derby, an awards season news site. "It’s universal in a way that 'Roma' last year was not."

With a surprise best ensemble win at the Screen Actors Guild, "Parasite" has clearly won over many in the largest voting bloc in the Academy. (Actors account for 1,324 out of the 8,469 Oscar voters.)

Eng said the preferential ballot system that the academy uses in Oscar voting could help, by pulling the most second- or third-place votes from voters who pick another film for best picture.

"Right from the moment it premiered at Cannes, there was no doubt that it was a special movie," said Ira Deutchman, an independent producer and professor at Columbia Film School. "By the time the film showed in Toronto, the word of mouth was already incredible."

Kapur watched "Parasite" twice, once with American pals and once with friends from India, and noticed the same reactions from the audience both times. "The last foreign film that I saw have this kind of universal resonance was 'Slumdog Millionaire,'" the 2009 best-picture winner, he said.

As for the rest of the pack?

"Once Upon a Time ... in Hollywood" seemed to have all the pieces in place for a fairy tale ending: a chance for academy voters to honor director Quentin Tarantino before he retires; a star-studded cast that earned their own Oscar nominations in Leonardo DiCaprio and Brad Pitt; and a glorification of the Hollywood mystique. Perhaps because it was released earlier in 2019 than other best picture nominees, however, the clock seems to have struck 12.

Another early favorite going into awards season, director Martin Scorsese's mob biopic "The Irishman," faded a lot quicker than its three-and-a-half hour running time, coming up empty at the major guild awards. A high wattage cast that includes Robert De Niro, Al Pacino and Joe Pesci isn't overcoming the stigma of its Netflix pedigree — the Oscars being a celebration of the theatrical film business.

"Sometimes it's not that there's something wrong with the film. It’s just as simple as there’s something else that people like more," Deutchman said.

It's an honor for "Marriage Story," "Ford v Ferrari," "Jojo Rabbit," "Joker," and "Little Women" just to be nominated, as far as prognosticators are concerned.

If last year's win for "Green Book" taught insiders anything, however, it's that anything can happen. And this year's historically short award season has made it even harder for experts to predict.

Stone suggested that Oscar viewers watch for reactions from the crowd inside the Dolby Theatre during the early awards for clues. She points out that two years ago, there were signs that "Moonlight" would later be the surprise best picture winner over the favored "La La Land" because of the lukewarm applause for the latter's early wins.

This year, there is a similar potential for "1917" and "Parasite."

"It’s one of the things where you have no way of knowing until you walk into the theater and sense the vibe in the room," said Stone.

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2020-02-08 20:22:00Z
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Vanessa Bryant Shares Video of Baby Capri Kobe Bryant After Tragedy - E! NEWS

Vanessa Bryant is finding the strength to cope with the deaths of husband Kobe Bryant and daughter Gianna "Gigi" Bryant through the power of her love for her surviving children.

The NBA icon and retired Los Angeles Lakers star's widow posted on her Instagram page on Saturday a sweet video of 7-month-old Capri Kobe Bryant, the youngest of the couple's four daughters, learning to stand up with the help of her aunt. Capri, aka Koko, gurgles and grins as she masters the move.

"Good job! Good girl, mamacita! Wanna do it again?" Vanessa asks the child.

"My Koko Bean," she captioned the clip. "She looks just like my Gigi. ☀️❤️auntie Ri-Ri. #7months."

Kobe spent much of his childhood in the '80s in Italy, where his father played pro basketball, and was fluent in Italian. He and Vanessa gave their daughters Italian names and he often called his wife "mamacita," which is also the nickname the two sometimes used for their kids. In addition to Capri, Kobe was also a father to Natalia, 17, and Bianka, 3.

Kobe and Gianna, 13, died in a helicopter crash in Calabasas, California earlier this month, along with seven other people.

A public memorial at Staples Center, home of the Lakers, is set to take place on February 24—a nod to Kobe's jersey number.

Watch E! News weekday mornings at 7 a.m.

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2020-02-08 19:25:00Z
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How Oscar nominee Brad Pitt won the public war waged by Angelina Jolie - Page Six

Typically, Hollywood’s awards season is laden with worthy speeches about pet causes, sermons about politics and faux-naïf “I never expected this” tears.

And then there’s Brad Pitt.

“I’ve gotta add this to my Tinder profile,” he quipped at the Screen Actors Guild Awards while accepting a trophy for his role in “Once Upon a Time in . . . Hollywood.”

“Let’s be honest, it was a difficult part,” he continued, cracking up the crowd. “A guy who gets high, takes his shirt off and doesn’t get on with his wife. It’s a big stretch.”

Over the past month, Pitt, 56, has delivered a series of hilariously self-deprecating acceptance speeches — which, insiders told The Post, he pens himself — as he’s won a Golden Globe, SAG and several Critics Circle awards for his role as stuntman Cliff Booth in Quentin Tarantino’s film. He also charmed the Internet with photos of his affectionate SAG Awards reunion with first ex-wife Jennifer Aniston.

“Let’s be honest, it was a difficult part. A guy who gets high, takes his shirt off and doesn’t get on with his wife. It’s a big stretch.”

 - Pitt at the SAG Awards, addressing his “Once Upon a Time . . . in Hollywood” role and his split with Angelina Jolie

Now Pitt — up for Best Supporting Actor — is seemingly a sure bet to win his first Oscar on Sunday.

And he’s finally won the war waged by his second ex-wife, Angelina Jolie. In August 2018, sources told Page Six that the actress had started a whisper campaign to paint Pitt as a deadbeat dad amid a custody fight for the couple’s six children.

“I felt — and so did lots of us — that Brad was muted during his relationship with Angelina. He was distant,” said a Hollywood insider. “And now we have him back.”

“I wouldn’t say muted, because they did a lot of really good work together internationally,” said a close Pitt colleague. “But Angelina did more of the talking and was more aggressive in setting agendas and priorities.”

A Pitt insider told The Post it was not all sunbeams for the actor while filming “Once Upon a Time in . . . Hollywood” in 2018.

“It was a tough shoot. Brad was in the middle of his divorce from Angelina and he wasn’t getting to see his kids as much as he wanted to,” the insider said. “Part of the reason Brad took the part was so he could stay in LA and see the kids.”

Jolie shocked the world when she filed for divorce in September 2016. It reportedly came days after an alleged private-jet altercation between Pitt and oldest son Maddox, now 18, in which the teen is said to have stepped in to defend his mother. In a video of the incident, Pitt was reportedly yell­ing and appeared drunk.

The world loved it when Brad Pitt warmly greeted his ex-wife — and fellow winner — Jennifer Aniston backstage at the Screen Actors Guild Awards in January.
The world loved it when Brad Pitt warmly greeted his ex-wife — and fellow winner — Jennifer Aniston backstage at the Screen Actors Guild Awards in January.Getty Images for Turner

The FBI was dragged into the matter but did not press charges after Pitt was quickly cleared by the Los Angeles County Department of Children and Family Services.

By the time Tarantino started filming in 2018, Jolie was reportedly on a mission to shame Pitt, filing a court claim that the actor had failed to pay any “significant” child support even as his camp revealed he had paid more than $9 million since the 2016 split.

“He was filming with all the legal stuff going on in the background,” said the colleague. “It was a really difficult time in his life and he had great support from everyone on set.”

He formed a strong bond with co-star Leonardo DiCaprio. In the movie, their characters spend every day hanging out on sets, watching TV, sharing meals. In real life, a Pitt pal said, DiCaprio — whom Pitt calls “LDC” and “Lover” — was a great source of moral support and friendship.

“They have a good bond,” a Pitt pal said. “The shoot, although difficult, was something Brad needed.”

During that time, the divorce judge scolded Jolie for trying to drive a wedge between Pitt and the children. Now Pitt gets to see his children for four hours every other day and 12 hours on weekends.

“I want to thank my co-stars: Leo, Margot Robbie, Margot Robbie’s feet, Margaret Qualley’s feet, Dakota Fanning’s feet. Seriously, Quentin has separated more women from their shoes than the TSA.”

 - Brad cracking on director Quentin Tarantino at the SAG Awards

“The children come before anything,” said the colleague. In fact, the actor bowed out of the BAFTA Awards in London last Sunday due to a “family obligation.” Co-star Margot Robbie read his speech.

Despite reports that he skipped the BAFTAs to work on his relationship with Maddox, insiders told The Post that it wasn’t the case — but said Pitt does not have much of a relationship with the teen, a student at Yonsei University in ­Seoul, South Korea.

Jolie and Pitt are not officially divorced as they continue to iron out custody and finances, but they are legally single after a “status-only” dissolution of marriage. The two rarely speak, ­revealed Pitt’s pal, adding: “It’s not easy.”

Pitt’s friends confirmed to The Post that the actor is sober, and he has openly spoken about his drinking and how AA helped him.

“I had taken things as far as I could take it, so I removed my drinking privileges,” he told The New York Times.

When Bradley Cooper presented him with a Best Supporting Actor honor at the National Board of Review Awards in January, Pitt revealed: “I got sober because of this guy. And every day’s been happier ever since.”

But that happiness doesn’t include serious romance.

“He’s not a monk, but he’s not jumping into another ­serious relationship,” said the colleague.

The world went wild at the sight of Pitt and ex-wife Aniston warmly greeting each other backstage at the SAGs in January — 15 years after their split. Although Pitt reportedly attended Aniston’s holiday party and 50th-birthday bash last year, that’s as far as their relationship goes.

“I have to thank my brother in crime, LDC . . . but still, I would’ve shared the raft.”

 - Pitt making a “Titanic” joke about Leonardo DiCaprio at the Golden Globes

“They spoke a few times after Jen’s divorce [from Justin Theroux in 2017], but it’s simple friends stuff,” said the insider. “Nothing more.”

When Pitt hits the red carpet Sunday, he’ll likely be joined by parents Jane and Bill. It’s a far cry from the 2017 Oscars, which he spent at enjoying a spaghetti dinner with friends while the awards played on TV in another room.

Up next, Pitt is producing a documentary about the late singer Chris Cornell, as well as a movie adaptation of the play “The Curious Incident of the Dog in the Night-Time” and an HBO adaptation of the novel “Americanah.”

And sources say he’s savoring his peers’ love from his peers right now.

“He’s really enjoyed the focus on his acting,” said the Pitt pal.

“There’s a lot of love and respect from Hollywood because of his talent and how supportive he has been of others and how easy he is to work with.

“He’s a good guy — that will be his legacy.”


92nd Academy Awards, Sunday, 8 p.m., ABC

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2020-02-08 19:08:00Z
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‘Birds of Prey’ Lays an Egg at Box Office, Set for Worst DC Opening Since ‘Jonah Hex’ - Yahoo Entertainment

Despite strong critical and audience reception, Warner Bros./DC’s “Birds of Prey” is proving not to be the February box office success industry observers had hoped. After grossing $13 million on Friday from 4,236 screens, the film is now estimated to earn an opening weekend of $34 million, which would be the lowest start for a DC Comics adaptation since the $5.3 million opening of the box office bomb “Jonah Hex” in 2010.

Heading into the weekend, trackers had been projecting an opening weekend of $55 million while Warner Bros. was more conservative with a $45 million start. An opening at that lower figure might not have been the foundation for a particularly strong February box office, but still would have been a decent return on investment for Warner. Reports on the budget for “Birds of Prey” have varied but have tended to be around $85-95 million.

Also Read: Why Harley Quinn Became a Bernie Sanders Supporter in 'Birds of Prey'

But a $32 million opening would make it difficult for “Birds of Prey” to even cross $100 million domestically, something that should be a given for any DC film and especially one that has a known star in Margot Robbie returning to her breakthrough role as Harley Quinn after 2016’s “Suicide Squad.” Reception for the film has been generally positive too, with an 83% score on Rotten Tomatoes along with a B+ on CinemaScore and a 4/5 on Postrak.

Instead, “Birds of Prey” is turning out to be similar to “Doctor Sleep” in that both Warner Bros. releases earned thumbs up from those who saw it but fell well short of both analyst projections and studio investment. With no other major films coming until May, Warner Bros. faces more pressure on summer releases like “In the Heights,” “Scoob!” and “Wonder Woman 1984” to deliver.

Also Read: 'Birds of Prey' Director Cathy Yan Wants to See a Harley Quinn - Poison Ivy Film as Much as You Do (Video)

“Birds of Prey” was the only new wide release this weekend, so holdovers fill up the rest of the charts. Sony’s “Bad Boys for Life” is estimated to earn $12 million in its fourth weekend to bring it to a total of $166 million, while Oscar favorite “1917” is projected to earn $9 million in its sixth wide weekend, giving the Universal/Dreamworks film a total of $132 million.

Universal’s “Dolittle” is in fourth with $6.5 million in its fourth weekend and a $63.8 million total, while Sony’s “Jumanji: The Next Level” is on the verge of crossing $300 million domestically with $5.5 million in its ninth weekend in theaters. Another Sony film, Oscar nominee “Little Women,” became the fifth film in this year’s Best Picture race to cross $100 million in North America this past Wednesday and is projected to add $2.4 million this weekend.

Read original story ‘Birds of Prey’ Lays an Egg at Box Office, Set for Worst DC Opening Since ‘Jonah Hex’ At TheWrap

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2020-02-08 17:59:00Z
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Was that a real hyena in 'Birds of Prey'? Margot Robbie spills Harley Quinn's secrets - USA TODAY

If you’re Gotham City hellraiser Harley Quinn, a dog is not your best friend.

A hyena is.

In “Birds of Prey,” Margot Robbie’s anti-heroine introduces us to her pet hyena, Bruce (a subtle nod to fellow Gotham resident Bruce Wayne), who acts like a razor-toothed puppy and eats Twizzlers a la "Lady and the Tramp." After adding Bruce the Hyena to the script, Robbie and screenwriter Christina Hodson realized they needed to find such a friendly hyena.

And, you know, there aren’t many. 

“We thought it would be hilarious to have one of Harley’s hyenas in the film,” Robbie says, recalling their quest during preproduction. “Suddenly, everyone was like, 'What do we do? We can’t just have a hyena?!’ ”

Go on the set of 'Birds of Prey': Margot Robbie juggled jobs, migraines and the Joker

The group trekked out to meet a film-friendly hyena named Fonzi, but it was not meant to be. “We went to go visit him, but quickly learned that it was going to be near impossible to shoot with him the amount we needed,” Robbie says. “He was obviously very dangerous, and anything you gave him was his.” (In other words, it soon became shredded)

Director Cathy Yan says, “It didn’t make sense to have a real hyena on set and have Margot feed it Twizzlers." 

But they didn’t want to rely on a fully computer-generated creature. The fix? Bruce was actually “two really lovely German shepherds,” Hodson says, then special effects took over.

Her hyena may be Hollywood trickery, but that really was Robbie doing a ton of stunts on roller skates.

“I do a lot of roller skating,” Robbie says. “I think everyone just assumed I’d be brilliant at it because I’d done ‘I, Tonya,’ " in which she played controversial figure skater Tonya Harding. "And it helped a lot, but it still is different. Making contact with other human bodies whilst on wheels proved to be more difficult than I anticipated.”

Remember the “Birds of Prey” fight scene that took place on a rotating carousel (with Robbie on skates)? It was no laughing matter.

“That was a really difficult day,” Yan says. “We’d have to do these long takes, and if we had one (actor) mess up, we’d have to start over. The women had to do the choreography over and over again to get it right. I was probably the most hated person after those two days." 

It even wiped out the eternally jovial Robbie. "I remember asking Margot to do one more take, and she looked over me like, ‘Are you sure?’ ” Yan says. 

"It was a tiny platform with a ton of bodies moving around," Robbie recalls, noting the carefully timed carousel scene was even tougher than one that had her chasing a runaway car on roller skates. 

Hodson says, “I’ve never ever seen Margot that tired before.”

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https://news.google.com/__i/rss/rd/articles/CBMifmh0dHBzOi8vd3d3LnVzYXRvZGF5LmNvbS9zdG9yeS9lbnRlcnRhaW5tZW50L21vdmllcy8yMDIwLzAyLzA4L2JpcmRzLW9mLXByZXktbWFyZ290LXJvYmJpZS1oYXJsZXktcXVpbm4tcmVhbC1oeWVuYS80Njg0MjQyMDAyL9IBJ2h0dHBzOi8vYW1wLnVzYXRvZGF5LmNvbS9hbXAvNDY4NDI0MjAwMg?oc=5

2020-02-08 16:30:39Z
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